Text: Natalie Dongov\u00e1<\/em> <\/p>\n Legenda. G\u00e9nius. \u0160ialenec. Aj to s\u00fa pr\u00edvlastky, ktor\u00fdmi Ni\u017einsk\u00e9ho naz\u00fdvaj\u00fa t\u00ed, ktor\u00ed sa skuto\u010dne vyznaj\u00fa. Tak, ako na za\u010diatku ka\u017ed\u00e9ho ve\u013ek\u00e9ho pr\u00edbehu, i tu n\u00e1jdeme korene in\u0161pir\u00e1cie u\u017e v jeho ranom detstve.<\/p>\n V\u00e1clav vyrastal v umeleckej rodine. Jeho rodi\u010dia, po\u013esk\u00ed tane\u010dn\u00edci Tomasz Ni\u017einskij<\/strong> and Eleonora Bereda<\/strong>, boli \u010dlenmi Setov opera company – s\u00faboru, ktor\u00fd so svoj\u00edm umen\u00edm cestoval po celom svete. A mal\u00fd V\u00e1clav cestoval s nimi. Cestovanie po baletnom svete prinieslo svoje ovocie, ke\u010f ho ako dev\u00e4\u0165ro\u010dn\u00e9ho prijali ako v\u00fdnimo\u010dn\u00fd talent do poprednej baletnej \u0161koly Imperial Ballet School v St. Petersburgu (Vaganova Academy of Russian Ballet). Presne t\u00e1to \u0161kola vychovala historicky najv\u00e4\u010d\u0161ie a najsl\u00e1vnej\u0161ie osobnosti baletn\u00e9ho sveta. Stala sa \u201erodiskom\u201c legend\u00e1rnych tane\u010dn\u00edkov, sl\u00e1vnych choreografov a perfektn\u00fdch pedag\u00f3gov.<\/p>\n Po absolvovan\u00ed \u0161koly vystrelila jeho kari\u00e9ra z\u00e1vratn\u00fdm sp\u00f4sobom do nepredstavite\u013en\u00fdch v\u00fd\u0161in. Star\u0161\u00ed a sk\u00fasenej\u0161\u00ed kolegovia zostali v \u0161oku, ke\u010f sa V\u00e1clav hne\u010f po prijat\u00ed stal coryphe\u00e9 (pozn. red. \u2013 ved\u00faca osobnos\u0165 baletn\u00e9ho zboru). Po n\u00e1stupe bol okam\u017eite obsadzovan\u00fd do hlavn\u00fdch post\u00e1v, \u010do jeho kolegom, ktor\u00ed str\u00e1vili nieko\u013eko rokov v snahe o zvidite\u013enenie sa pr\u00edli\u0161 nevo\u0148alo. To v\u0161ak bolo V\u00e1clavovi jedno. Jeho geni\u00e1lna vidina sveta bez vojen a ni\u010denia zeme sa \u010doraz viac odr\u00e1\u017eala aj na expresivite jeho tane\u010dn\u00e9ho prejavu.<\/p>\n "Tancoval som desiv\u00e9 veci. \u013dudia boli zo m\u0148a zdesen\u00ed a mysleli si, \u017ee ich chcem zabi\u0165. Nechcel som v\u0161ak zabi\u0165 nikoho. V\u0161etk\u00fdch som miloval, ale nik nemiloval m\u0148a, a preto som sa stal permanentne nerv\u00f3znym\u2026<\/em>\u201c (Vaslav Nijinsky, The Diary of Vaslav Nijinsky) \u010co sa t\u00fdka vz\u0165ahov, ani v t\u00fdch nemal na ru\u017eiach ustlan\u00e9. Vz\u0165ah s impres\u00e1riom a zakladate\u013eom Ballets Russes, legend\u00e1rnym Sergejom \u010eagilevom<\/strong>, ho st\u00e1l nielen pracovn\u00e9 miesto. Ni\u017einskij bol \u010egilevovou<\/strong> m\u00fazou, in\u0161pir\u00e1ciou, die\u0165a\u0165om i milencom z\u00e1rove\u0148. Ke\u010f si V\u00e1clav na\u0161iel man\u017eelku, cel\u00e1 t\u00e1to rozpr\u00e1vka sa rozplynula. Romola de Pulszky<\/strong>, mlad\u00e1 a v\u00e1\u0161niv\u00e1 here\u010dka, bola osobou, ktor\u00e1 Ni\u017einsk\u00e9ho nav\u0161tevovala nielen ako ve\u013ek\u00e1 fan\u00fa\u0161i\u010dka. Po tom, \u010do sa vzali a u V\u00e1clava prepukla schizofr\u00e9nia, str\u00e1vil v n\u00e1pravn\u00fdch \u00fastavoch nieko\u013eko rokov. Pod v\u00e1hou krut\u00e9ho osudu si nasleduj\u00facich tridsa\u0165 rokov u\u017e nikdy nezatancoval.