{"id":7124,"date":"2021-08-20T00:00:00","date_gmt":"2021-08-19T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/ako-daleko-sme-ochotni-zajst-ked-nas-zatlacia-do-rohu\/"},"modified":"2021-08-20T00:00:00","modified_gmt":"2021-08-19T23:00:00","slug":"ako-daleko-sme-ochotni-zajst-ked-nas-zatlacia-do-rohu","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/ako-daleko-sme-ochotni-zajst-ked-nas-zatlacia-do-rohu\/","title":{"rendered":"Ako \u010faleko sme ochotn\u00ed z\u00e1js\u0165, ke\u010f n\u00e1s zatla\u010dia do rohu?"},"content":{"rendered":"Z\u00e1ber z hry Twelve Minutes od v\u00fdvoj\u00e1ra Luisa Antonia a vydavate\u013estva Annapurna Interactive\n

Ako \u010faleko z\u00e1jde\u0161, ak \u0165a zatla\u010dia do rohu? \u010co skuto\u010dne dok\u00e1\u017ee\u0161? Aj zabi\u0165 a mu\u010di\u0165?<\/p>\n

To s\u00fa ot\u00e1zky, ktor\u00e9 si mnoh\u00ed z n\u00e1s polo\u017eili u\u017e ve\u013eakr\u00e1t a nemuselo to by\u0165 pr\u00e1ve v najtemnej\u0161\u00edch chv\u00ed\u013each \u017eivota. Asi ka\u017ed\u00fd sa niekedy zamyslel nad t\u00fdm, \u010di je dobr\u00e9 alebo lep\u0161ie by\u0165 zl\u00fdm \u010dlovekom, krut\u00fdm a do\u017eadova\u0165 sa svojho nie z nutnosti, ale pre chamtivos\u0165, \u017eiadostivos\u0165, aby sa n\u00e1sledne upokojil t\u00fdm, \u017ee by kruto a n\u00e1silne konal sk\u00f4r vtedy, ak by ho k tomu dotla\u010dili okolnosti. Napr\u00edklad ohrozenie milovanej osoby, ktor\u00e1 je pr\u00e1ve tehotn\u00e1.<\/p>\n

Podnet sa sebareflexiu v tomto duchu pon\u00faka nov\u00e1 hra Twelve Minutes<\/strong> (Dvan\u00e1s\u0165 min\u00fat), ktor\u00e1 je dostupn\u00e1 na Steame.<\/p>\n

Twelve Minutes (2021), trailer:<\/h3>\n

Hra Dvan\u00e1s\u0165 min\u00fat je ak\u00e9si spojenie trilera a psychologickej po\u010d\u00edta\u010dovej hry, ktor\u00e1 n\u00fati uva\u017eova\u0165 nad konan\u00edm post\u00e1v.<\/p>\n

Man\u017eelia, ktor\u00fdch stv\u00e1rnili James McAvoy<\/strong> and Daisy Ridley<\/strong>, oslavuj\u00fa spr\u00e1vy o svojom prvom tehotenstve. Ke\u010f hr\u00e1te za man\u017eela, pom\u00e1hate prestrie\u0165 st\u00f4l pomocou klasick\u00e9ho syst\u00e9mu vedenej interakcie klikan\u00edm, cel\u00e1 sc\u00e9na je pritom koncipovan\u00e1 ako poh\u013ead na byt zhora.<\/p>\n Modern\u00e9 hry sa v mnohom in\u0161piruj\u00fa filmov\u00fdm priemyslom, \u010do hr\u00e1\u010da e\u0161te viac n\u00fati ponori\u0165 sa do deja. Z\u00e1ber z hry Twelve Minutes od v\u00fdvoj\u00e1ra Luisa Antonia a vydavate\u013estva Annapurna Interactive\n

N\u00e1sledne prich\u00e1dza k\u013e\u00fa\u010dov\u00fd moment: Policajt, \u200b\u200bktor\u00e9ho stv\u00e1r\u0148uje Willem Dafoe<\/strong> (a hr\u00e1 s divokou intenzitou), vykopne dvere bytu a obvin\u00ed va\u0161u man\u017eelku z vra\u017edy. Je na v\u00e1s, aby ste na\u0161li cestu von z tejto stra\u0161nej situ\u00e1cie, a to v\u0161etko bez toho, aby ste museli opusti\u0165 stiesnen\u00e9 tri miestnosti v byte, vykreslen\u00e9 v s\u00fdtych farb\u00e1ch ako klasick\u00fd hollywoodsky film. Podobnos\u0165 s Hitchcockom<\/strong> and Dial M for Murder<\/strong> (1954) je evidentn\u00e1.<\/p>\n

