{"id":8043,"date":"2023-06-26T00:00:00","date_gmt":"2023-06-25T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/recenzia-na-film-ked-pandemonium-rezisera-otvara-cestu-k-drsnej-psychohygiene-divaka\/"},"modified":"2023-06-26T00:00:00","modified_gmt":"2023-06-25T23:00:00","slug":"recenzia-na-film-ked-pandemonium-rezisera-otvara-cestu-k-drsnej-psychohygiene-divaka","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/recenzia-na-film-ked-pandemonium-rezisera-otvara-cestu-k-drsnej-psychohygiene-divaka\/","title":{"rendered":"Ke\u010f rozvod dopadne zle, naozaj zle. Vy\u010derp\u00e1vaj\u00faci hereck\u00fd v\u00fdkon Isabelly Adjaniovej a Sama Neilla dodnes ohromuje."},"content":{"rendered":"<p><strong>Ke\u010f rozvod dopadne zle, naozaj zle, vznikne film ako \u017eiadny in\u00fd. Ke\u010f sa odhodl\u00e1te na film Posadnutos\u0165, ktor\u00fd v roku 1981 nato\u010dil po\u013esk\u00fd re\u017eis\u00e9r Andrzej \u017dulawski, stoto\u017e\u0148ujeme sa s odpor\u00fa\u010dan\u00edm magaz\u00ednu Rolling Stone: \u201ePozerajte s niek\u00fdm, koho nezn\u00e1\u0161ate.\u201d<\/strong><\/p>\n<p><iframe title=\"Metrograph Pictures presents POSSESSION [4K Restoration, Official Trailer]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Ah4Z1yIAoFM?start=100&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Posadnutos\u0165 (1981)<span class=\"Apple-converted-space\">\u00a0<\/span><\/h3>\n<p>Nestihn\u00fa odznie\u0165 ani \u00favodn\u00e9 titulky a z nepokojnej kamery je jasn\u00e9, \u017ee toto nebude <strong>\u017eiadna oddychovka<\/strong>. Bude iba hor\u0161ie. Man\u017eel Mark (Sam Neill) sa vracia z utajenej vl\u00e1dnej misie v rozdelenom Berl\u00edne a tak, ako <strong>Berl\u00ednsky m\u00far<\/strong> rozde\u013eoval dva nekompatibiln\u00e9 svety, aj medzi n\u00edm a man\u017eelkou Annou (Isabelle Adjaniov\u00e1) je <strong>nepreklenute\u013en\u00e1 bari\u00e9ra<\/strong>, len o tom e\u0161te nevie. Anna je sprvu t\u00e1 racion\u00e1lnej\u0161ia, sna\u017e\u00ed sa mu vysvetli\u0165, \u017ee jeho dlh\u00e9 pracovn\u00e9 cesty ich odcudzili, \u017ee ich syn by v man\u017eelstve bez l\u00e1sky len trpel, \u017ee rozvod je s\u00edce po\u013eutovaniahodn\u00e1, ale najlep\u0161ia mo\u017enos\u0165.<\/p>\n<p style=\"text-align: center;\">Man\u017eelstvo Marka a Anny krachuje v meste, ktor\u00e9 je samo rozdelen\u00e9. Zdroj: screenshot, YouTube<\/p>\n<p>Mark nes\u00fahlas\u00ed a ke\u010f sa dozvie o man\u017eelkinom pomere, d\u00e1va svoju frustr\u00e1ciu r\u00e1zne najavo, \u010do m\u00f4\u017eu dosved\u010di\u0165 aj zamestnanci kaviarne Caf\u00e9 Einstein Stammhaus na Kurf\u00fcrstenstra\u00dfe 58. Nesk\u00f4r sa primie\u0161a milenec Heinrich (Heinz Bennent), ktor\u00fd v celej svojej podivuhodnosti nie je najv\u00e4\u010d\u0161\u00edm probl\u00e9mom. <strong>Annu ovl\u00e1da nie\u010do ove\u013ea hrozivej\u0161ie, in\u00fdmi slovami, \u017dulawsk\u00e9ho hlod do ucha americk\u00e9ho producenta, \u017ee Posadnutos\u0165 je s\u010dasti film o \u017eene, ktor\u00e1 sp\u00e1va s chobotnicou, nebol iba pr\u00e1zdnym a nadnesen\u00fdm do\u017eadovan\u00edm sa pozornosti.