{"id":6312,"date":"2019-12-08T00:00:00","date_gmt":"2019-12-07T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/francis-ford-coppola-rozhovor\/"},"modified":"2019-12-08T00:00:00","modified_gmt":"2019-12-07T23:00:00","slug":"francis-ford-coppola-rozhovor","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/francis-ford-coppola-rozhovor\/","title":{"rendered":"Francis Coppola v slovenskom rozhovore: Film je il\u00fazia, ale hlava m\u0155tveho ko\u0148a bola skuto\u010dn\u00e1"},"content":{"rendered":"

Francis Ford Coppola (* 7. apr\u00edl 1939, Detroit, Michigan, USA) je v\u00fdznamn\u00fd americk\u00fd re\u017eis\u00e9r, producent a scen\u00e1rista mnoh\u00fdch filmov a nieko\u013ekon\u00e1sobn\u00fd dr\u017eite\u013e Oscara. Ceny Akad\u00e9mie a obdiv cel\u00e9ho sveta si vysl\u00fa\u017eil napr\u00edklad sn\u00edmkami Krstn\u00fd otec (The Godfather, 1972) alebo Apokalypsa (Apocalypse Now, 1979). Pod\u013ea Filipa Ortha, ktor\u00fd pre UnitedLife pripravil tento v\u00fdnimo\u010dn\u00fd rozhovor, je Coppola skvel\u00fd \u010dlovek s obchodn\u00fdm pr\u00edstupom a siln\u00fdm talianskym charakterom. Coppola sa st\u00e1le zauj\u00edma o filmov\u00fa tvorbu, ale dnes investuje viac \u010dasu do v\u00edna – vedie zna\u010dku Francis Ford Coppola Winery so s\u00eddlom v Kalifornii.<\/strong><\/p>\n


\nRozhovor pripravil Filip Orth v auguste 2019<\/em>
\nPreklad a edit\u00e1cia: Mary Str\u00ed\u017eov\u00e1, Erik Str\u00ed\u017e
\nZa spolupr\u00e1cu \u010fakujeme Vari Symposium Santa Clara University<\/em><\/p>\n

 <\/p>\n

Ako ste pri\u0161li k filmom? \u010co pre v\u00e1s znamen\u00e1 filmovanie? A ako v\u00e1m film zmenil \u017eivot?<\/b><\/p>\n

Bol som osamel\u00fd, chor\u00fd chlapec, ktor\u00fd sa zauj\u00edmal o vedu, to ma priviedlo k dobrovo\u013en\u00edckej \u010dinnosti. V ka\u017edej nasleduj\u00facej \u0161kole, do ktorej som chodil, som chodil do divadeln\u00e9ho oddelenia, preto\u017ee v\u017edy tam potrebovali deti, ktor\u00e9 s\u00fa dobr\u00e9 v oblasti elektriny a techniky; a boli tam diev\u010dat\u00e1. Nakoniec som \u0161tudoval divadlo na vysokej \u0161kole a to sa pretavilo do mojej v\u00fdroby filmov.<\/span><\/p>\n

\u00a0<\/span><\/p>\n foto\/zdroj: arch\u00edv Francisa Forda Coppolu\n

Ke\u010f ste pracovali na svojich prv\u00fdch zn\u00e1mych filmoch, ktor\u00e9 \u013eudia najsk\u00f4r kritizovali, ako ste pokra\u010dovali \u010falej v snahe a viere, \u017ee bud\u00fa \u00faspe\u0161n\u00e9 a z\u00e1rove\u0148 ignorovali negat\u00edvne n\u00e1zory? \u00a0<\/b><\/p>\n

V\u017edy som mal pochybnosti o tom, \u010do som t\u00fa\u017eil robi\u0165, napriek tomu som bol v\u017edy nejak vytrval\u00fd. Mo\u017eno v\u0161etci kreat\u00edvni umelci \u010delia neistote, ale jej vyrie\u0161enie je pr\u00e1ve t\u00fdm \u00faspechom.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Na z\u00e1klade \u010doho sa rozhodujete, ak\u00e9 filmy vytvor\u00edte, ak\u00fd \u017e\u00e1ner a s ak\u00fdm zameran\u00edm?<\/b><\/p>\n

