{"id":8111,"date":"2023-01-18T00:00:00","date_gmt":"2023-01-17T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/natacanie-megalopolisu-vraj-sprevadzaju-tazkosti-zaziva-francis-ford-coppola-druhu-filmarsku-apokalypsu\/"},"modified":"2023-01-18T00:00:00","modified_gmt":"2023-01-17T23:00:00","slug":"natacanie-megalopolisu-vraj-sprevadzaju-tazkosti-zaziva-francis-ford-coppola-druhu-filmarsku-apokalypsu","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/natacanie-megalopolisu-vraj-sprevadzaju-tazkosti-zaziva-francis-ford-coppola-druhu-filmarsku-apokalypsu\/","title":{"rendered":"Nat\u00e1\u010danie Megalopolisu vraj sprev\u00e1dzaj\u00fa \u0165a\u017ekosti. Za\u017e\u00edva Francis Ford Coppola druh\u00fa film\u00e1rsku Apokalypsu?"},"content":{"rendered":"

Pre Francisa Forda Coppolu (tril\u00f3gia Krstn\u00fd otec) nie s\u00fa probl\u00e9my pri nat\u00e1\u010dan\u00ed \u017eiadnou novinkou. Vo veku 83 rokov poru\u0161il zlat\u00e9 pravidlo Hollywoodu, ktor\u00e9 znie: \u201eNikdy neinvestuj do filmu svoje vlastn\u00e9 peniaze.\u201c Pod\u013ea niektor\u00fdch zdrojov vznikol v Atlante, kde Coppola nakr\u00faca Megalopolis, chaos. Okrem nafukuj\u00faceho sa rozpo\u010dtu sa mu \u00fadajne rozpad\u00e1va \u0161t\u00e1b. Americk\u00fd re\u017eis\u00e9r v\u0161ak popiera tieto inform\u00e1cie.<\/strong><\/p>\n

Na p\u013eaci Apokalypsy alebo apokalypsa na p\u013eaci? Zdroj: Facebook<\/p>\n

Apokalypsa 2?<\/h2>\n

Port\u00e1l The Hollywood Reporter uv\u00e1dza, \u017ee nat\u00e1\u010danie je v\u00a0polovici z\u00a0pl\u00e1novan\u00fdch 80 a\u017e 90 dn\u00ed, no Coppola pri\u0161iel o<\/strong>\u00a0ved\u00faceho v\u00fdpravy a\u00a0superv\u00edzora \u2013 art directora<\/strong>, a\u00a0to u\u017e v\u00a0decembri rozpustil cel\u00fd t\u00edm vizu\u00e1lnych efektov<\/strong>, ktor\u00e9 s\u00fa pre t\u00fato sn\u00edmku nesmierne d\u00f4le\u017eit\u00e9. \u201eNa p\u013eaci to bolo absol\u00fatne \u0161ialenstvo,\u201c<\/em> komentoval situ\u00e1ciu z\u00e1stupca jedn\u00e9ho z\u00a0prepusten\u00fdch. Coppola financuje film z\u00a0vlastn\u00e9ho vrecka<\/strong>, \u010diasto\u010dne aj z\u00a0predaja svojich renomovan\u00fdch kalifornsk\u00fdch vin\u00edc. Obsadil hviezdy ako Adam Driver, Laurence Fishburne, Forest Whitaker \u010di Dustin Hoffman<\/strong>, no nie jasn\u00e9, \u010do bude nasledova\u0165. \u201eNeexistuje dobr\u00e1 odpove\u010f. Minie ove\u013ea viac pe\u0148az\u00ed, ne\u017e pl\u00e1noval, a\u00a0dok\u00e1\u017eete si predstavi\u0165, ko\u013eko u\u017e investoval. Bola by to pre\u0148ho ve\u013emi hork\u00e1 pilulka, keby to nedokon\u010dil,\u201c<\/em> povedal jeden z\u00a0\u010dlenov produkcie.<\/p>\n

