{"id":5985,"date":"2018-05-22T00:00:00","date_gmt":"2018-05-21T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/festival-europskeho-divadla-eurokontext\/"},"modified":"2018-05-22T00:00:00","modified_gmt":"2018-05-21T23:00:00","slug":"festival-europskeho-divadla-eurokontext","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/festival-europskeho-divadla-eurokontext\/","title":{"rendered":"Eurokontext European Theatre Festival"},"content":{"rendered":"<h3>Na piatom ro\u010dn\u00edku Festivalu eur\u00f3pskeho divadla SND Eurokontext.sk od 2. do 27. j\u00fana 2018, ktor\u00fd je jedin\u00fdm svojho druhu na Slovensku, si m\u00f4\u017eete pozrie\u0165 dev\u00e4\u0165 opern\u00fdch a\u00a0\u0161es\u0165 baletn\u00fdch predstaven\u00ed. Riadite\u013eov Opery SND Slavom\u00edra Jakubeka (S. J.) a\u00a0Baletu SND Jozefa Dolinsk\u00e9ho ml. sme po\u017eiadali o\u00a0bli\u017e\u0161ie inform\u00e1cie o\u00a0programe.<\/h3>\n<h3><\/h3>\n<p><strong>Ak\u00fdmi inscen\u00e1ciami prekvapia hos\u0165uj\u00face opern\u00e9 s\u00fabory?<\/strong><br \/>\nS. J.: K\u00a0t\u00fdm n\u00e1ro\u010dnej\u0161\u00edm, ale z\u00e1rove\u0148 i\u00a0umelecky v\u00fdnimo\u010dn\u00fdm patr\u00ed \u0160ostakovi\u010dova Lady Macbeth Mcensk\u00e9ho okresu, s ktorou pr\u00edde do SND u\u017e tradi\u010dne ve\u013emi progres\u00edvny opern\u00fd s\u00fabor ostravsk\u00e9ho N\u00e1rodn\u00e9ho divadla moravsko-sliezskeho. Ve\u013ek\u00fd opus opernej literat\u00fary 20. storo\u010dia je strhuj\u00facim pr\u00edbehom agresivitou a\u00a0frustr\u00e1ciami predchnutej ruskej spolo\u010dnosti spred revolu\u010dn\u00fdch \u010dias. Autormi inscen\u00e1cie s\u00fa renomovan\u00ed \u010desk\u00ed tvorcovia re\u017eis\u00e9r Ji\u0159\u00ed Nekvasil a\u00a0v\u00fdtvarn\u00edk Daniel Dvo\u0159\u00e1k.<br \/>\nOpera z\u00a0po\u013esk\u00e9ho Krakova privezie na Slovensku e\u0161te nikdy neuveden\u00e9 dielo \u2013 mystick\u00fa operu Kr\u00e1\u013e Roger Karola Szymanowsk\u00e9ho. Autorom vizu\u00e1lne fascinuj\u00faceho stv\u00e1rnenia diela je v\u00fdrazn\u00e1 osobnos\u0165 po\u013eskej r\u00e9\u017eie Michal Znaniecki, hudobne na\u0161tudoval aj u\u00a0n\u00e1s zn\u00e1my skvel\u00fd dirigent Lukasz Borowicz. Pra\u017esk\u00e9 N\u00e1rodn\u00e9 divadlo, naopak, pricestuje s\u00a0romantickou klasikou, kultov\u00fdm Massenetov\u00fdm Wertherom, atrakt\u00edvnou inscen\u00e1ciou eur\u00f3pskej osobnosti, re\u017eis\u00e9ra Willyho Deckera.<\/p>\n<p>&nbsp;<\/p>\n Po prv\u00fd raz priv\u00edtame v\u00a0SND Krakovsk\u00fa operu s\u00a0dielom u\u00a0n\u00e1s nikdy neuveden\u00fdm &#8211; operou Kr\u00e1\u013e Roger. foto: Ryszard Kornecki\n<p>&nbsp;<\/p>\n<p><strong>Ak\u00fd je k\u013e\u00fa\u010d pri v\u00fdbere dom\u00e1cej prezent\u00e1cie?