SND pre United Life 05 \n \n Umenie \u2013 vrav\u00edme, je okrajovou s\u00fa\u010das\u0165ou n\u00e1\u0161ho \u017eivota. Nie\u010do, \u010do mo\u017eno netreba podporova\u0165 v takej miere ako vzdel\u00e1vanie, \u017eivotn\u00e9 prostredie \u010di zdravotn\u00edctvo. Ono v\u0161ak lie\u010di du\u0161u. Herci, o ktor\u00fdch vieme, \u017ee existuj\u00fa, no n\u00e1\u0161mu \u017eivotu s\u00fa tak\u00ed vzdialen\u00ed. Podvedome ich v\u0161ak poklad\u00e1me za vzory, \u0161abl\u00f3ny svojho v\u00fdzoru, spr\u00e1vania a spolo\u010densk\u00e9ho statusu. Parodoxom je, \u017ee aj oni s\u00fa len \u013eudia. Kto v\u0161ak v skuto\u010dnosti s\u00fa umelci na\u0161ej prvej sc\u00e9ny? Odkia\u013e sa zobrali? Ak\u00e1 je ich skuto\u010dn\u00e1 cesta? Dok\u00e1\u017ee niekto dokonal\u00fd zobrazi\u0165 nie\u010do tak\u00e9 nedokonal\u00e9, ako s\u00fa medzi\u013eudsk\u00e9 vz\u0165ahy?<\/p>\n <\/p>\n T\u00edto \u013eudia sa zrodili v divadle pri vosob\u0148ovan\u00ed sa do post\u00e1v, ktor\u00e9 na javisku potili krv, slzy a obetovali svoju vlastn\u00fa du\u0161u. Kto je t\u00e1 Salome, ktor\u00e1 v urputn\u00fdch k\u0155\u010doch v\u00e1\u0161ne a naivity privolala pohybom tela smr\u0165 tak\u00fa ukrutn\u00fa, \u017ee Straussove em\u00f3cie dosahovali vrchol \u013eudsk\u00e9ho ch\u00e1pania? R\u00f3meo a J\u00falia, vyd\u00e1vaj\u00fac sa na cestu tajomstva l\u00e1sky, ktor\u00e1 v amoku oddanosti popiera v\u0161etko konven\u010dn\u00e9 a dosahuje vrchol v obetovan\u00ed \u017eivota. Maxim\u00e1lne prec\u00edtenie. Hriechy otca, dopadaj\u00face na du\u0161u a svedomie synov v Dostojevsk\u00e9ho ve\u013ekolepom diele Bratia Karamazovovci. Aj oni s\u00fa len \u013eudia, pln\u00ed bolesti, minulosti, bezn\u00e1deje, ale i n\u00e1deje, ktor\u00e1 im otv\u00e1ra cestu. Do nie\u010doho, \u010do m\u00f4\u017eeme spolu s nimi za\u017ei\u0165 i my.<\/p>\n <\/p>\n <\/p>\n Ako povedala franc\u00fazskokub\u00e1nska spisovate\u013eka Ana\u00efs Nin: \u201eCestujeme, niektor\u00ed z n\u00e1s naveky\u2026aby sme vyh\u013ead\u00e1vali in\u00e9 \u0161t\u00e1ty, in\u00e9 \u017eivoty, in\u00e9 du\u0161e.\u201c S\u00fa to herci, opern\u00ed spev\u00e1ci a tane\u010dn\u00edci, ktor\u00ed sa ka\u017ed\u00fd de\u0148 postavia napriek \u00fanave, zl\u00e9mu d\u0148u \u010di \u010domuko\u013evek in\u00e9mu na dosky, ktor\u00e9 znamenaj\u00fa svet. Vd\u00fdchnu du\u0161u postave, ktor\u00e1 n\u00e1s m\u00e1 nau\u010di\u0165, prec\u00edti\u0165 s nami boles\u0165, rados\u0165, vzru\u0161enie a vyda\u0165 sa na cestu, ktor\u00e1 sa kon\u010d\u00ed pr\u00e1ve tam, kde sa za\u010d\u00edna. Nau\u010di\u0165 n\u00e1s, \u017ee cesta je cie\u013eom a cie\u013e je cesta. Hrdina nad nimi bu\u010f vyhr\u00e1va, alebo jeho prehra reprezentuje vy\u0161\u0161iu, nesk\u00f4r objaven\u00fa hodnotu a d\u00f4le\u017eit\u00fa pr\u00edu\u010dku \u010di s\u00favislos\u0165. Tento fantastick\u00fd svet evokuje ist\u00fa nadprirodzenos\u0165, magickos\u0165 a tajomnos\u0165, v ktor\u00fdch le\u017e\u00ed ukryt\u00e1 pravda a celkov\u00fd zmysel n\u00e1\u0161ho bytia. Hne\u010f je hrdina, a teda i my schopn\u00ed vidie\u0165 a pochopi\u0165 t\u00fa prav\u00fa podstatu svojej cesty alebo v\u0161eobecne \u013eudskej existencie. Nach\u00e1dzame poklad, ktor\u00fd nen\u00e1jdeme bez prec\u00edtenia a pre\u017eitia viden\u00e9ho. Bez pre\u017eitia cesty.<\/p>\n <\/p>\n Patr\u00edte medzi \u013eud\u00ed, ktor\u00ed tento vzru\u0161uj\u00faci fakt ch\u00e1pu? Rozumiete podstate vyobrazen\u00e9ho, neopakovate\u013en\u00e9ho a nanajv\u00fd\u0161 exkluz\u00edvneho z\u00e1\u017eitku, ak\u00fdm je divadlo? T\u00edto \u013eudia vstupuj\u00fa do divadla, opery a baletu, aby pre\u017eili \u010di zn\u00e1zornili pr\u00edbeh. Osobn\u00fd, hlbok\u00fd, permanentne p\u00f4sobiaci na ducha i du\u0161u. Stoto\u017e\u0148uj\u00fa sa s hercami, so spev\u00e1kmi a tane\u010dn\u00edkmi na \u00farovni pochopenia. Spojen\u00ed s pre\u017e\u00edvan\u00edm dirigentov, re\u017eis\u00e9rov, hudobn\u00edkov, dramaturgov, sc\u00e9nografov. Spojen\u00ed s pre\u017e\u00edvan\u00edm \u013eud\u00ed. Sk\u00faste to aj vy, ke\u010f p\u00f4jdete nabud\u00face do Slovensk\u00e9ho n\u00e1rodn\u00e9ho divadla.<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Pre\u010do by sme do\u0148 chodili, ke\u010f m\u00e1me praktick\u00fa a vyhovuj\u00facu vo\u013ebu osta\u0165 doma, zapn\u00fa\u0165 si telev\u00edzor, internet, android, film, seri\u00e1l, \u010di tablet. Pre\u010do je v<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-5668","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=5668"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5668\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=5668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=5668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=5668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFoto:\u00a0Peter Brenkus pre SND
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