<\/p>\n
\u010co v\u00e1s viedlo k\u00a0tomu sta\u0165 sa \u0161\u00e9fom Baletu Slovensk\u00e9ho n\u00e1rodn\u00e9ho divadla?<\/strong><\/p>\n P\u00e1n gener\u00e1lny riadite\u013e SND Mari\u00e1n Chudovsk\u00fd mi zatelefonoval, stretli sme sa a\u00a0dohodli, \u017ee nast\u00fapim do funkcie riadite\u013ea Baletu SND. V\u017edy som si v\u00e1\u017eil mo\u017enos\u0165 pracova\u0165 v\u00a0SND, najprv ako interpret a\u00a0teraz ako riadite\u013e baletu. A pr\u00edle\u017eitos\u0165 ma\u0165 op\u00e4\u0165 t\u00fa \u010des\u0165 ma priviedla k\u00a0tomu, aby som ponuku prijal.<\/p>\n <\/p>\n Nenast\u00fapili ste v\u00a0najjednoduch\u0161om obdob\u00ed \u2013 \u010do ste si ur\u010dili ako prioritu?<\/strong><\/p>\n Je v\u00a0z\u00e1sade jedno, kedy nast\u00fapite. Okolnosti neboli ve\u013emi optimistick\u00e9, ale vyrovnali sme sa s\u00a0nimi pomerne r\u00fdchlo. Bolo nevyhnutn\u00e9 rie\u0161i\u0165 tri priority: budovanie a\u00a0stabiliz\u00e1ciu s\u00faboru interpretov, orient\u00e1ciu reperto\u00e1ru na historick\u00fd odkaz klasick\u00e9ho baletu a\u00a0s\u00fa\u010dasn\u00e9 diela, ako aj uv\u00e1dzanie origin\u00e1lnych projektov.<\/p>\n <\/p>\n Ve\u013ea \u013eud\u00ed ani netu\u0161\u00ed, v\u00a0\u010dom spo\u010d\u00edva pr\u00e1ca riadite\u013ea s\u00faboru \u2013 vedeli by ste im pribl\u00ed\u017ei\u0165 n\u00e1pl\u0148 svojej pr\u00e1ce?<\/strong><\/p>\n Skuto\u010dne len pribl\u00ed\u017ei\u0165, preto\u017ee jej obsahom je ve\u013emi ve\u013ea vec\u00ed, ktor\u00e9 treba usmer\u0148ova\u0165, kontrolova\u0165 alebo priamo vytv\u00e1ra\u0165. Komunikujem s\u00a0\u013eu\u010fmi osobne i\u00a0prostredn\u00edctvom emailu v\u00a0s\u00favislosti s\u00a0riaden\u00edm pr\u00e1ce v\u00a0s\u00fabore a\u00a0s\u00a0pl\u00e1nmi do bud\u00facnosti. V\u00a0pr\u00edpade nevyhnutnosti cestujem za potenci\u00e1lnym partnerom dohodn\u00fa\u0165 detaily. H\u013ead\u00e1m cesty k\u00a0e\u0161te lep\u0161iemu vz\u0165ahu s\u00a0verejnos\u0165ou, aby sa o\u00a0Balete SND vedelo viac a\u00a0in\u00fdm sp\u00f4sobom ako doteraz. V\u0161etko stoj\u00ed na\u00a0kvalitnej komunik\u00e1cii, na\u00a0korektnom, ale tvrdom dohodovan\u00ed, pr\u00edpadne diplomacii pri h\u013eadan\u00ed rie\u0161enia existuj\u00facich probl\u00e9mov. Bez kolekt\u00edvu spolupracovn\u00edkov by to v\u0161etko riadite\u013e s\u00e1m nezvl\u00e1dol.<\/p>\n <\/p>\n Cosmina M. Sobota – Zaharia (Odetta), Jozef Dolinsk\u00fd ml. (Princ, Prinz, Prince Siegfried)\n V\u00a0jednej sez\u00f3ne ste uviedli 3 svetov\u00e9 premi\u00e9ry a\u00a0ka\u017ed\u00e1 bola \u00faspe\u0161n\u00e1. Ktor\u00e1 bola z\u00a0v\u00e1\u0161ho poh\u013eadu najkomplikovanej\u0161ia, ktor\u00e1 priniesla najviac stresu?