\u00a0<\/strong>Dodnes \u0165a\u017eko poveda\u0165, \u010di je v\u00fdtvor autora \u0161peci\u00e1lnych efektov Carla Rambaldiho (Votrelec, E.T. &#8211; Mimozem\u0161\u0165an) stelesnen\u00edm Anninho utrpenia alebo len choromyse\u013en\u00fdm v\u00fdplodom.<\/p>\n<h4>Krv a mlieko<\/h4>\n<p><strong>\u017dulawski pre\u017eil<\/strong> pred nakr\u00faten\u00edm sn\u00edmky <strong>rozvod <\/strong>a asi nebol pekn\u00fd. Dal priechod svoj\u00edm <strong>najtemnej\u0161\u00edm pocitom<\/strong>, postav\u00e1m napr\u00edklad podhodil elektrick\u00fd n\u00f4\u017e, keby si n\u00e1hodou ubli\u017eovali m\u00e1lo. Pred niektor\u00fdmi sc\u00e9nami svojich hercov \u00fadajne <strong>zhypnotizoval<\/strong>, aby prenikol hlb\u0161ie do ich vn\u00fatra. <strong>Sc\u00e9ny z man\u017eelsk\u00e9ho \u017eivota zrazu nadob\u00fadaj\u00fa in\u00fd rozmer.<\/strong><\/p>\n<p style=\"text-align: center;\">Kuchynsk\u00e9 predmety ako n\u00e1stroje na sebapo\u0161kodzovanie. Zdroj: screenshot, YouTube<\/p>\n<p style=\"text-align: left;\">Annin <strong>nervov\u00fd kolaps<\/strong> kulminuje tesne za polovicou filmu <strong>do bodu, odkia\u013e niet n\u00e1vratu.<\/strong> Na stanici metra d\u00fdcha \u0165a\u017eko, hoci vy\u0161la jedno poschodie eskal\u00e1torom. Potom sa za\u010dne meta\u0165, h\u00e1dza\u0165 sa o stenu a ohlu\u0161uj\u00faco kri\u010da\u0165. V k\u0155\u010doch sa zv\u00edja na \u0161pinavej zemi, to v\u0161etko predt\u00fdm, ne\u017e jej z otvorov vyte\u010d\u00fa krv a biela tekutina pripom\u00ednaj\u00faca mlieko. V nasleduj\u00facej sc\u00e9ne hovor\u00ed Markovi, \u017ee potratila a \u017ee stratila vieru. Op\u00e4\u0165, bola to metaforick\u00e1 strata viery alebo to bol skuto\u010dn\u00fd potrat, po ktorom stratila vieru, v Boha, v seba, v \u010doko\u013evek?<\/p>\n<p style=\"text-align: center;\">Anna stratila vieru. Zdroj: screenshot, YouTube<\/p>\n<h4>Vy\u010derp\u00e1vaj\u00faci hereck\u00fd v\u00fdkon<\/h4>\n<p>Kulminuje aj <strong>v\u00fdkon Isabelle Adjaniovej<\/strong>, ktor\u00e1 n\u00e1s od za\u010diatku hypnotizovala modr\u00fdmi ok\u00e1\u013emi. Ocenili ju v Cannes aj C\u00e9sarom, franc\u00fazskym ekvivalentom Oscara, no <strong>vy\u017eiadalo si to svoju da\u0148:<\/strong> \u201ePosadnutos\u0165 je typ filmu, ktor\u00fd m\u00f4\u017eete robi\u0165 len za mlada. \u017dulawski je re\u017eis\u00e9r, ktor\u00fd v\u00e1s vtiahne do svojho sveta temnoty a d\u00e9monov. V mladosti je to v poriadku, lebo sa tam chcete vyda\u0165, nakr\u00fatili sme v\u00fdnimo\u010dn\u00fd film, no zranil ma skrz-naskrz. Nikto si nezl\u00e1mal kosti, ale p\u00fdtala som sa sama seba: <em>\u201eAko a pre\u010do som to spravila?