{"id":8091,"date":"2023-01-05T00:00:00","date_gmt":"2023-01-04T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/siedmy-kontinent-michaela-hanekeho-najlepsi-film-ktory-sa-da-len-tazko-odporucat\/"},"modified":"2023-01-05T00:00:00","modified_gmt":"2023-01-04T23:00:00","slug":"siedmy-kontinent-michaela-hanekeho-najlepsi-film-ktory-sa-da-len-tazko-odporucat","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/siedmy-kontinent-michaela-hanekeho-najlepsi-film-ktory-sa-da-len-tazko-odporucat\/","title":{"rendered":"Siedmy kontinent Michaela Hanekeho: Najlep\u0161\u00ed film, ktor\u00fd sa d\u00e1 len \u0165a\u017eko odpor\u00fa\u010da\u0165"},"content":{"rendered":"<p><strong>Rak\u00fasky re\u017eis\u00e9r Michael Haneke sa vo svojich dielach \u010dasto venuje rodin\u00e1m, ktor\u00e9 ved\u00fa na prv\u00fd poh\u013ead be\u017en\u00fd \u017eivot. Tak\u00fd je aj pr\u00edpad mladej troj\u010dlennej rodiny v jeho debutovom filme Siedmy kontinent z roku 1989. Z rutiny rodi\u010dov Georga a Anny a ich dc\u00e9ry Evy sa v\u0161ak vyk\u013euje trag\u00e9dia. \u0164a\u017eoba sk\u00f4r \u010di nesk\u00f4r dopadne na ka\u017ed\u00e9ho div\u00e1ka, preto sa napriek jeho nesporn\u00fdm kvalit\u00e1m d\u00e1 tento film len \u0165a\u017eko odpor\u00fa\u010da\u0165.<\/strong><\/p>\n<h3>Siedmy kontinent (1989)<\/h3>\n<p>Je to e\u0161te \u0165a\u017e\u0161ie, ke\u010f vezmeme do \u00favahy, \u017ee Haneke vych\u00e1dzal zo <strong>skuto\u010dn\u00e9ho pr\u00edpadu<\/strong>, o ktorom \u010d\u00edtal v novin\u00e1ch: \u201eNovin\u00e1r, samozrejme, v\u0161etko vysvetlil. Spravil si re\u0161er\u0161 a nap\u00edsal, \u017ee man\u017eel mal dlhy a nedok\u00e1zal ich spl\u00e1ca\u0165, \u017ee mal sexu\u00e1lne probl\u00e9my s man\u017eelkou, v\u0161etky tieto <strong>hl\u00fape vysvetlenia<\/strong>, ktor\u00e9 podkop\u00e1vaj\u00fa <strong>silu tohto gesta<\/strong>. Kinematografia je do ve\u013ekej miery o tempe, pod\u013ea m\u0148a m\u00e1 omnoho bli\u017e\u0161ie k hudbe ne\u017e k literat\u00fare. Prv\u00fdch nieko\u013eko min\u00fat vid\u00edme len \u00fatr\u017eky, ako ve\u013emi n\u00e1s <strong>v ka\u017edodennom \u017eivote<\/strong> zav\u00e4zuj\u00fa <strong>dookola tie ist\u00e9 povinnosti<\/strong>. T\u00e1 <strong>rodina ne\u017eije, iba vykon\u00e1va \u010dinnosti. Sme otroci t\u00fdchto \u010dinnost\u00ed a n\u00e1\u0161 \u017eivot je len celkov\u00fd s\u00fahrn rutinn\u00fdch pohybov.&#8220;<\/strong><\/p>\n<p>\u201ePravdepodobne je to aj d\u00f4vod, pre\u010do vo filme vykonali to, \u010do vykonali. <strong>Zni\u010dili<\/strong> v\u0161etok majetok, v\u0161etko, \u010do im patrilo, <strong>s rovnakou intenzitou a metodikou<\/strong>. \u00daplne sa tomu odovzdali a mohlo by to by\u0165 ich aktom oslobodenia sa. Sp\u00f4sob, ak\u00fdm to spravili, v\u0161ak ukazuje, \u017ee <strong>sa neoslobodili<\/strong>. To je pre m\u0144a <strong>najsmutnej\u0161\u00ed moment<\/strong> v celom filme. Mohli sme ho nato\u010di\u0165 od polovice, od ich rozhodnutia od\u00eds\u0165. Mohli sme spravi\u0165 provokat\u00edvny film o osloboden\u00ed sa, ale z m\u00f4jho poh\u013eadu by to bola lo\u017e.