<\/strong><\/p>\n Sez\u00f3na svetov\u00fdch premi\u00e9r bola v\u00fdsledkom viacro\u010dn\u00fdch pr\u00edprav dvoch projektov a\u00a0jednej zmeny vyn\u00fatenej rozpo\u010dtov\u00fdmi opatreniami. Vzh\u013eadom na to, \u017ee sme nechceli pr\u00eds\u0165 o\u00a0term\u00edn premi\u00e9ry, museli sme jeden z\u00a0projektov vytvori\u0165 v \u201eskr\u00e1tenom konan\u00ed\u201c. Rozsahom pr\u00edpravnej a\u00a0realiza\u010dnej f\u00e1zy bol najn\u00e1ro\u010dnej\u0161\u00ed Ni\u017einskij. Akoko\u013evek kvalitne by ste projekt pripravili, stresov\u00fdm situ\u00e1ci\u00e1m sa nevyhnete. M\u00f4\u017eete predv\u00edda\u0165 mno\u017estvo faktorov a\u00a0sna\u017ei\u0165 sa ich eliminova\u0165, ale aj tak sa n\u00e1jde nie\u010do in\u00e9, na \u010do nem\u00e1te dosah. Samozrejme, mus\u00edte to rie\u0161i\u0165 r\u00fdchlo a\u00a0kvalitne.<\/p>\n <\/p>\n Ako dlho trv\u00e1 pr\u00edprava jednej premi\u00e9ry? Pre s\u00fabor sa za\u010d\u00edna sk\u00fa\u0161obn\u00fdm procesom, kedy sa za\u010d\u00edna pre v\u00e1s?<\/strong><\/p>\n Pr\u00edprava sa pre n\u00e1s za\u010d\u00edna v\u00a0okamihu, ke\u010f sa rozhodneme produkciu zaradi\u0165 do dramaturgick\u00e9ho pl\u00e1nu. Na to, aby ste ju v\u00a0\u0148om ukotvili, potrebujete z\u00e1ruky a\u00a0dohovory ove\u013ea sk\u00f4r, ako ho za\u010dnete zostavova\u0165. To prakticky znamen\u00e1, \u017ee dnes rokujeme o\u00a0tvorbe, ktor\u00e1 sa via\u017ee na sez\u00f3nu 2018\/2019 a\u00a0\u010falej.<\/p>\n <\/p>\n Na \u010do v\u0161etko mus\u00edte myslie\u0165, \u010do v\u0161etko mus\u00edte napl\u00e1nova\u0165?<\/strong><\/p>\n V\u00a0prvom rade mus\u00edte ma\u0165 cie\u013e a\u00a0strat\u00e9giu, ako sa k\u00a0nemu dosta\u0165. Je to ako v\u00a0ka\u017edej firme. S\u00a0t\u00fdm rozdielom, \u017ee divadlo m\u00e1 svoje \u0161pecifick\u00e9 poslanie a\u00a0funguje v istom kult\u00farnom kontexte. Zav\u00e4zuje sa kontraktom vo\u010di verejnosti a\u00a0dost\u00e1va na svoju \u010dinnos\u0165 rozpo\u010det, ktor\u00e9ho s\u00fa\u010das\u0165ou s\u00fa aj v\u00fdnosy z\u00a0predaja vstupeniek. V\u00a0pl\u00e1novan\u00ed sa pohybujete medzi t\u00fdm, \u010do verejnosti chcete pon\u00faknu\u0165, a ako,\u00a0za \u010do a\u00a0s\u00a0k\u00fdm to chcete vytvori\u0165. Preto strategick\u00e9 pl\u00e1novanie obsahuje napr\u00edklad aj pl\u00e1novanie person\u00e1lneho obsadenia s\u00faboru interpretov, potom propag\u00e1ciu smerom von i\u00a0dovn\u00fatra \u201efirmy\u201c. Sam\u00e9 such\u00e9 teoretick\u00e9 veci, bez ktor\u00fdch sa v\u0161ak dnes nepohnete vpred. Nezab\u00fadate na sez\u00f3ny predo\u0161l\u00e9, lebo v\u00a0nich m\u00e1te inform\u00e1cie, ktor\u00e9 v\u00e1m pom\u00e1haj\u00fa man\u00e9vrova\u0165 v\u00a0bud\u00facnosti. Hovor\u00ed sa tomu kvalifikovan\u00fd odhad. V\u00a0dramaturgickej, rozpo\u010dtovej i\u00a0v\u00a0oblasti \u013eudsk\u00fdch zdrojov. Neboli by sme v\u0161ak umelcami, keby sme do divadeln\u00e9ho sveta nechceli dosta\u0165 ist\u00fd podiel \u201em\u00e1gie\u201c, tak\u017ee prip\u00fa\u0161\u0165am ist\u00fd podiel intu\u00edcie.