Tvor\u00edm len osobn\u00e9 \u201ck\u00fasky\u201d alebo veci, ktor\u00e9 sa m\u00e1 emocion\u00e1lne a osobne dotkn\u00fa.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u010co pova\u017eujete za svoj najv\u00e4\u010d\u0161\u00ed \u00faspech v \u017eivote?<\/b><\/p>\n

Existenciu zrekon\u0161truovan\u00e9ho a op\u00e4\u0165 skvel\u00e9ho \u201evin\u00e1rstva Inglenook\u201d v Napa Valley.<\/span><\/p>\n

 <\/p>\n Coppola na konferencii v Santa Clara University Homepage SANTA CLARA UNIVERSITY | Foto\/zdroj: Charles Barry\n

\u00a0<\/span><\/p>\n

Ako funguje cel\u00e1 \u201ere\u017eis\u00e9rska rodina\u201d a ak\u00e9 je va\u0161e spojenie s in\u00fdmi re\u017eis\u00e9rmi, ako s\u00fa Martin Scorsese alebo Steven Spielberg?<\/b><\/p>\n

Amerika sa te\u0161\u00ed priate\u013eskej koket\u00e9rii mnoh\u00fdch svojich \u00fa\u017easn\u00fdch tvorcov. Pozn\u00e1me jeden druh\u00e9ho a pom\u00e1hame si desa\u0165ro\u010dia.\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u010co si mysl\u00edte, \u017ee je ten limit v r\u00e1mci filmovania? Kam sa uber\u00e1 filmovanie?<\/b><\/p>\n

Teraz, ke\u010f je \u201efilm\u201c digit\u00e1lnym m\u00e9diom (na rozdiel od fotochemick\u00e9ho, mechanick\u00e9ho), m\u00f4\u017ee sa v\u00fdrazne vyvin\u00fa\u0165 do \u0161t\u00fdlov a\u00a0foriem, ktor\u00e9 je \u0165a\u017ek\u00e9 si predstavi\u0165. V\u00a0podstate by to bolo ako pok\u00fasi\u0165 sa predstavi\u0165 si filmy, ktor\u00e9 bud\u00fa robi\u0165 va\u0161e vn\u00fa\u010dat\u00e1.\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Nielen m\u0148a zaujala hlava ko\u0148a vo filme Krstn\u00fd otec. Bolo to \u0165a\u017ek\u00e9 by\u0165 oh\u013eadupln\u00fd a z\u00e1rove\u0148 sa sna\u017ei\u0165 z\u00edska\u0165 tak\u00e9to rekvizity?\u00a0<\/b><\/p>\n

Nie, filmovanie je il\u00fazia. Ke\u010f\u017ee to bola skuto\u010dn\u00e1 hlava skuto\u010dn\u00e9ho ko\u0148a, poch\u00e1dzala od spolo\u010dnosti zameranej na v\u00fdrobu krmiva pre psov a dom\u00e1ce zvierat\u00e1.<\/span><\/p>\n

\u00a0<\/b><\/p>\n

\u010co by ste urobili vo filme, ktor\u00fd by ste mohli urobi\u0165 bez ak\u00fdchko\u013evek obmedzen\u00ed?<\/b><\/p>\n

Ni\u010d. Ka\u017ed\u00fd film\u00e1r m\u00e1 po\u010das nat\u00e1\u010dania filmu ve\u013ea obmedzen\u00ed.<\/span><\/p>\n

\u00a0<\/span><\/p>\n foto\/zdroj: arch\u00edv Francisa Forda Coppolu\n

Viem, \u017ee je to pravdepodobne \u0165a\u017ek\u00e1 ot\u00e1zka pre filmov\u00e9ho re\u017eis\u00e9ra, av\u0161ak m\u00e1te najob\u013e\u00fabenej\u0161\u00ed film? Ktor\u00fd to je? Pre\u010do?<\/b><\/p>\n

