{"id":5870,"date":"2017-05-24T00:00:00","date_gmt":"2017-05-23T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/nepriatel-ludu-ibsenova-spolocenska-drama-ako-punkovy-koncert\/"},"modified":"2017-05-24T00:00:00","modified_gmt":"2017-05-23T23:00:00","slug":"nepriatel-ludu-ibsenova-spolocenska-drama-ako-punkovy-koncert","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/nepriatel-ludu-ibsenova-spolocenska-drama-ako-punkovy-koncert\/","title":{"rendered":"An Enemy of the People: Ibsen&#039;s Social Drama as a Punk Concert"},"content":{"rendered":"<p>Punk rock \u2013 Ibsen \u2013 Klata \u2013 Stary Teatr im. Heleny Modrzejewskiej \u2013 Krakov. Po\u013esk\u00fd re\u017eis\u00e9r J\u00e1n Klata je v s\u00fa\u010dasnosti najzn\u00e1mej\u0161\u00edm, ale i najkontroverznej\u0161\u00edm po\u013esk\u00fdm re\u017eis\u00e9rom a dramatikom. Jeho divadeln\u00e9 interpret\u00e1cie s\u00fa revolu\u010dn\u00e9, atypick\u00e9, s\u00fa\u010dasn\u00e9 a z\u00e1rove\u0148 vy\u017eaduj\u00fa otvoren\u00fa myse\u013e. Klata sa ako re\u017eis\u00e9r neboj\u00ed ani kritiky, ani protestov. Jeho uchopenie klasick\u00fdch titulov a forma aktualiz\u00e1cie nie s\u00fa zalo\u017een\u00e9 len na potrebe \u0161okova\u0165, ale aj na potrebe poda\u0165 svedectvo o\u00a0dobe, v ktorej \u017eijeme. Nevyh\u00fdba sa implicitn\u00fdm vyobrazeniam, jeho r\u00e9\u017eie neraz sp\u00f4sobili \u0161kand\u00e1l. Jeho vyobrazenie nahoty a\u00a0sexuality na javisku prer\u00e1stlo a\u017e do trestn\u00e9ho ozn\u00e1menia, ktor\u00fdm sa nieko\u013eko mesiacov zaoberala pol\u00edcia. Plamenn\u00e1 diskusia medzi tradicionalistami a z\u00e1stancami moderny \u2013 \u010di s\u00fa\u010dasn\u00e9ho divadla m\u00e1 jasn\u00fd obsah: <strong>Ak\u00fa tv\u00e1r by malo ma\u0165 n\u00e1rodn\u00e9 divadlo?<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><b>Nepriate\u013e \u013eudu, 13. 6. 2017, 19.00 h, nov\u00e1 budova SND, S\u00e1la \u010dinohry<\/b><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/IBM4kU7Jg0E\" width=\"700\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p align=\"JUSTIFY\">\n<p align=\"JUSTIFY\">Po\u013esk\u00fd kulturol\u00f3g <strong>Dr. MarcinWieczorek<\/strong> sa na adresu tvorby Jana Klatu vyjadril jednozna\u010dne: <i>\u201eDne\u0161n\u00e1 spolo\u010dnos\u0165 zabudla na to, \u017ee poslan\u00edm divadla je v prvom rade vzb\u00fari\u0165 em\u00f3cie.\u201c <\/i>Teatrologi\u010dka <strong>Monika Malkowska<\/strong> zaujala k tvorbe jasn\u00e9 stanovisko: <i>\u201e\u0160kand\u00e1l je najlep\u0161ie divadeln\u00e9 promo \u2013 v\u017edy to tak bolo a v\u017edy to tak bude.