{"id":8278,"date":"2023-04-27T00:00:00","date_gmt":"2023-04-26T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/pozrite-si-desat-skvelych-riecnych-filmov-druha-cast\/"},"modified":"2023-04-27T00:00:00","modified_gmt":"2023-04-26T23:00:00","slug":"pozrite-si-desat-skvelych-riecnych-filmov-druha-cast","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/pozrite-si-desat-skvelych-riecnych-filmov-druha-cast\/","title":{"rendered":"Pozrite si desa\u0165 skvel\u00fdch rie\u010dnych filmov \u2013 DRUH\u00c1 \u010cAS\u0164"},"content":{"rendered":"<p><strong>Tento t\u00fd\u017ede\u0148 v\u00e1m prin\u00e1\u0161ame v\u00fdber 10 skvel\u00fdch filmov s rie\u010dnou tematikou. V druhej \u010dasti pokra\u010dujeme piatimi filmami z rokov 1973 a\u017e 2015.<\/strong><\/p>\n<h3>Desa\u0165 skvel\u00fdch rie\u010dnych filmov \u2013 DRUH\u00c1 \u010cAS\u0164<\/h3>\n<h3>A River Called Titas (1973)<\/h3>\n<p><strong>r\u00e9\u017eia:<\/strong> Ritwik Ghatak<\/p>\n<p>Tento film re\u0161taurovali v roku 2010 s prispen\u00edm Nad\u00e1cie svetovej kinematografie Martina Scorseseho. Unik\u00e1tna zmes <strong>dokument\u00e1rneho realizmu<\/strong> and <strong>ve\u013emi emot\u00edvnej melodr\u00e1my<\/strong> je dobr\u00fdm pr\u00edkladom charakteristicky konfrontuj\u00facej tvorby indick\u00e9ho re\u017eis\u00e9ra Ritwika Ghataka. Pracoval s odli\u0161n\u00fdmi \u0161tylistick\u00fdmi prostriedkami ne\u017e krajan Satyajit Ray, ale takisto si zasl\u00fa\u017ei miesto v pante\u00f3ne indick\u00e9ho filmu. A River Called Titas sa s\u00fastre\u010fuje na <strong>\u017eeny na najspodnej\u0161\u00edch prie\u010dkach spolo\u010densk\u00e9ho rebr\u00ed\u010dka<\/strong> v chudobn\u00fdch ryb\u00e1rskych komunit\u00e1ch, najm\u00e4 na tie, ktor\u00e9 postihlo skor\u00e9 ovdovenie.<\/p>\n<p>Dej zah\u0155\u0148a a\u017e halucina\u010dn\u00e9 <strong>n\u00e1pory ne\u0161\u0165astia<\/strong>, no Ghatakov \u0161t\u00fdl nenech\u00e1va na pochyb\u00e1ch, \u017ee je <strong>empatick\u00fd vo\u010di trpiacim<\/strong>. Zatia\u013e \u010do Renoirova sn\u00edmka The River (n\u00e1jdete v prvej \u010dasti) vyu\u017e\u00edva pokles a n\u00e1rast hladiny rieky ako obraz aspo\u0148 ur\u010ditej istoty v \u013eudskom \u017eivote, Ghatak neposkytuje tak\u00fato z\u00e1ruku. Jeho <strong>rieka z\u00e1hadne vysych\u00e1<\/strong>. Pre ryb\u00e1rov s\u00fa to zl\u00e9 spr\u00e1vy a vrto\u0161ivos\u0165 pr\u00edrody je <strong>metaforou \u0161ance na soci\u00e1lnu zmenu<\/strong>, akoko\u013evek nepravdepodobn\u00e1 sa m\u00f4\u017ee zda\u0165.<\/p>\n<h3>A River Runs Through It (1992)<\/h3>\n<p><strong>r\u00e9\u017eia:<\/strong> Robert Redford<\/p>\n<p><strong>Zdatn\u00fd mu\u0161k\u00e1r<\/strong> dok\u00e1\u017ee \u010d\u00edta\u0165 rieku, ryby a po\u010dasie, aby mohol <strong>kona\u0165 v dokonalom s\u00falade<\/strong> so v\u0161etk\u00fdm. \u010ciasto\u010dne autobiografick\u00e1 novela A River Runs Through It americk\u00e9ho spisovate\u013ea Normana Macleana z roku 1976 \u0161\u00edri posolstvo, \u017ee ktoko\u013evek, kto si vycibr\u00ed tieto pohyby, bude vies\u0165 <strong>dobr\u00fd \u017eivot<\/strong>. Vo filme v\u0161ak rodinn\u00e1 dr\u00e1ma zasaden\u00e1 v dvadsiatych a tridsiatych rokoch minul\u00e9ho storo\u010dia vo vidieckej Montane nazna\u010duje, \u017ee kvality mu\u0161k\u00e1ra <strong>sa daj\u00fa premrha\u0165, rovnako ako sa daj\u00fa nau\u010di\u0165<\/strong>.