<\/p>\n <\/p>\n Foto: 4men, A. Faraonov, SND\n <\/p>\n Mus\u00edte rie\u0161i\u0165 aj nepr\u00edjemn\u00e9 situ\u00e1cie, ktor\u00e9 nastan\u00fa. Vedeli by ste vybra\u0165 jednu, mo\u017eno vesel\u0161iu pr\u00edhodu, ktor\u00e1 s\u00favis\u00ed s pr\u00edpravou?<\/strong><\/p>\n Zo spleti inform\u00e1ci\u00ed vznikaj\u00fa ob\u010das celkom z\u00e1bavn\u00e9 situ\u00e1cie. Pri organiz\u00e1cii jedn\u00e9ho galakoncertu si re\u017eis\u00e9r pod\u013ea mena myslel, \u017ee \u00fa\u010dinkova\u0165 bude m\u00f4j otec \u2013 nebol si ist\u00fd, ako to otec so siedmimi kr\u00ed\u017eikmi na chrbte zvl\u00e1dne na javisku. Obom sa n\u00e1m u\u013eavilo, ke\u010f sme zistili, \u017ee odr\u00e1\u017eka v\u00a0texte posunula moje meno na stranu \u00fa\u010dinkuj\u00facich namiesto organiz\u00e1torov podujatia.<\/p>\n <\/p>\n V\u00a0m\u00e1ji Balet SND uvedie premi\u00e9ru titulu Romeo a\u00a0J\u00falia \u2013 Tak ako v\u010dera… v\u00a0choreografii Nat\u00e1lie Hore\u010dnej. Na \u010do sa m\u00f4\u017eu div\u00e1ci te\u0161i\u0165?<\/strong><\/p>\n Prich\u00e1dzame s\u00a0projektom, ktor\u00fd konkr\u00e9tne zobrazuje zn\u00e1my pr\u00edbeh, ale vyjadruje sa aj k\u00a0ot\u00e1zkam, ktor\u00e9 s\u00fa zvl\u00e1\u0161\u0165 v\u00a0s\u00fa\u010dasnosti mimoriadne d\u00f4le\u017eit\u00e9. Samozrejme, to v\u0161etko v\u00a0Shakespearovi bolo a\u00a0je, ale v\u00fdrazov\u00fdmi prostriedkami s\u00fa\u010dasn\u00e9ho tane\u010dn\u00e9ho divadla, rukopisom vlastn\u00fdm Nat\u00e1lii Hore\u010dnej chceme e\u0161te naliehavej\u0161ie pripomen\u00fa\u0165, ak\u00e1 d\u00f4le\u017eit\u00e1 v\u00a0\u017eivote \u010dloveka je l\u00e1ska. Prikloni\u0165 misku v\u00e1h na stranu dobra je povinnos\u0165ou ka\u017ed\u00e9ho z\u00a0n\u00e1s.<\/p>\n <\/p>\n <\/p>\n Vstupenky si m\u00f4\u017eete zak\u00fapi\u0165 on-line na str\u00e1nke\u00a0www.snd.skalebo v na\u0161ich pokladniciach. Pokia\u013e uprednost\u0148ujete rezerv\u00e1ciu, je v\u00e1m k dispoz\u00edcii telef\u00f3nne \u010d\u00edslo\u00a0+421 2 204 72 289\u00a0alebo e-mail\u00a0rezervacie@snd.sk.<\/em><\/p>\n <\/p>\n <\/p>\n Jozef Dolinsk\u00fd ml. (foto: SND)\n <\/p>","protected":false},"excerpt":{"rendered":" Popri kari\u00e9re s\u00f3lov\u00e9ho tane\u010dn\u00edka vy\u0161tudoval dve vysok\u00e9 \u0161koly. V\u00a0s\u00fa\u010dasnosti je u\u017e \u0161tvrt\u00fa sez\u00f3nu riadite\u013eom Baletu SND. V\u00a0rozhovore sa dozviete, v\u00a0\u010dom spo\u010d\u00edva n\u00e1pl\u0148 jeho pr\u00e1ce, ale<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-5850","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=5850"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5850\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=5850"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=5850"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=5850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}