\u201d<\/p>\n<p style=\"text-align: center\">Rodina v\u0161etko d\u00f4kladne zni\u010dila. Zdroj: screenshot, YouTube<\/p>\n<h3>\u201eNie v\u017edy je pr\u00edjemn\u00e9 uvedomi\u0165 si nie\u010do o svojom \u017eivote&#8220;<\/h3>\n<p>Pr\u00ed\u010dinu fat\u00e1lneho rozhodnutia ponech\u00e1va autor na na\u0161ej interpret\u00e1cii. Kocky s\u00fa u\u017e hoden\u00e9 a \u010dlenovia rodiny strojovo a d\u00f4kladne ni\u010dia v\u0161etky svoje veci, oble\u010denie, n\u00e1bytok, obrazy, platne, fotoalbumy&#8230; Z neemoci\u00e1lnosti vytrhne rodi\u010dov a\u017e pla\u010d dc\u00e9ry po rozbit\u00ed ve\u013ek\u00e9ho akv\u00e1ria: <strong>\u201eKe\u010f rozbij\u00fa akv\u00e1rium a ryby zomieraj\u00fa na suchu, je to obraz vn\u00fatornej smrti mlad\u00e9ho diev\u010da\u0165a. Jedine ona s t\u00fdm nes\u00fahlas\u00ed.&#8220;<\/strong><\/p>\n<p>\u201eKe\u010f prejd\u00fa okolo dopravnej nehody a m\u0155tvych tiel, zabo\u010dia do autoumyv\u00e1rne a <strong>man\u017eelka dostane z\u00e1chvat \u00fazkosti<\/strong> pripom\u00ednaj\u00faci klaustrof\u00f3biu. V tom okamihu<strong> si uvedom\u00ed nie\u010do o svojom \u017eivote a nie v\u017edy je to pr\u00edjemn\u00e9.<\/strong> Je to \u010disto neverb\u00e1lna reakcia a to bol cie\u013e, uk\u00e1za\u0165 to len pomocou obr\u00e1zkov, nie slov. Vzh\u013eadom na kefy v autoumyv\u00e1rni to bolo n\u00e1ro\u010dn\u00e9 nat\u00e1\u010danie, aby sme zachovali kontinuitu, here\u010dka musela za\u010da\u0165 plaka\u0165 presne vo chv\u00edli, ke\u010f sa kefa objavila v z\u00e1bere na spr\u00e1vnom mieste. Bolo to \u0165a\u017ek\u00e9, ale mysl\u00edm si, \u017ee to vy\u0161lo.\u201d<\/p>\n<p>N\u00e1zov <strong>Siedmy kontinent<\/strong> odkazuje na <strong>Austr\u00e1liu<\/strong>. Rodina vo filme hovor\u00ed, \u017ee tam chce emigrova\u0165, re\u00e1lne v\u0161ak pod pojmom \u201e<strong>od\u00eds\u0165\u201d<\/strong> mysl\u00ed nie\u010do ove\u013ea definit\u00edvnej\u0161ie. Austr\u00e1liu predstavuj\u00fa <strong>pl\u00e1\u017e, more a hory<\/strong> na obzore. \u201eJe to mont\u00e1\u017e troch obr\u00e1zkov, na za\u010diatku je to len fotografia, reklama na Austr\u00e1liu. Ke\u010f sa objav\u00ed naposledy, more sa vln\u00ed, \u010do norm\u00e1lne na fotografii nie je mo\u017en\u00e9. Ka\u017ed\u00fd to m\u00f4\u017ee <strong>interpretova\u0165 pod\u013ea seba<\/strong>. M\u00f4\u017ee to by\u0165 len ich spomienka na obr\u00e1zok, ktor\u00fd videli a ktor\u00fd sa pre nich stal desiv\u00fdm. M\u00f4\u017ee to to by\u0165 len zn\u00e1zornenie pokoja. Je to nejednozna\u010dn\u00e9 a v\u017edy sa sna\u017e\u00edm h\u013eada\u0165 nejednozna\u010dn\u00e9 v\u00fdchodisk\u00e1. Pre m\u0148a je to zn\u00e1zornenie desiv\u00e9ho pokoja,\u201d povedal retrospekt\u00edvne Haneke.<\/p>\n<p style=\"text-align: center\">Michael Haneke. Zdroj: screenshot, YouTube<\/p>\n<h3>Tabu<\/h3>\n<p>De\u0161trukcia hmotn\u00fdch statkov vrchol\u00ed <strong>spl\u00e1chnut\u00edm pe\u0148az\u00ed do z\u00e1choda:<\/strong> \u201eT\u00fa sc\u00e9nu som nevymyslel, spom\u00ednali to v tom \u010dl\u00e1nku. Neviem, \u010di b som na to pri\u0161iel s\u00e1m. Je to pod\u013ea skuto\u010dnej udalosti, vybrali z banky v\u0161etky svoje \u00faspory a spl\u00e1chli ich. Pol\u00edcia na\u0161la k\u00fasky v potrub\u00ed a tak na to pri\u0161la. Pam\u00e4t\u00e1m sa, \u017ee ke\u010f n\u00e1s pozvali na festival do Cannes, povedal som producentovi, \u017ee <strong>publikum bude pob\u00faren\u00e9<\/strong> pri dvoch sc\u00e9nach. Pri sc\u00e9ne s rozbit\u00edm akv\u00e1ria a smr\u0165ou rybi\u010diek a pri sc\u00e9ne so splachovan\u00edm pe\u0148az\u00ed do z\u00e1choda.