<\/p>\n<p>Craig Sheffer dostal \u00falohu brata, ktor\u00fd hovor\u00ed len tie spr\u00e1vne veci a je trocha nudn\u00fd, k\u00fdm mlad\u00fd <strong>Brad Pitt<\/strong> je neodolate\u013en\u00fd fe\u0161\u00e1k, otravn\u00fd b\u00e1snik mu\u0161k\u00e1rstva.<strong> Dramatick\u00e9 vyvrcholenie filmu nie je prekvapen\u00edm<\/strong>, ke\u010f v\u0161ak re\u017eis\u00e9r Robert Redford s\u00e1m \u010d\u00edta Macleanovu priezra\u010dn\u00fa pr\u00f3zu a kamera Philippa Rousselota zachyt\u00e1va magick\u00fa hodinku na rieke Big Blackfoot, v\u0161etko je <strong>v harm\u00f3nii so svetom<\/strong>.<\/p>\n<h3>The Host (2006)<\/h3>\n<p><strong>r\u00e9\u017eia:<\/strong> Bong Joon-ho<\/p>\n<p>Re\u017eis\u00e9r Bong Joon-ho z K\u00f3rejskej republiky sa u\u017e pred oscarov\u00fdm triumfom s Parazitom (2019) presunul z artovej kinematografie k sn\u00edmkam prijate\u013enej\u0161\u00edm pre multiplexy. V roku 2006 nakr\u00fatil <strong>inteligentn\u00fd<\/strong> pr\u00edrastok do \u017e\u00e1nra <strong>monster-movie<\/strong>. Rieka Han, ktor\u00e1 te\u010die cez Soul, je impozantn\u00e1 a \u0161okuje, ke\u010f sa z jej oce\u013eovo \u0161ed\u00fdch hlb\u00edn vynor\u00ed <strong>lietaj\u00face, sk\u00e1kaj\u00face, pl\u00e1vaj\u00face a \u0161kol\u00e1\u010dky po\u017eieraj\u00face hybridn\u00e9 mon\u0161trum<\/strong>. Vzniklo po \u00faniku chemik\u00e1li\u00ed z tajn\u00e9ho laborat\u00f3ria financovan\u00e9ho USA.<\/p>\n<p>Na prv\u00fd poh\u013ead ide o upozornenie na <strong>ekologick\u00fa obozretnos\u0165<\/strong> a mo\u017eno aj o ot\u00e1zku <strong>z\u00e1vislosti K\u00f3rejskej republiky na podpore USA<\/strong>. Oper\u00e1cia na op\u00e4tovn\u00e9 z\u00edskanie kontroly nad riekou v\u0161ak z\u00e1rove\u0148 poukazuje na <strong>autorit\u00e1rsku minulos\u0165 krajiny<\/strong>, ktor\u00e1 bola len nieko\u013eko dek\u00e1d dozadu pod vojenskou vl\u00e1dou. Bong Joon-ho tak ako v Parazitovi <strong>spochyb\u0148uje zau\u017e\u00edvan\u00fa spolo\u010densk\u00fa hierarchiu<\/strong>. Otec &#8211; pova\u013ea\u010d a brat &#8211; aktivista zohr\u00e1vaj\u00fa nemenej d\u00f4le\u017eit\u00fa rolu v boji proti slizk\u00e9mu pred\u00e1torovi ako sestra &#8211; \u0161ampi\u00f3nka v lukostre\u013ebe, k\u00f3rejskom n\u00e1rodnom \u0161porte. Nie je to iba monster-movie, z rieky sa vyn\u00e1ra <strong>dr\u00e1ma n\u00e1rodn\u00e9ho v\u00fdznamu<\/strong>.<\/p>\n<p style=\"text-align: center;\"><em><strong>The Host (2006). Zdroj: screenshot, YouTube<\/strong><\/em><\/p>\n<h3>Still Life (2006)<\/h3>\n<p><strong>r\u00e9\u017eia:<\/strong> \u0164ia \u010cang-kche<\/p>\n<p>Re\u017eis\u00e9r \u0164ia \u010cang-kche si vysl\u00fa\u017eil medzin\u00e1rodn\u00e9 uznanie za dramatizuj\u00face prvky v dokumentaristickom svedectve o <strong>epoch\u00e1lnych soci\u00e1lnych zmen\u00e1ch v \u010c\u00edne na za\u010diatku 21. storo\u010dia<\/strong>. Na festivale v Ben\u00e1tkach z\u00edskal Zlat\u00e9ho leva. Ukazuje \u013eud\u00ed, ktor\u00fdch \u017eivoty sa v okamihu zmenili <strong>budovan\u00edm priehrad Three Gorges Dam<\/strong>, obrovsk\u00e9ho infra\u0161trukt\u00farneho projektu odzrkad\u013euj\u00faceho moc a amb\u00edcie \u0161t\u00e1tu.