\u201d<\/em> Nemysl\u00edm si, \u017ee by s n\u00edm nejak\u00e1 here\u010dka niekedy nato\u010dila dva filmy.\u201d<\/p>\n<p>Po\u013esk\u00fd re\u017eis\u00e9r na to spom\u00ednal v dokumente \u017dulawski o \u017dulawskom v roku 2000: \u201ePod\u013ea m\u00f4jho n\u00e1zoru <strong>hrala n\u00e1dherne<\/strong> a aj ona vedela, \u017ee <strong>hrala na hrane<\/strong>. Nechcela s nami pozera\u0165 nato\u010den\u00e9 sc\u00e9ny, ako jedin\u00e1, a ja tomu rozumiem. <strong>Nie\u010do sa<\/strong> u\u017e vtedy <strong>rodilo v jej mysli<\/strong>, nie\u010do, \u010do by som nazval syndr\u00f3mom hviezdy. Za\u010dala sa vn\u00edma\u0165 ako dokonal\u00e1, v\u00fdnimo\u010dn\u00e1, nedotknute\u013en\u00e1 bytos\u0165 a to ju doviedlo do katastrofy. Je u\u017e tak\u00e1 vypchat\u00e1 chemik\u00e1liami, silik\u00f3nom a bohvie \u010d\u00edm, \u017ee sa na seba nepodob\u00e1. Je ako <strong>Portr\u00e9t Doriana Graya<\/strong>, nechce zostarn\u00fa\u0165 a nechce na sebe vidie\u0165 nijak\u00fa chybu. Chce by\u0165 mlad\u0161ia ako jej vlastn\u00e9 deti. T\u00e1to stra\u0161n\u00e1 n\u00e1maha, ktor\u00fa investovala, aby zostala mlad\u00e1, ju dostala do stavu, ke\u010f s \u0148ou u\u017e nikto nechce pracova\u0165, hoci je ve\u013emi talentovan\u00e1 here\u010dka.&#8220;<\/p>\n<p>\u201eVyzer\u00e1 ako Frankenstein, je to neskuto\u010dn\u00e9.\u00a0Za\u010dalo sa to pr\u00e1ve v \u010dase, ke\u010f sme spolupracovali, no ja som to nevidel. Nechcela sa vidie\u0165 na obraze, ak by zbadala silu hnevu a z\u00farivosti, ak\u00fa zahrala, pohyby tela a v\u00fdrazy tv\u00e1re, pomyslela by si: <em>\u201eBo\u017ee, ve\u010f ja m\u00e1m by\u0165 kr\u00e1sna, ve\u010dne mlad\u00e1 a nepozna\u010den\u00e1.<\/em>\u201d<\/p>\n<p style=\"text-align: center;\">Isabelle Adjaniov\u00e1. Zdroj: screenshot, YouTube<\/p>\n<h4>\u017dulawski ju nedok\u00e1zal ochr\u00e1ni\u0165<\/h4>\n<p>\u201eKe\u010f sme dopozerali dokon\u010den\u00fd film, pok\u00fasila sa o samovra\u017edu. I\u0161la do k\u00fape\u013ene, vzala jednorazov\u00fa \u017eiletku s dvoma \u010depie\u013ekami 0,2 milimetra od seba a sna\u017eila sa podreza\u0165 si z\u00e1p\u00e4stie. Je to absurdn\u00e9 a ned\u00e1 sa to bra\u0165 \u00faplne v\u00e1\u017ene, takto to rob\u00ed mnoho hviezd, ale mal som z toho v\u00fd\u010ditky. Bral som to, \u017ee je to <strong>moja zodpovednos\u0165<\/strong>, \u017ee <strong>ja som na vine<\/strong>. Ke\u010f niekto hr\u00e1 v mojom filme a potom je v takomto rozpolo\u017een\u00ed, znamen\u00e1 to, \u017ee mi nie\u010do u\u0161lo. <strong>Nedok\u00e1zal som ju ochr\u00e1ni\u0165.