{"id":7593,"date":"2022-03-17T00:00:00","date_gmt":"2022-03-16T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/aktualne-umelec-jeff-koons-prehral-sudny-spor-a-moze-prist-o-miliony\/"},"modified":"2022-03-17T00:00:00","modified_gmt":"2022-03-16T23:00:00","slug":"aktualne-umelec-jeff-koons-prehral-sudny-spor-a-moze-prist-o-miliony","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/aktualne-umelec-jeff-koons-prehral-sudny-spor-a-moze-prist-o-miliony\/","title":{"rendered":"Aktu\u00e1lne: Umelec Jeff Koons prehral s\u00fadny spor a m\u00f4\u017ee pr\u00eds\u0165 o mili\u00f3ny"},"content":{"rendered":"Serpents – porcelain\u00a0 \u00a9 Jeff Koons Edition 1988\n

Jeff Koons<\/strong> patr\u00ed medzi najv\u00fdznamnej\u0161ie a najkontroverznej\u0161ie postavy s\u00fa\u010dasn\u00e9ho umeleck\u00e9ho sveta. Jeho obrovsk\u00fd vplyv siaha od umenia a\u017e do sveta m\u00f3dy a hudby. Okrem svojich provokat\u00edvnych diel je zn\u00e1my aj po\u010detn\u00fdmi s\u00fadnymi spormi. Jeho sochy a in\u00e9 diela s\u00fa zn\u00e1me kop\u00edrovan\u00edm<\/strong> u\u017e existuj\u00facich foriem a obrazov z popul\u00e1rnej kult\u00fary. Preto bol Koons v minulosti viackr\u00e1t ob\u017ealovan\u00fd za poru\u0161enie autorsk\u00fdch pr\u00e1v.<\/p>\n

Umeleck\u00ed zberatelia jeho tvorbu ozna\u010duj\u00fa ako neo-pop<\/strong>. Svojimi dielami povy\u0161uje g\u00fd\u010d na vysok\u00e9 umenie a vyvol\u00e1va ve\u013emi protichodn\u00e9 reakcie u kur\u00e1torov aj oby\u010dajn\u00fdch div\u00e1kov. Autor s\u00e1m ak\u00e9ko\u013evek pokusy o kategoriz\u00e1ciu svojich diel odmieta a najm\u00e4 popiera, \u017ee by jeho pr\u00e1ce mali ak\u00fdko\u013evek skryt\u00fd v\u00fdznam.<\/p>\n

Posledn\u00fd s\u00fadny spor prehral<\/h3>\n

Jeff Koons prehral s\u00fadny spor so 74-ro\u010dn\u00fdm talianskym pois\u0165ovate\u013eom. Mil\u00e1nsky s\u00fad rozhodol, \u017ee socha zobrazuj\u00faca dvoch hadov je origin\u00e1l<\/strong>, a nie falzifik\u00e1t ako tvrdil americk\u00fd umelec Koons. Toto rozhodnutie znamen\u00e1, \u017ee hodnota prav\u00e9ho diela, ktor\u00fa vlastn\u00ed makl\u00e9r, pravdepodobne prudko st\u00fapne. Zatia\u013e \u010do hodnota druhej verzie (napodobeniny) vystavenej v umeleckej gal\u00e9rii Univerzity v Ohiu by sa pod\u013ea odborn\u00edkov mala v\u00fdrazne zn\u00ed\u017ei\u0165.<\/p>\n

Sudcovia opr\u00e1vnili zberate\u013ea \u017eiada\u0165 od umelca od\u0161kodn\u00e9<\/strong> v \u010fal\u0161om pojedn\u00e1van\u00ed.<\/p>\n

Sporn\u00e1 socha<\/h3>\n

Porcel\u00e1nov\u00e9 dielo s v\u00fd\u0161kou 34 cm, ktor\u00e9 zobrazuje dvoch vesel\u00fdch hadov v zelen\u00fdch mot\u00fdlikoch, je s\u00fa\u010das\u0165ou s\u00e9rie s\u00f4ch, ktor\u00e9 vytvoril mil\u00e1nsky v\u00fdrobca Fidia S.n.c. pre Koonsovu v\u00fdstavu Banality<\/strong> v Kol\u00edne nad R\u00fdnom v roku 1988. Univerzita v Ohiu k\u00fapila svoju verziu<\/strong> v roku 1989<\/strong>. Taliansky zberate\u013e k\u00fapil svoju verziu<\/strong> na aukcii straten\u00e9ho majetku v Mil\u00e1ne<\/strong> za 500 000 l\u00edr (pribli\u017ene 500 eur v dne\u0161n\u00fdch peniazoch) v roku 1991. V \u010dase oboch n\u00e1kupov bol americk\u00fd umelec Jeff Koons mimo odborn\u00fdch kruhov len m\u00e1lo zn\u00e1my.<\/p>\n

