{"id":7399,"date":"2021-12-14T00:00:00","date_gmt":"2021-12-13T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/eco-art-cesta-k-udrzatelnosti-v-oblasti-kultury\/"},"modified":"2021-12-14T00:00:00","modified_gmt":"2021-12-13T23:00:00","slug":"eco-art-cesta-k-udrzatelnosti-v-oblasti-kultury","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/eco-art-cesta-k-udrzatelnosti-v-oblasti-kultury\/","title":{"rendered":"Eco-Art: cesta k udr\u017eate\u013enosti v oblasti kult\u00fary"},"content":{"rendered":"<p>Eco-Art alebo ekologick\u00e9 umenie sa zaober\u00e1 <strong>aktivizmom a upozor\u0148uje na probl\u00e9my \u017eivotn\u00e9ho prostredia<\/strong>.\u00a0 Eko-umelci sa zauj\u00edmaj\u00fa o \u017eivotn\u00e9 prostredie, a preto \u010dasto vytv\u00e1raj\u00fa umenie, ktor\u00e9 zlep\u0161uje dan\u00fa oblas\u0165 z h\u013eadiska \u017eivotn\u00e9ho prostredia alebo poukazuje na konkr\u00e9tny environment\u00e1lny probl\u00e9m. T\u00e1to oblas\u0165 umenia sa v dne\u0161nej dobe ra\u00eddne roz\u0161iruje hlavne z d\u00f4vodu narastania ob\u00e1v z klimatick\u00fdch zmien.<\/p>\n<h3>Princ\u00edpy Eco-Art<\/h3>\n<ul>\n<li>Navrh nov\u00fdch sp\u00f4sobov spolu\u017eitia s na\u0161\u00edm prostred\u00edm.<\/li>\n<li>Materi\u00e1ly a sily \u017eivotn\u00e9ho prostredia.<\/li>\n<li>San\u00e1cia a rekultiv\u00e1cia po\u0161koden\u00e9ho pr\u00edrodn\u00e9ho prostredia alebo obnovovanie ekosyst\u00e9mov umeleck\u00fdm sp\u00f4sobom.<\/li>\n<li>Vyu\u017e\u00edtie pr\u00edrodn\u00fdch materi\u00e1lov.<\/li>\n<li>Informova\u0165 verejnos\u0165 o environment\u00e1lnych probl\u00e9moch.<\/li>\n<li>Kreat\u00edvne navrhova\u0165 nov\u00e9 sp\u00f4soby udr\u017eate\u013enosti.<\/li>\n<\/ul>\n<h3>Lorenzo Quinn<\/h3>\n<p>Taliansky umelec Lorenzo Quinn je jedn\u00fdm z najviac popul\u00e1rnych umelcov v tomto odvetv\u00ed. Up\u00fatal pozornos\u0165 m\u00e9dii svojim dielom<em> Support<\/em>. Jeho dielo bolo vystaven\u00e9 po\u010das <strong>Bien\u00e1le v Ben\u00e1tkach v roku 2017<\/strong>.<\/p>\n<p>Postavil<strong> dve obrovsk\u00e9 detsk\u00e9 ruky, <\/strong>ktor\u00e9 sa vyn\u00e1rali z vody, aby <strong>podopreli hotel Ca&#8216; Sagredo<\/strong>. Tento zvu\u010dn\u00fd odkaz mal varova\u0165 pred hrozbou klimatick\u00fdch zmien a pred hrozbou zvy\u0161ovania hladiny mora. Starobyl\u00e9 z\u00e1klady, na ktor\u00fdch s\u00fa <strong>Ben\u00e1tky<\/strong> postaven\u00e9, s\u00fa neust\u00e1le <strong>ohrozovan\u00e9 zvy\u0161ovan\u00edm hladiny mora a nahromaden\u00fdm zne\u010disten\u00edm z turistick\u00fdch lod\u00ed<\/strong>.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Artist Lorenzo Quinn installed these giant hands to demonstrate the devastating effects climate change could have on Venice. <a href=\"https:\/\/t.co\/NYAYRnWEAA\" rel=\"nofollow\">pic.twitter.com\/NYAYRnWEAA<\/a><\/p>\n<p>&mdash; AJ+ (@ajplus) <a href=\"https:\/\/twitter.com\/ajplus\/status\/864923848864546816?ref_src=twsrc%5Etfw\" rel=\"nofollow noopener\" target=\"_blank\">May 17, 2017<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<h3>Olafur Eliasson<\/h3>\n<p>Ke\u010f sa hovor\u00ed o anga\u017eovan\u00fdch ekologick\u00fdch umelcoch, nikdy netrv\u00e1 dlho, k\u00fdm sa objavilo meno Olafura Eliassona. Jeho diela sa \u010dasto nach\u00e1dzaj\u00fa v<strong> centre environment\u00e1lneho umeleck\u00e9ho hnutia <\/strong>a obsahuj\u00fa <strong>siln\u00e9 posolstv\u00e1<\/strong>. Azda jeho najzn\u00e1mej\u0161\u00edm eco-dielom je <em>Ice Watch<\/em> z roku 2015. Toto dielo bolo vystaven\u00e9 na konferencii COP-21 s <strong>cie\u013eom varova\u0165 pred topen\u00edm \u013eadovcov<\/strong>. Eliasson prepravil bloky <strong>pl\u00e1vaj\u00faceho \u013eadu z Gr\u00f3nska<\/strong> do <strong>eur\u00f3pskych hlavn\u00fdch miest<\/strong>, kde mohli div\u00e1ci de\u0148 za d\u0148om sledova\u0165, ako sa \u013eadovce topili a mizli pred o\u010dami.