<\/p>\n<p>Postaven\u00edm ka\u017edej kask\u00e1dy st\u00fapa na \u00faseku voda, ni\u010d\u00ed cel\u00e9 komunity a obyvatelia sa musia s\u0165ahova\u0165. M\u00e1 to <strong>ne\u0161\u0165astn\u00e9 d\u00f4sledky pre jednotlivcov<\/strong>, v tomto pr\u00edpade pre b\u00fdval\u00fdch partnerov, ktor\u00fdch ol\u00fapia, ke\u010f sa sna\u017eia n\u00e1js\u0165 jeden druh\u00e9ho. Ako u\u017e n\u00e1zov napoved\u00e1, \u0164ia \u010cang-kche zachyt\u00e1va moment v \u010dase, pohybuje sa po polozni\u010den\u00fdch mest\u00e1ch, ktor\u00e9 sa \u010doskoro <strong>nadobro stratia pod vodou<\/strong>. Dielo je hodnotn\u00e9 ako <strong>vizu\u00e1lny dokument<\/strong>, hoci nenap\u013a\u0148a krit\u00e9ri\u00e1 melodr\u00e1my. Protagonisti sa musia rozhodn\u00fa\u0165, \u010do m\u00f4\u017eu zanecha\u0165 a \u010do si m\u00f4\u017eu vzia\u0165 so sebou v tomto <strong>traumatizuj\u00facom obdob\u00ed n\u00e1rodn\u00e9ho prerodu<\/strong>. (Z\u00e1ber z filmu je na titulnej fotografii.)<\/p>\n<h3>Embrace of the Serpent (2015)<\/h3>\n<p><strong>r\u00e9\u017eia:<\/strong> Ciro Guerra<\/p>\n<p>Oce\u0148ovan\u00e1 kolumbijsk\u00e1 sn\u00edmka pon\u00faka <strong>komplexn\u00fd poh\u013ead na objavovanie Amaz\u00f3nie a katastrofick\u00fd dopad na domorod\u00e9 kult\u00fary<\/strong>. Dej sa strieda medzi rokmi 1909 a 1941 a medzi pr\u00edbehmi dvoch cudzincov. Obaja p\u00e1traj\u00fa po b\u00e1jnej vz\u00e1cnej rastline, ktor\u00e1 m\u00e1 \u00fadajne z\u00e1zra\u010dn\u00e9 lie\u010div\u00e9 \u00fa\u010dinky. Pripom\u00edna, ako sa Amaz\u00f3nia stala <strong>objektom fascin\u00e1cie z\u00e1padn\u00fdch akademikov<\/strong> a ako z\u00e1rove\u0148 bavlnov\u00ed magn\u00e1ti a potuln\u00ed duchovn\u00ed priniesli <strong>utrpenie nevinn\u00fdm p\u00f4vodn\u00fdm kme\u0148om<\/strong>.<\/p>\n<p>N\u00e1dhern\u00e1 <strong>\u010diernobiela kamera<\/strong> zv\u00fdraz\u0148uje ka\u017ed\u00fa vlnku a vytv\u00e1ra obraz <strong>svie\u017eej pr\u00edrody, do ktorej pri\u0161la ve\u013ek\u00e1 nepr\u00e1vos\u0165<\/strong>. V oboch dejov\u00fdch link\u00e1ch n\u00e1m h\u013abav\u00fd \u0161aman zd\u00f4raz\u0148uje, \u017ee rieka je v\u00fdchodiskom k tajn\u00fdm pr\u00edrodn\u00fdm halucinog\u00e9nom, ktor\u00e9 niektor\u00fdm (nie v\u0161etk\u00fdm) n\u00e1v\u0161tevn\u00edkom umo\u017enia nahliadnu\u0165 do <strong>skryt\u00fdch pr\u00e1vd stvorenia<\/strong>. T\u00edto n\u00e1v\u0161tevn\u00edci vyplienili krajinu a my o nej <strong>nevieme ani polovicu<\/strong>.<\/p>\n<p style=\"text-align: center;\"><em><strong>Embrace of the Serpent (2015). Zdroj: screenshot, YouTube<\/strong><\/em><\/p>\n<p><em><strong>Zdroje: vo\u013ene prelo\u017een\u00e9 z bfi.org.uk<\/strong><\/em><\/p>\n<p><em><strong>Zdroj titulnej fotografie: screenshot, YouTube<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Tento t\u00fd\u017ede\u0148 v\u00e1m prin\u00e1\u0161ame v\u00fdber 10 skvel\u00fdch filmov s rie\u010dnou tematikou. V druhej \u010dasti pokra\u010dujeme piatimi filmami z rokov 1973 a\u017e 2015. Desa\u0165 skvel\u00fdch rie\u010dnych<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8278","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=8278"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8278\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=8278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=8278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=8278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}