Obe verzie diela Serpents<\/em> s\u00fa toto\u017en\u00e9 a nes\u00fa na podstavcoch rovnak\u00fd n\u00e1zov<\/strong>. O tom, ktor\u00e9 z nich je p\u00f4vodn\u00e9 dielo, musel rozhodn\u00fa\u0165 a\u017e mil\u00e1nsky s\u00fad.<\/p>\n

V okt\u00f3bri minul\u00e9ho roka s\u00fad v Mil\u00e1ne potvrdil predch\u00e1dzaj\u00face rozhodnutie vydan\u00e9 dva roky predt\u00fdm, v ktorom sa kon\u0161tatovalo, \u017ee zberate\u013esk\u00e1 verzia je autorizovan\u00fdm autentick\u00fdm umeleck\u00fdm dielom p\u00e1na Jeffreyho Koonsa<\/strong>. Predpoklad\u00e1 sa, \u017ee verzia z Ohia\u00a0 je klonom vytvoren\u00fdm po tom, ako sa origin\u00e1l pova\u017eoval za straten\u00fd.<\/p>\n

S\u00fadny spor spo\u010diatku inicioval Jeff Koons<\/h3>\n

Koons inicioval predch\u00e1dzaj\u00faci pr\u00e1vny spor v roku 1997<\/strong> po tom, ako taliansky zberate\u013e zaradil dielo do aukcie v newyorskej Christie’s Gallery. Tento s\u00fadny spor zablokoval predaj diela a predlo\u017eil tvrdenie, \u017ee dielo je falzifik\u00e1t. Po\u010das s\u00fadneho procesu v\u0161ak Koons zmenil svoju verziu a povedal, \u017ee zberate\u013eovo dielo s\u00edce bolo v Kol\u00edne skuto\u010dne vystaven\u00e9<\/strong>, ale i\u0161lo o chybn\u00fd prototyp a malo by\u0165 zni\u010den\u00e9. S\u00fad ozna\u010dil Koonsov n\u00e1vrh za neopodstatnen\u00fd.<\/p>\n

Pr\u00edpad sa znovu objavil v Taliansku v roku 2014<\/strong>, ke\u010f ist\u00fd mil\u00e1nsky galerista prejavil z\u00e1ujem o k\u00fapu diela a po\u017eiadal Koonsa, aby overil jeho pravos\u0165. Po tom, ako umelec povedal, \u017ee ide o prototyp, zberate\u013e po\u017eadoval, aby mu zaplatil n\u00e1hradu za straten\u00fd predaj<\/strong>. Koons zasa \u017eiadal zberate\u013ea, aby zaplatil od\u0161kodn\u00e9 vo v\u00fd\u0161ke 8 mili\u00f3nov eur, \u010do je priemern\u00e1 hodnota diela zo skupiny diel Serpents<\/em><\/strong>. Mil\u00e1nsky s\u00fad uznal za pravdu majite\u013eovi diela a dospel k z\u00e1veru, \u017ee dielo je autorizovan\u00fdm a autentick\u00fdm Koonsov\u00fdm dielom, <\/strong>\u010di\u017ee origin\u00e1lom.<\/p>\n

\u010eal\u0161ie pojedn\u00e1vania a od\u0161kodnenie<\/h3>\n

Pod\u013ea rozsudku sa pr\u00edpadn\u00e9 bud\u00face \u017eiadosti o n\u00e1hradu \u0161kody vydan\u00e9 zberate\u013eom bud\u00fa rie\u0161i\u0165 samostatn\u00fdm rozsudkom<\/strong>. Koons sa proti posledn\u00e9mu rozhodnutiu s\u00fadu odvolal a pr\u00edpad bude e\u0161te definit\u00edvne prerokovan\u00fd na talianskom kasa\u010dnom s\u00fade.<\/p>\n

Zdroj: The Artnewspaper<\/p>","protected":false},"excerpt":{"rendered":"

Jeff Koons patr\u00ed medzi najv\u00fdznamnej\u0161ie a najkontroverznej\u0161ie postavy s\u00fa\u010dasn\u00e9ho umeleck\u00e9ho sveta. Jeho obrovsk\u00fd vplyv siaha od umenia a\u017e do sveta m\u00f3dy a hudby. Okrem svojich<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-7593","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/7593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=7593"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/7593\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=7593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=7593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=7593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}