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Ice Watch in front of <a href=\"https:\/\/twitter.com\/Bloomberg?ref_src=twsrc%5Etfw\" rel=\"nofollow noopener\" target=\"_blank\">@Bloomberg<\/a> European headquarters in London<a href=\"https:\/\/twitter.com\/hashtag\/icewatchlondon?src=hash&amp;ref_src=twsrc%5Etfw\" rel=\"nofollow noopener\" target=\"_blank\">#icewatchlondon<\/a> <a href=\"https:\/\/t.co\/MPs6KG5c5F\" rel=\"nofollow\">pic.twitter.com\/MPs6KG5c5F<\/a><\/p>\n<p>&mdash; StudioOlafurEliasson (@olafureliasson) <a href=\"https:\/\/twitter.com\/olafureliasson\/status\/1072497314114232321?ref_src=twsrc%5Etfw\" rel=\"nofollow noopener\" target=\"_blank\">December 11, 2018<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<h3>Nancy Holt<\/h3>\n<p>Nancy Holt je v\u00fdznamn\u00e1 osobnos\u0165 <strong>land-artu<\/strong>. Svojimi <strong>slne\u010dn\u00fdmi tunelmi <\/strong>presl\u00e1vila <strong>p\u00fa\u0161\u0165 v Utahu.<\/strong> Tunely boli vytvoren\u00e9 z valcovit\u00fdch \u00fatvarov, ktor\u00e9 boli perforovan\u00e9, aby pri prechode <strong>slne\u010dn\u00fdch l\u00fa\u010dov vytv\u00e1rali s\u00fahvezdia<\/strong>. Holt sa sna\u017e\u00ed in\u0161pirova\u0165 div\u00e1ka k pocitu spojenia s prostred\u00edm, s vesm\u00edrom a pr\u00edrodou v\u0161eobecne.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Land artist Nancy Holt, Sun Tunnels (1973), Great Basin Desert, Utah at sunrise <a href=\"https:\/\/twitter.com\/hashtag\/womensart?src=hash&amp;ref_src=twsrc%5Etfw\" rel=\"nofollow noopener\" target=\"_blank\">#womensart<\/a> <a href=\"https:\/\/t.co\/CEU0fvSRG2\" rel=\"nofollow\">pic.twitter.com\/CEU0fvSRG2<\/a><\/p>\n<p>&mdash; #WOMENSART (@womensart1) <a href=\"https:\/\/twitter.com\/womensart1\/status\/964398969664061440?ref_src=twsrc%5Etfw\" rel=\"nofollow noopener\" target=\"_blank\">February 16, 2018<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<h3>Angeles Pe\u00f1a<\/h3>\n<p>Umelky\u0148a argent\u00ednskeho p\u00f4vodu Angeles Pe\u00f1a vyu\u017e\u00edva vo svojej pr\u00e1ci fotografiu. Fotografuje <strong>chladn\u00e9 a hroziv\u00e9 krajiny<\/strong>, ktor\u00e9 na sn\u00edmkoch dosahuj\u00fa majest\u00e1tne rozmery. S\u00e9ria fotografii sa sna\u017e\u00ed uk\u00e1za\u0165, ako vonkaj\u0161ia fas\u00e1da t\u00fdchto neuverite\u013en\u00fdch kraj\u00edn m\u00f4\u017ee odhali\u0165 hlb\u0161iu a z\u00e1sadnej\u0161iu pravdu. Dnes je jej pr\u00e1ca svedectvom rast\u00facich ob\u00e1v zo zmeny kl\u00edmy. Spolu s \u010fal\u0161\u00edmi ekologick\u00fdmi umelcami Frankom Seguinom a Cheng Chang Wuom sa Angeles Pe\u00f1a zaradila do dlh\u00e9ho radu umeleck\u00fdch fotografov, ktor\u00ed sa venuj\u00fa ekol\u00f3gii.<\/p>\n<h3>Barbara Hepworth<\/h3>\n<p>Dielo Barbary Hepworthovej ponech\u00e1va ve\u013ek\u00fd priestor na interpret\u00e1ciu. Jej vlastn\u00e9 koment\u00e1re k dielam alebo rozhovory s\u00fa zriedkav\u00e9.