&#8220;<\/p>\n<p>\u201eProducent to pova\u017eoval za hl\u00fapos\u0165, pripustil t\u00fa s rybami, preto\u017ee i\u0161lo o zvierat\u00e1, no nikdy by to neo\u010dak\u00e1val pri peniazoch. Presne to sa v\u0161ak stalo, \u013eudia odi\u0161li z kinos\u00e1ly a zabuchli za sebou dvere. V\u0161ade, kde som premietal tento film, vzbudili nev\u00f4\u013eu tieto dve sc\u00e9ny. <strong>\u0160okuj\u00facej\u0161ie ako to, \u017ee rodi\u010dia zabij\u00fa vlastn\u00e9 die\u0165a, je to, \u017ee by niekto zni\u010dil peniaze. To je v na\u0161ej spolo\u010dnosti absol\u00fatne tabu.\u201d<\/strong><\/p>\n<h3>Net\u00fdka sa to iba Rak\u00faska<\/h3>\n<p>Film sa pod\u013ea Hanekeho t\u00fdka <strong>v\u0161etk\u00fdch vyspel\u00fdch kraj\u00edn<\/strong>, nie je ukotven\u00fd v\u00fdlu\u010dne v Rak\u00fasku: \u201eSo Siedmym kontinentom som prv\u00fdkr\u00e1t pricestoval do Cannes a ke\u010f\u017ee to bol m\u00f4j prv\u00fd film, absolvoval som aj diskusiu s publikom. Jedna \u017eena sa ma sp\u00fdtala, \u010di je Rak\u00fasko naozaj tak\u00e9 depresv\u00edne. V\u0161etci sa zasmiali, pochopili, \u017ee to bol ak\u00fdsi \u00fanik. Je to klasick\u00e1 taktika, ak nechcem, aby ma tr\u00e1pili film alebo kniha, h\u013ead\u00e1m d\u00f4vod, pre\u010do by ma nemali tr\u00e1pi\u0165. Napr\u00edklad preto, \u017ee sa to odohr\u00e1va niekde inde. Tento film v\u0161ak m\u00e1 <strong>rovnak\u00fd v\u00fdznam v Japonsku, USA, Franc\u00fazsku \u010di Rak\u00fasku.&#8220;<\/strong><\/p>\n<p>\u201eNie je to obraz Rak\u00faska, <strong>je to obraz bohat\u00fdch kraj\u00edn.<\/strong> Nie je to obraz tretieho sveta, tam maj\u00fa in\u00e9 probl\u00e9my. Film sa odohr\u00e1va v Linzi, vieme to pod\u013ea zna\u010dky na aute, no ni\u010d sme nenakr\u00facali tam. Chcel som, aby <strong>film zostal neutr\u00e1lny<\/strong>, aby nemal napr\u00edklad typick\u00e9 viedensk\u00e9 kulisy, lebo <strong>sta\u0165 sa to m\u00f4\u017ee kdeko\u013evek. Je to provokat\u00edvne, lebo nikto by nechcel by\u0165 tou rodinou.\u201d<\/strong><\/p>\n<p><iframe title=\"THAT scene from The Seventh Continent (1989)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/E7pwYuXOLm4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>Zdroj: youtube.com<\/strong><\/em><\/p>\n<p><em><strong>Zdroj titulnej fotografie: screenshot, YouTube<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Rak\u00fasky re\u017eis\u00e9r Michael Haneke sa vo svojich dielach \u010dasto venuje rodin\u00e1m, ktor\u00e9 ved\u00fa na prv\u00fd poh\u013ead be\u017en\u00fd \u017eivot. Tak\u00fd je aj pr\u00edpad mladej troj\u010dlennej rodiny<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8091","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=8091"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8091\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=8091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=8091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=8091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}