\u201c<\/i><\/p>\n<p align=\"JUSTIFY\">\n<h3 align=\"JUSTIFY\">My\u0161lienka aktu\u00e1lna aj po 135 rokoch<\/h3>\n<p align=\"JUSTIFY\">\n<p align=\"JUSTIFY\">V r\u00e1mci festivalu Eurokontext.sk sa Stary Teatr im. Heleny Modrzejewskiej predstav\u00ed s \u010fal\u0161\u00edm klasick\u00fdm titulom <b>Nepriate\u013e \u013eudu<\/b> od n\u00f3rskeho dramatika Henrika Ibsena. Ibsenova dramatika bola v obdob\u00ed vzniku \u0161okuj\u00faca a zaoberala sa aktu\u00e1lnymi t\u00e9mami. <b>Nepriate\u013ea \u013eudu<\/b> nap\u00edsal v roku 1882, ale mechanizmy, ktor\u00e9 opisuje, zost\u00e1vaj\u00fa st\u00e1le rovnak\u00e9. Odhali\u0165 spr\u00e1vu o kontaminovan\u00ed vody k\u00fape\u013eov m\u00f4\u017ee ovplyvni\u0165 n\u00e1v\u0161tevu turistov, dokonca ich odradi\u0165 a mesto vystavi\u0165 vlne nezamestnanosti. Opravy, ktor\u00e9 navrhuje Dr. Stockmann, by trvali dva roky a st\u00e1li by obrovsk\u00e9 peniaze. A tak sa mesto z obavy o svoju bud\u00facnos\u0165 rad\u0161ej postav\u00ed na stranu starostu a\u00a0pe\u0148az\u00ed, ako na stranu zdravia a\u00a0pravdy. Nepriate\u013eom \u013eudu sa st\u00e1va teda ten, kto chce pravdu. To, \u010do nap\u00edsal Henrik Ibsen pred sto rokmi, je zrazu ove\u013ea aktu\u00e1lnej\u0161ie \u2013 h\u013eadanie senz\u00e1ci\u00ed, pravdy v mene verejn\u00e9ho blaha, prepojenie vl\u00e1dy a m\u00e9di\u00ed, katastrof\u00e1lny stav ekol\u00f3gie. \u017dijeme \u010das bitiek o pravdu. Zmenili sa len hrdinovia. Z\u00a0doktora Stockmanna a jeho rodiny sa na konci st\u00e1vaj\u00fa vydedenci na \u00fateku, bezbrann\u00ed a opusten\u00ed. Symbolick\u00e1 potopa zaleje svet, ktor\u00fd sa zmieta v chaose, nen\u00e1visti, klamstv\u00e1ch i demag\u00f3gii. A ako hovor\u00ed Major Stockmann v inscen\u00e1cii \u2013 \u013dudia sa najlep\u0161ie c\u00edtia s t\u00fdmi dobr\u00fdmi star\u00fdmi ideami, ktor\u00e9 u\u017e poznaj\u00fa. A \u017eiadna zmena sa neo\u010dak\u00e1va.<\/p>\n<p align=\"JUSTIFY\">V r\u00e9\u017eii Jana Klatu budete ma\u0165 mo\u017enos\u0165 vidie\u0165 Ibsenovu spolo\u010densk\u00fa dr\u00e1mu ako punkov\u00fd koncert, ako duel slova a hudby. Slovo a hudba maj\u00fa rovnak\u00fa v\u00fdpovedn\u00fa hodnotu. Dekorova\u0165 nie je z\u00e1merom.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/6qnj9vApxoU\" width=\"700\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Nepriate\u013e \u013eudu, to je znepokojenie, rozru\u0161enie i rados\u0165 z hrania. Klata nepon\u00faka r\u00fdchle rie\u0161enia, neobvi\u0148uje, nepod\u00e1va diagn\u00f3zu. Ukazuje stav, v ktorom sme v\u0161etci \u2013 bez v\u00fdnimky \u2013 uviaznut\u00ed. Stav, z ktor\u00e9ho niet \u00faniku. Mus\u00edme sa vzb\u00fari\u0165 \u2013 to je na\u0161a vlastn\u00e1 alternat\u00edva bez oh\u013eadu na cenu a\u00a0n\u00e1sledky. Svet mo\u017eno nie je to najkraj\u0161ie miesto, ale e\u0161te st\u00e1le stoj\u00ed o\u0148 zabojova\u0165. (Teatralny.pl, Newsweek)<\/p>\n<p align=\"JUSTIFY\">Jan Klata patr\u00ed k\u00a0svetovej re\u017eis\u00e9rskej \u0161pi\u010dke a\u00a0doposia\u013e vytvoril viac ako tridsa\u0165 