<\/strong><br \/>\nS. J.: Ko\u0161i\u010dania privez\u00fa m\u00e1lo zn\u00e1mu operu z\u00a0ranej tvorby ve\u013ek\u00e9ho romantick\u00e9ho reform\u00e1tora Richarda Wagnera V\u00edly. Na umeleckej kvalite t\u00e1to inscen\u00e1cia re\u017eis\u00e9ra Lubora Cukra z\u00edskala i\u00a0v\u010faka skvel\u00e9mu dirigentovi Robertovi Jindrovi. Pr\u00edle\u017eitos\u0165 vidie\u0165 operu V\u00edly po prv\u00fd raz inscenovan\u00fa na Slovensku je skuto\u010dne jedine\u010dn\u00e1. Opern\u00fd s\u00fabor SND sa predstav\u00ed spolu s\u00a0Baletom SND v\u00a0ravelovskom dvojtitule \u0160panielska hodinka\/Dafnis a\u00a0Chlo\u00e9, \u00favod festivalu sa ponesie v\u00a0zamen\u00ed najhor\u00facej\u0161ej novinky, premi\u00e9ry ve\u013ekolepej inscen\u00e1cie Pucciniho Tosky, a\u00a0opern\u00fd program doplnia e\u0161te origin\u00e1lna inscen\u00e1cia Sadka Rimsk\u00e9ho-Korsakova a\u00a0Pucciniho Triptych. V\u00a0programe je aj v\u00a0apr\u00edli premi\u00e9rovan\u00e1 inscen\u00e1cia operety Po\u013esk\u00e1 krv od Oskara Nedbala, ktor\u00e1 je u\u017e nasmerovan\u00e1 do jubilejnej sez\u00f3ny 2019\/2020 ako pr\u00edspevok k\u00a0storo\u010dnici SND.<\/p>\n<p>&nbsp;<\/p>\n \u0160panielska hodinka, opera Mauricea Ravela, je zalo\u017een\u00e1 na klasickej komedi\u00e1lnej z\u00e1pletke na t\u00e9mu \u013eudsk\u00fdch vz\u0165ahov a\u00a0zlyhan\u00ed man\u017eelskej vernosti. Na foto Ter\u00e9zia Kru\u017eliakov\u00e1, Tom\u00e1\u0161 Juh\u00e1s. Foto Peter Brenkus.\n<p>&nbsp;<\/p>\n<p><strong>Na festivale Eurokontext.sk bude \u0161es\u0165 baletn\u00fdch predstaven\u00ed, pon\u00fakaj\u00facich krehk\u00fa kr\u00e1su na \u0161pi\u010dk\u00e1ch aj strhuj\u00face, em\u00f3ciami nabit\u00e9 tane\u010dn\u00e9 divadlo. Ktor\u00e9 to s\u00fa?<\/strong><br \/>\nDielo m\u00e1ga, jedn\u00e9ho z\u00a0najv\u00fdznamnej\u0161\u00edch choreografov s\u00fa\u010dasnosti Borisa Eifmana, budeme na festivale obdivova\u0165 v\u00a0interpret\u00e1cii dvoch s\u00faborov. Eifman Ballet z\u00a0Petrohradu sa predstav\u00ed eposom o geni\u00e1lnom skladate\u013eovi P. I. \u010cajkovskom pod n\u00e1zvom PRO et CONTRA. Vypoved\u00e1 o \u017eivotn\u00fdch peripeti\u00e1ch odr\u00e1\u017eaj\u00facich sa v tragick\u00fdch momentoch jeho hudby. Baletn\u00e9 ve\u010dery z\u00a0dielne tohto majstra s\u00fa pre tane\u010dn\u00edkov pohybovo ve\u013emi n\u00e1ro\u010dn\u00e9, vy\u017eaduj\u00fa skvel\u00fa kond\u00edciu, ale aj psychick\u00e9 vyp\u00e4tie. Bolo preto c\u0165ou pre Balet SND, ke\u010f Eifman exkluz\u00edvne zveril s\u00faboru na\u0161tudovanie jeho diela Za hranicami hriechu \u2013 Bratia Karamazovovci &#8211; tane\u010dn\u00fd ekvivalent Dostojevsk\u00e9ho rom\u00e1nu o de\u0161trukt\u00edvnych v\u00e1\u0161\u0148ach a ve\u010dnom s\u00faboji Boha a diabla.