V\u00fdvoj\u00e1ri hry umo\u017e\u0148uj\u00fa, aby hr\u00e1\u010d opakoval tie ist\u00e9 deje dookola a tak nach\u00e1dzal sp\u00f4soby, ako rie\u0161i\u0165 probl\u00e9my. Ke\u010f\u017ee tu neexistuje \u017eiadne ultim\u00e1tum konca hry, hr\u00e1\u010d m\u00f4\u017ee do s\u00fdtosti nach\u00e1dza\u0165 nov\u00e9 a nov\u00e9 rie\u0161enia. Je to skoro nepoctiv\u00e9<\/strong>, no i to je z\u00e1mer.<\/p>\n

Podstatou celej veci je prin\u00fati\u0165 hr\u00e1\u010da, aby si uvedomil, kam je a\u017e ochotn\u00fd z\u00e1js\u0165<\/strong>, aby sa posunul \u010falej a aby sa zbavil dvan\u00e1s\u0165min\u00fatovej \u010dasovej slu\u010dky, ktor\u00e1 je pevnou s\u00fa\u010das\u0165ou konceptu hry. Spo\u010diatku bud\u00fa rie\u0161enia mierne, nesk\u00f4r n\u00e1siln\u00e9 a krut\u00e9, jedn\u00fdm z rie\u0161en\u00ed sa pon\u00faka aj samovra\u017eda, mu\u010denie, zav\u00e1dzanie, v\u0161etko v malom uzatvorenom priestore plnom nap\u00e4tia, ktor\u00e9 vytv\u00e1raj\u00fa dobr\u00ed herci.<\/p>\n

Dvan\u00e1s\u0165 min\u00fat nikdy nezaobch\u00e1dza s tak\u00fdmto skazen\u00fdm spr\u00e1van\u00edm frivolne. Rovnomerne siln\u00e9 v\u00fdkony ho sk\u00f4r nap\u013a\u0148aj\u00fa sp\u00e1dom, ak\u00fd vo videohr\u00e1ch len m\u00e1lokedy c\u00edti\u0165. Ridley a McAvoy s\u00fa vynikaj\u00faci. Dafoe je presne tak\u00fd, ako by ste si predstavovali, prech\u00e1dza z d\u00e9monick\u00e9ho na otcovsk\u00fd \u0161t\u00fdl tak r\u00fdchlo, ako to vy\u017eaduje scen\u00e1r hry (ob\u010das aj na \u0161kodu). Toto je v\u0161ak iba jedna strana. Anim\u00e1cie, pohyb zachyten\u00fd spolo\u010dnos\u0165ou Mocap Now a o\u017eiven\u00fd anim\u00e1tormi Alexom Yaoom, CJ Markhamom a Addisonom DeBoltom, s\u00fa plynul\u00e9, realistick\u00e9 a presved\u010div\u00e9. Skuto\u010dnos\u0165, \u017ee kv\u00f4li poh\u013eadu zhora nadol takmer nevid\u00edte tv\u00e1re t\u00fdchto post\u00e1v, rob\u00ed tento po\u010din o to pozoruhodnej\u0161\u00edm.<\/p>\n Z\u00e1ber z hry Twelve Minutes od v\u00fdvoj\u00e1ra Luisa Antonia a vydavate\u013estva Annapurna Interactive\n

Twelve Minutes postupne vedie hr\u00e1\u010da k prekvapiv\u00fdm rozuzleniam<\/strong>, ktor\u00e9 mo\u017eno priamo porovn\u00e1va\u0165 s filmami od Christophera Nolana, ako Memento – o mu\u017eovi s amn\u00e9ziou, ktor\u00e9ho pr\u00edbeh je rozpr\u00e1van\u00fd retrospekt\u00edvne.<\/p>\n

Rovnako ako film, \u010dasov\u00e9 spracovanie Dvan\u00e1stich min\u00fat vyvol\u00e1va vskutku prekvapiv\u00e9 du\u0161evn\u00e9 stavy – paniku, dojem sna, potla\u010dovan\u00e9 spomienky, predtuchy, ktor\u00e9 sa opakuj\u00fa donekone\u010dna – to s\u00fa v\u0161etko predpoklady, aby sme dramaticky zmenili svoje be\u017en\u00e9 spr\u00e1vanie. Probl\u00e9m nast\u00e1va pr\u00e1ve vtedy, ke\u010f za\u010dneme t\u00fdmto sp\u00f4sobom kona\u0165 nad r\u00e1mec bezpe\u010dn\u00fdch hran\u00edc.<\/p>\n

Nie je potrebn\u00e9 zbyto\u010dne hru glorifikova\u0165, ale moment\u00e1lne ide o jeden z najvydarenej\u0161\u00edch projektov, ktor\u00e9 maj\u00fa potenci\u00e1l prekvapi\u0165, oslovi\u0165 a zanecha\u0165 v hr\u00e1\u010dovi (nie v\u017edy) nezodpovedan\u00e9 ot\u00e1zky o sebe samom.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Ak n\u00e1m niekto ohrozuje milovan\u00fa osobu, sme schopn\u00ed pravdepodobne v\u0161etk\u00e9ho.<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-7124","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/7124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=7124"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/7124\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=7124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=7124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=7124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}