<\/strong>&#8220;<\/p>\n<p>\u201ePovedal som jej: <em>\u201ePo\u010d\u00favaj, m\u0148a bud\u00fa za tento film prenasledova\u0165, lebo zach\u00e1dza dos\u0165 \u010faleko a \u013eudia nemaj\u00fa radi, ke\u010f ich prive\u013emi t\u00fdraj\u00fa cez obraz. Ty v\u0161ak z\u00edska\u0161 v\u0161etky mo\u017en\u00e9 ceny a tvoja kari\u00e9ra sa re\u0161tartuje.\u201d<\/em> A tak aj bolo. Z\u00edskala kopu ocenen\u00ed a na m\u0148a sa spustila vlna kritiky, \u017ee zasa zveli\u010dujem a \u017ee znova rob\u00edm to, \u010do by som nemal. Bolo to presne tak, ako som povedal.\u201d<\/p>\n<h3>Nezaradite\u013en\u00fd film<\/h3>\n<p><strong>\u017dulawski si ve\u013ea uznania neu\u017eil,<\/strong> najm\u00e4 nie v rodnej krajine, tvoriv\u00fa slobodu na\u0161iel a\u017e vo Franc\u00fazsku. <strong>\u0160katu\u013ekova\u0165 jeho film do psychologick\u00e9ho hororu \u010di in\u00e9ho \u017e\u00e1nru by bolo prvopl\u00e1nov\u00e9, pripodob\u0148ova\u0165 ho je nemo\u017en\u00e9.<\/strong> M\u00e1 aj krimin\u00e1lnu z\u00e1pletku, dvaja s\u00fakromn\u00ed detekt\u00edvi museli zomrie\u0165, lebo odhalili Annino tajomstvo, z\u00e1ver spestrili v\u00fdborne nato\u010den\u00e9 ak\u010dn\u00e9 sc\u00e9ny.<\/p>\n<p style=\"text-align: center;\">Andrzej \u017dulawski. Zdroj: screenshot, YouTube<\/p>\n<p>Na pozeranie tohto filmu mus\u00ed pre ka\u017ed\u00e9ho dozrie\u0165 spr\u00e1vny \u010das. Nebude to na prv\u00fa, mo\u017eno ani druh\u00fa, \u0161tvrt\u00fa \u010di siedmu, ke\u010f sa v\u0161ak <strong>ozve Posadnutos\u0165<\/strong>, budete po\u010du\u0165 vn\u00fatorn\u00e9 volanie, ktor\u00e9mu je \u0165a\u017ek\u00e9 odola\u0165. To n\u00e1s Andrzej \u017dulawski poz\u00fdva na <strong>rozvod s d\u00e9monmi<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>Zdroje: rollingstone.com, youtube.com, reddit.com, imdb.com<\/strong><\/em><\/p>\n<p><em><strong>Zdroj titulnej fotografie: screenshot, YouTube<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Ke\u010f rozvod dopadne zle, naozaj zle, vznikne film ako \u017eiadny in\u00fd. Ke\u010f sa odhodl\u00e1te na film Posadnutos\u0165, ktor\u00fd v roku 1981 nato\u010dil po\u013esk\u00fd re\u017eis\u00e9r Andrzej<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8043","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=8043"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8043\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=8043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=8043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=8043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}