Coppola sa v\u0161ak pre port\u00e1l Deadline vyjadril, \u017ee tieto opisy s\u00fa zna\u010dne dramatizovan\u00e9<\/strong>: \u201eE\u0161te nikdy som nebol tak\u00fd spokojn\u00fd s\u00a0hercami. Som spokojn\u00fd s\u00a0t\u00fdm, ako to zatia\u013e vyzer\u00e1, aj s\u00a0t\u00fdm, \u017ee \u010dasovo ideme pod\u013ea pl\u00e1nu. Autori t\u00fdchto \u010dl\u00e1nkov nikdy nekonkretizuj\u00fa svoje zdroje. M\u00f4\u017eem sa len zasmia\u0165 a\u00a0odk\u00e1za\u0165 im, nech len vy\u010dkaj\u00fa. Bude to kr\u00e1sny film, najm\u00e4 z\u00e1sluhou skvel\u00e9ho obsadenia. V\u0161etci s\u00fa ve\u013emi pracovit\u00ed, e\u0161te nikdy som si nat\u00e1\u010danie takto neu\u017e\u00edval. S\u00fa ochotn\u00ed h\u013eada\u0165 aj skryt\u00e9 a\u00a0nekonven\u010dn\u00e9 cesty. Takisto od kamery by som si nemohol pria\u0165 viac, tak\u017ee ke\u010f je v\u0161etko toto v\u00a0poriadku, nerozumiem, o\u00a0\u010dom niektor\u00ed hovoria.\u201c<\/em><\/p>\n

D\u00e9ja vu<\/h3>\n

Viacer\u00ed pozorovatelia sa zhoduj\u00fa, \u017ee Megalopolis zatia\u013e pripom\u00edna nesl\u00e1vne nakr\u00facanie Coppolovej Apokalypsy<\/strong> v\u00a070. rokoch minul\u00e9ho storo\u010dia. Priebeh odzrkad\u013eoval pr\u00edbeh filmu o\u00a0upadan\u00ed do \u0161ialenstva. Vznikol aj dokument \u201eSrdcia temnoty\u201c s\u00a0podtitulom \u201eFilm\u00e1rova apokalypsa<\/strong>\u201c. \u201eBoli sme v\u00a0d\u017eungli. Mali sme pr\u00edli\u0161 ve\u013ea pe\u0148az\u00ed, pr\u00edli\u0161 ve\u013ea vybavenia a\u00a0postupne sme sa zbl\u00e1znili,\u201c<\/em> rekapituloval Coppola v\u00a0roku 1979 na festivale v\u00a0Cannes. Nakoniec sa v\u0161ak z\u00a0d\u017eungle vynoril triumf\u00e1lne<\/strong> a\u00a0Apokalypsa je dodnes vn\u00edman\u00e1 ako jeden z\u00a0najlep\u0161\u00edch filmov v\u00a0dejin\u00e1ch. Iba \u010das uk\u00e1\u017ee, ako dopadne Megalopolis, a\u00a0mo\u017eno vznikn\u00fa aj Srdcia temnoty 2.<\/p>\n

\u201eBoli sme v d\u017eungli. Mali sme pr\u00edli\u0161 ve\u013ea pe\u0148az\u00ed, pr\u00edli\u0161 ve\u013ea vybavenia a postupne sme sa zbl\u00e1znili.“ Zdroj: screenshot, YouTube<\/p>\n

O\u00a0filme<\/h3>\n

Coppola h\u013ead\u00ed do bud\u00facnosti a svoj\u00a0magnum opus\u00a0tvor\u00ed u\u017e cel\u00fa ve\u010dnos\u0165<\/strong>. Na projekte pracuje\u00a0vy\u0161e \u0161tyri dek\u00e1dy<\/strong>. Nieko\u013ek\u00fdmi slovami \u010di vetami \u0165a\u017eko op\u00edsa\u0165, o \u010dom m\u00e1 by\u0165 Megalopolis. P\u00f4jde o\u00a0pr\u00edbeh architekta, ktor\u00fd sa sna\u017e\u00ed o\u00a0utopick\u00fa rekon\u0161trukciu New Yorku po katastrofe<\/strong>. Film v\u0161ak bude predov\u0161etk\u00fdm filozofickou v\u00edziou, Coppola t\u00fa\u017ei stvori\u0165 dielo, ktor\u00e9 by\u00a0ka\u017ed\u00fd pozeral raz do roka:\u00a0\u201eNechcem, aby si \u013eudia d\u00e1vali na Nov\u00fd rok predsavzatia typu skoncova\u0165 so sacharidmi, ale aby diskutovali o tejto jednej ot\u00e1zke: ,Je spolo\u010dnos\u0165, v ktorej \u017eijeme, jedin\u00e1 mo\u017en\u00e1?\u00b4\u201d<\/em><\/p>\n