<\/p>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Ke\u010f sa povie meno V\u00e1clav Ni\u017einskij, \u013eudia reaguj\u00fa dvoma sp\u00f4sobmi. Prv\u00e1 skupina absol\u00fatne netu\u0161\u00ed, o kom je re\u010d, a t\u00e1 druh\u00e1 \u00factivo sklad\u00e1 imagin\u00e1rne klob\u00faky<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-5750","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=5750"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5750\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=5750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=5750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=5750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFoto: Peter Brenkus<\/em><\/p>\n
\nA m\u00f4\u017ee by\u0165 vlastne tanec desiv\u00fd? \u00c1no, m\u00f4\u017ee, ale v r\u00e1mci presn\u00e9ho pochopenia Ni\u017einsk\u00e9ho prejavu a\u017e tak\u00fd desiv\u00fd nie je. Jeho expresivita spo\u010d\u00edvala sk\u00f4r v extr\u00e9mnej t\u00fa\u017ebe da\u0165 do tanca v\u0161etko. A to vr\u00e1tane snahy zmeni\u0165 svet.<\/p>\n
\nNi\u017einskij s\u00e1m seba r\u00e1d oslovoval Bohom. Nie v\u0161ak pre nedostatok pokory. Jeho vz\u0165ah s Bohom spo\u010d\u00edval sk\u00f4r v zasn\u00faben\u00ed sa so snahou zmeni\u0165 svet. Svet zmietan\u00fd vojnami a neust\u00e1le zvy\u0161uj\u00facim sa \u013eudsk\u00fdm konzumizmom.<\/p>\n
\nV r\u00e1mci jednej z naj\u00faspe\u0161nej\u0161\u00edch inscen\u00e1ci\u00ed Baletu SND sa na jednom mieste stretli v\u00fdrazn\u00e9 osobnosti umeleck\u00e9ho sveta, aby pribl\u00ed\u017eili div\u00e1kovi pr\u00edbeh mimoriadneho talentu, obety a tane\u010dnej revol\u00facie. Fam\u00f3zny americk\u00fd skladate\u013e Carl Davis<\/strong>, braz\u00edlsky choreograf a re\u017eis\u00e9r Daniel de Andrade<\/strong> a re\u017eis\u00e9rka Patricia Doyle<\/strong> pre v\u00e1s pripravili dielo, ktor\u00e9 pon\u00faka jedine\u010dn\u00fd poh\u013ead na \u017eivot v\u00fdnimo\u010dnej osobnosti, ktorou V\u00e1clav Ni\u017einskij<\/strong> bol.<\/p>\n
\n"To, \u010do ma naozaj dostalo v s\u00favislosti s Ni\u017einsk\u00fdm, bolo zistenie, ak\u00fa obrovsk\u00fa silu m\u00f4\u017ee ma\u0165 umelec performer. V jeho \u0161ialenstve alebo tesne pred t\u00fdm, ako ochorel, mal v\u00edzie o tom, kam sa r\u00fati n\u00e1\u0161 svet. Vn\u00edmal v\u0161etko to zlo a nespravodlivos\u0165, kr\u00edzy v ekonomike, ohrozen\u00e9 \u017eivotn\u00e9 prostredie, svet, v ktorom mnoh\u00ed hladuj\u00fa a in\u00ed s\u00fa ve\u013emi bohat\u00ed, \u0161ialenstvo politikov, vojny, nezmyseln\u00e9 zab\u00edjanie<\/em>,\u201c uviedol re\u017eis\u00e9r a choreograf inscen\u00e1cie Daniel de Andrade<\/strong>.<\/p>\n