<\/p>\n<p>&nbsp;<\/p>\n Na fotografii: Jonatan Lujan (Dmitrij), Adrian Szelle (Alexej), Andrej Szabo (Ivan). Strhuj\u00faci tane\u010dn\u00fd epos Za hranicami hriechu \u2013 Bratia Karamazovci v\u00a0podan\u00ed Baletu SND. Foto Peter Brenkus\n<p>&nbsp;<\/p>\n<p>Po prv\u00fd raz sa na dosk\u00e1ch SND predstav\u00ed Ma\u010farsk\u00fd n\u00e1rodn\u00fd balet tane\u010dn\u00fdm stv\u00e1rnen\u00edm troch jedine\u010dn\u00fdch skladieb B\u00e9lu Bart\u00f3ka. Choreografie sa zmocnili traja renomovan\u00ed ma\u010farsk\u00ed tvorcovia s origin\u00e1lnym pohybov\u00fdm rukopisom: P\u00e1l Fren\u00e1k, Zsolt Juh\u00e1sz, L\u00e1szl\u00f3 Seregi.<\/p>\n<p>Po rokoch hos\u0165uje v\u00a0SND Balet \u0160t\u00e1tneho divadla Ko\u0161ice so siln\u00fdm skuto\u010dn\u00fdm pr\u00edbehom, ktor\u00fd vo svojom denn\u00edku zachytila Anna Frankov\u00e1. V r\u00e9\u017eii a choreografii Ondreja \u0160otha sa v\u00a0hlavnej \u00falohe predstav\u00ed T\u00e1\u0148a Pauhofov\u00e1.<\/p>\n<p>&nbsp;<\/p>\n N\u00e1dhern\u00fd ve\u010der na t\u00e9mu pr\u00edbehu rom\u00e1nu Victora Huga Chr\u00e1m Matky Bo\u017eej v\u00a0Par\u00ed\u017ei pod n\u00e1zvom Esmeralda: brilantn\u00e1 technika, franc\u00fazska noblesa a\u00a0rusk\u00e1 ve\u013ekolepos\u0165. Foto Peter Brenkus.\n<p>&nbsp;<\/p>\n<p>V programe Eurokontextu.sk je aj klasick\u00fd balet Esmeralda, ktor\u00fd sa stretol po premi\u00e9re v\u00a0marci s\u00a0ve\u013emi priazniv\u00fdm ohlasom. Balet SND na\u0161tudoval toto dielo pri pr\u00edle\u017eitosti 200. v\u00fdro\u010dia narodenia velik\u00e1na Mariusa Petipu, autora najv\u00fdznamnej\u0161\u00edch diel klasickej baletnej literat\u00fary. Ve\u013ekolep\u00e1 freska pod\u013ea rom\u00e1nu Victora Huga Chr\u00e1m matky Bo\u017eej v Par\u00ed\u017ei je o temperamentnej Cig\u00e1nke, o ktorej kr\u00e1su s\u00faper\u00ed cel\u00fd Par\u00ed\u017e. Balet v\u00a0choreografii a\u00a0r\u00e9\u017eii Vasilija Medvedeva a\u00a0Stanislava Fe\u010da je pr\u00edle\u017eitos\u0165ou prezentova\u0165 brilantn\u00fa tane\u010dn\u00fa techniku na pozad\u00ed nesmrte\u013en\u00e9ho pr\u00edbehu.<\/p>\n<p>&nbsp;<\/p>\n Stredovek\u00e9 rusk\u00e9 byliny a\u00a0eposy o\u00a0spev\u00e1kovi Sadkovi v\u00a0modernom viden\u00ed americk\u00e9ho re\u017eis\u00e9ra Daniela Kramera. Na foto \u013dubica Vargicov\u00e1, Michal Lehotsk\u00fd.\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Na piatom ro\u010dn\u00edku Festivalu eur\u00f3pskeho divadla SND Eurokontext.sk od 2. do 27. j\u00fana 2018, ktor\u00fd je jedin\u00fdm svojho druhu na Slovensku, si m\u00f4\u017eete pozrie\u0165 dev\u00e4\u0165<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-5985","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=5985"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/5985\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=5985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=5985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=5985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}