<strong> \u013dudsk\u00e1 postava a t\u00e9ma \u013eudskosti <\/strong>tvor\u00ed z\u00e1kladn\u00fa in\u0161pir\u00e1ciu pri tvorbe\u00a0 jej diel. Skuto\u010dnos\u0165, \u017ee v\u00e4\u010d\u0161ina jej s\u00f4ch poch\u00e1dza zo za\u010diatku 20. storo\u010dia, ukazuje, do akej mieryt\u00e1to umelky\u0148a predbehla svoju dobu.<\/p>\n<p><a href=\"https:\/\/twitter.com\/womensart1\/status\/1442157511994392586\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/twitter.com\/womensart1\/status\/1442157511994392586<\/a><\/p>\n<h3>J\u00e9r\u00e9my Gob\u00e9<\/h3>\n<p><strong>Koraly<\/strong> s\u00fa hlavnou t\u00e9mou tvorby ekologick\u00e9ho umelca J\u00e9r\u00e9myho Gob\u00e9. Jeho projekt s n\u00e1zvom Corail Artefact sved\u010d\u00ed o naliehavosti z\u00e1chrany koralov\u00fdch \u00fatesov a in\u00fdch podmorsk\u00fdch biosyst\u00e9mov. Tento franc\u00fazsky umelec sa dlhodobo zaober\u00e1 problematikou \u017eivotn\u00e9ho prostredia a sk\u00fama \u0161trukt\u00faru a tvorbu koralov.<\/p>\n<p><iframe title=\"Artistic and industrial collaboration: Weber France &amp; J\u00e9r\u00e9my Gob\u00e9\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/r5lIyVan2DQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Banksy<\/h3>\n<p>Banksy je v\u00fadcou osobnos\u0165 street artu a hnutia proti establi\u0161mentu. Vo svojej pr\u00e1ci sa zaober\u00e1 viacer\u00fdmi soci\u00e1lnymi ot\u00e1zkami ako mierom, svetov\u00fdm hladom a samozrejme aj environmentalizmom. Tento britsk\u00fd umelec \u010dasto pou\u017e\u00edva obrazy zvierat, ako s\u00fa potkany alebo opice. T\u00fdmto zvierat\u00e1m d\u00e1va \u013eudsk\u00e9 vlastnosti a spr\u00e1vanie, aby urpiamil pozornos\u0165 na z\u00e1va\u017en\u00e9 probl\u00e9my. Nieko\u013eko jeho grafitov sa priamo zaoberalo \u017eivotn\u00fdm prostred\u00edm.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">I love hanging out with people that make me forget to look at my phone.<\/p>\n<p>&mdash; Official Banksy (@BankskyPosts) <a href=\"https:\/\/twitter.com\/BankskyPosts\/status\/511164762877861888?ref_src=twsrc%5Etfw\" rel=\"nofollow noopener\" target=\"_blank\">September 14, 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<h3>Antony Gormley<\/h3>\n<p>Umeleck\u00e1 spolo\u010dnos\u0165 uzn\u00e1va Antonyho Gormleyho za jeho sochy a in\u0161tal\u00e1cie. Vo svojich dielach Antony sk\u00fama vz\u0165ah<strong> \u013eudsk\u00e9ho tela a okolit\u00e9ho priestoru.<\/strong><\/p>\n<p><a href=\"https:\/\/twitter.com\/artsofexistence\/status\/1433178956115632129\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/twitter.com\/artsofexistence\/status\/1433178956115632129<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Eco-Art alebo ekologick\u00e9 umenie sa zaober\u00e1 aktivizmom a upozor\u0148uje na probl\u00e9my \u017eivotn\u00e9ho prostredia.\u00a0 Eko-umelci sa zauj\u00edmaj\u00fa o \u017eivotn\u00e9 prostredie, a preto \u010dasto vytv\u00e1raj\u00fa umenie, ktor\u00e9<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-7399","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/7399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=7399"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/7399\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=7399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=7399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=7399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}