V\u017edy ma prekvapuje, ke\u010f \u013eudia prich\u00e1dzaj\u00fa so zoznamom najlep\u0161\u00edch desiatich \u201enajv\u00e4\u010d\u0161\u00edch filmov\u201c, preto\u017ee v skuto\u010dnosti existuj\u00fa tis\u00edce skuto\u010dne vynikaj\u00facich filmov a majstrovsk\u00fdch diel. Mo\u017eno ich u\u017e bolo sto len v tichej \u00e9re. Ak sa ma p\u00fdtate na moju vo\u013ebu najlep\u0161ieho filmu v\u00f4bec, vedel by som ich jednoducho pomenova\u0165 sto. Ale ur\u010dite by bol na zozname Kurosawu<\/strong>, mo\u017eno aj Johna Hustona<\/strong> or Williama Wylera<\/strong> \u2013 nehovoriac o Andrzejovi Wajdovi<\/strong> \u00a0or Scorsesem<\/strong> or Spielbergovi<\/strong> or Pabstovi<\/strong>, Fellinim<\/strong>, Murnauovi<\/strong> a tak \u010falej.<\/span><\/p>\n

 <\/p>\n

Kde a ako zvy\u010dajne z\u00edskavate in\u0161pir\u00e1ciu pre svoje filmy?<\/b><\/p>\n

Z\u00a0mojich osobn\u00fdch \u017eivotn\u00fdch sk\u00fasenost\u00ed.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Existuje nejak\u00fd odkaz, ktor\u00fd by ste chceli odovzda\u0165 \u013eu\u010fom?<\/b><\/p>\n

\u00c1no. Umenie je nevyhnutnou s\u00fa\u010das\u0165ou modern\u00e9ho \u017eivota, rovnako ako voda. V bud\u00facnosti u\u017e nebude hlavn\u00fdm cie\u013eom n\u00e1roda v\u00fdroba* a produktivita, ale vzdelanie<\/strong>. Pod\u013ea slov Aristotela bude jednorazov\u00e1 v\u00fdroba spotrebn\u00e9ho tovaru a zdrojov zaobstaran\u00e1 \u201ene\u017eij\u00facimi\u201c pracovn\u00edkmi. \u0160t\u00e1t bude nielen organizuj\u00faci subjekt bud\u00facich gener\u00e1ci\u00ed, ale aj \u0161kolou, ktor\u00e1 u\u010d\u00ed a povzbudzuje v\u0161etk\u00fdch ob\u010danov, aby si u\u017e\u00edvali maxim\u00e1lne pote\u0161enie z priate\u013estva a vzdel\u00e1vania.<\/span><\/p>\n

*V\u00fdroba tovaru, ktor\u00fa nikto nepotrebuje alebo nechce, ale rast\u00faci dopyt prostredn\u00edctvom reklamy, marketingu a v\u0161tepovania \u201epotrieb\u201c, ktor\u00e9 v skuto\u010dnosti neexistuj\u00fa na ni\u010d in\u00e9 ako len na \u00fa\u010dely zhroma\u017e\u010fovania bohatstva.\u00a0<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

Za poskytnutie rozhovoru \u010fakujeme a \u017eel\u00e1me mno\u017estvo osobn\u00fdch i pracovn\u00fdch \u00faspechov!<\/em><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Francisa Coppolu sme sa p\u00fdtali na to, ako sa v minulosti vedel vysporiada\u0165 s negat\u00edvnymi reakciami na jeho tvorbu, \u010do bol jeho najv\u00e4\u010d\u0161\u00ed \u017eivotn\u00fd \u00faspech alebo na to, ak\u00fd film pova\u017euje za svoj najob\u013e\u00fabenej\u0161\u00ed.<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-6312","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/6312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=6312"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/6312\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=6312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=6312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=6312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}