Odpovede chce h\u013eada\u0165 aj prostredn\u00edctvom ambici\u00f3znej form\u00e1lnej str\u00e1nky, \u010do si \u017eiada adekv\u00e1tne finan\u010dn\u00e9 prostriedky. V \u00e9re Marvelu, DC a Avatara by bolo tr\u00fafal\u00e9 a naivn\u00e9<\/strong> o\u010dak\u00e1va\u0165 ich od ve\u013ek\u00fdch hollywoodskych \u0161t\u00fadi\u00ed. Coppola \u201ena star\u00e9 kolen\u00e1\u201d urobil to, \u010do spravil u\u017e v minulosti<\/strong>. Na za\u010diatok zobral 120 mili\u00f3nov dol\u00e1rov z vlastn\u00e9ho majetku<\/strong> a dielo sa sna\u017e\u00ed dokon\u010di\u0165 s\u00e1m: \u201eAni ke\u010f som z\u00edskal p\u00e4\u0165kr\u00e1t Oscara a bol som jednotka medzi re\u017eis\u00e9rmi, nikto so mnou nechcel robi\u0165 Apokalypsu. Dostal som v\u0161etky ocenenia, prekonal som ka\u017ed\u00fd rekord a ani tak do toho so mnou nikto ne\u0161iel. Tak ak\u00e1 m\u00f4\u017ee by\u0165 reakcia teraz, na s\u00fa\u010dasn\u00e9ho Francisa Forda Coppolu? Viem, \u017ee \u010d\u00edm bude Megalopolis osobnej\u0161\u00ed, t\u00fdm n\u00e1ro\u010dnej\u0161ie sa bude financova\u0165. T\u00fdm dlh\u0161ie v\u0161ak aj bude zar\u00e1ba\u0165, preto\u017ee \u013eudia bud\u00fa najbli\u017e\u0161\u00edch p\u00e4\u0165desiat rokov plati\u0165, aby sa ho sna\u017eili rozl\u00fa\u0161ti\u0165. Bud\u00fa rozm\u00fd\u0161\u013ea\u0165, o \u010do tam naozaj ide, \u010do t\u00fdm chce poveda\u0165, \u010do to znamen\u00e1, ke\u010f sa tamto udeje?\u201d<\/em><\/p>\n

O Coppolovom megalomanskom projekte<\/strong> s pr\u00edzna\u010dn\u00fdm n\u00e1zvom sme na tomto webe informovali u\u017e za\u010diatkom janu\u00e1ra, sk\u00f4r ako vy\u0161li na povrch spr\u00e1vy o \u00fadajn\u00fdch peripeti\u00e1ch<\/strong> na p\u013eaci. Aj predt\u00fdm sa uvedenie filmu odhadovalo a\u017e na roky 2024<\/strong> or 2025<\/strong>, teraz by bolo e\u0161te odv\u00e1\u017enej\u0161ie predikova\u0165, kedy a \u010di v\u00f4bec sa do\u010dk\u00e1me jeho kinematografick\u00e9ho testamentu.<\/p>\n

 <\/p>\n

Zdroje: hollywoodreporter.com, vulture.com, deadline.com<\/strong><\/em><\/p>\n

Zdroj titulnej fotografie: screenshot, YouTube<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"

Pre Francisa Forda Coppolu (tril\u00f3gia Krstn\u00fd otec) nie s\u00fa probl\u00e9my pri nat\u00e1\u010dan\u00ed \u017eiadnou novinkou. Vo veku 83 rokov poru\u0161il zlat\u00e9 pravidlo Hollywoodu, ktor\u00e9 znie: \u201eNikdy<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8111","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=8111"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8111\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=8111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=8111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=8111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}