inscen\u00e1ci\u00ed. Okrem rodn\u00e9ho Po\u013eska vytvoril inscen\u00e1cie pre Gdansk, Graz, D<span style=\"font-family: 'Times New Roman', serif;\">\u00fc<\/span>sseldorf, Bochum a\u00a0Berl\u00edn. R\u00e9\u017eiu vy\u0161tudoval na Divadelnej akad\u00e9mii vo Var\u0161ave a\u00a0v\u00a0\u0161t\u00fadi\u00e1ch \u010falej pokra\u010doval na \u0160t\u00e1tnom divadelnom in\u0161tit\u00fate v\u00a0Krakove. Ako asistent spolupracoval s\u00a0re\u017eis\u00e9rom Jerzym Grzegorzewsk\u00fdm na <i>Boh\u00e9me <\/i>v\u00a0Divadelnom \u0161t\u00fadiu Var\u0161ava v\u00a0roku 1995. M\u00f4\u017eeme sa teda domnieva\u0165, \u017ee n\u00e1v\u0161teva Bratislavy nebude v\u00fdnimkou. Ak\u00fd bude jeho postoj vo\u010di Slovensku? Nevyh\u00fdba sa klasick\u00fdm t\u00e9mam a\u00a0textom, ktor\u00e9 s\u00fa st\u00e1le aktu\u00e1lne, \u010di u\u017e ide o\u00a0<i>Hamleta, Kr\u00e1\u013ea Leara<\/i>, antick\u00fa <i>Oresteu<\/i> Ibsenovho <i>Nepriate\u013ea \u013eudu<\/i> \u010di dramatiz\u00e1cie ako <i>Tril\u00f3gia<\/i> Henryka Sienkiewicza alebo Gogo\u013eovho <i>Rev\u00edzora<\/i>.<\/p>\n<p align=\"JUSTIFY\">Viac o\u00a0jeho tvorbe sa dozviete na jeho webovej str\u00e1nke\u00a0http:\/\/culture.pl\/en\/artist\/jan-klata#beginnings<\/p>\n Predstavenie Wrog ludu (Nepriate\u013e \u013eudu) (foto: M. Hueckel)\n<p align=\"JUSTIFY\"><b>Nepriate\u013ea \u013eudu<\/b> v r\u00e9\u017eii Jana Klatu a interpret\u00e1cii Stary Teatr im. Heleny Modrzejewskiej uvid\u00edte v\u00a0r\u00e1mci medzin\u00e1rodn\u00e9ho festivalu Eurokontext.sk 2017 13. j\u00fana o\u00a019.00 h v S\u00e1le \u010dinohry novej budovy SND. Vstupenky si m\u00f4\u017eete zak\u00fapi\u0165 v\u00a0pokladniciach SND alebo online na <span style=\"color: #000080;\"><span style=\"text-decoration: underline;\">www.eurokontext.sk<\/span><\/span>. Ak uprednost\u0148ujete rezerv\u00e1ciu, je v\u00e1m k\u00a0dispoz\u00edcii telef\u00f3nne \u010d\u00edslo +421 2\u00a0204 72\u00a0289.<\/p>\n Predstavenie Wrog ludu (Nepriate\u013e \u013eudu) (foto: M. Hueckel)\n Predstavenie Wrog ludu (Nepriate\u013e \u013eudu) (foto: M. Hueckel)\n Predstavenie Wrog ludu (Nepriate\u013e \u013eudu) (foto: M. Hueckel)","protected":false},"excerpt":{"rendered":"<p>Punk rock \u2013 Ibsen \u2013 Klata \u2013 Stary Teatr im. Heleny Modrzejewskiej \u2013 Krakov. Po\u013esk\u00fd re\u017eis\u00e9r J\u00e1n Klata je v s\u00fa\u010dasnosti najzn\u00e1mej\u0161\u00edm, ale i najkontroverznej\u0161\u00edm<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-5870","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=5870"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5870\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=5870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=5870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=5870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}