{"id":8287,"date":"2023-05-03T00:00:00","date_gmt":"2023-05-02T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/spriaznene-duse-hudobnika-iana-curtisa-a-filmara-wernera-herzoga-prepaja-tragedia\/"},"modified":"2023-05-03T00:00:00","modified_gmt":"2023-05-02T23:00:00","slug":"spriaznene-duse-hudobnika-iana-curtisa-a-filmara-wernera-herzoga-prepaja-tragedia","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/spriaznene-duse-hudobnika-iana-curtisa-a-filmara-wernera-herzoga-prepaja-tragedia\/","title":{"rendered":"Spriaznen\u00e9 du\u0161e. Hudobn\u00edka Iana Curtisa a film\u00e1ra Wernera Herzoga sp\u00e1ja trag\u00e9dia"},"content":{"rendered":"<p><strong>Ian Curtis <\/strong>(na titulnej fotografii)<strong> a Werner Herzog s\u00fa ako spriaznen\u00e9 du\u0161e. Oboch obklopuje temn\u00e1 aura mysti\u010dna, no pod povrchom s\u00fa obaja ok\u00faz\u013euj\u00faci a priate\u013esk\u00ed. Ke\u010f sa ich cesty nakoniec skr\u00ed\u017eili, bolo to za najtragickej\u0161\u00edch okolnost\u00ed.<\/strong><\/p>\n<h3>Ian Curtis a Werner Herzog<\/h3>\n<p><strong>\u017divot Iana Curtisa<\/strong>, spev\u00e1ka a skladate\u013ea anglickej skupiny Joy Division, sa v\u017edy javil, ako keby mal <strong>dopredu ur\u010den\u00fd osud<\/strong>. O\u017eenil sa v dev\u00e4tn\u00e1stich, vo veku 22 rokov vytiahol kapelu na piedest\u00e1l \u017e\u00e1nra post-punk a <strong>zomrel, ke\u010f mal 23 rokov.<\/strong><\/p>\n<p>V de\u0148 svojej <strong>samovra\u017edy<\/strong>, 18. m\u00e1ja 1980, pil k\u00e1vu a tvrd\u00fd alkohol. Ke\u010f na druh\u00fd de\u0148 na\u0161li jeho obesen\u00e9 telo, v prehr\u00e1va\u010di bol debutov\u00fd <strong>album Iggyho Popa<\/strong> with the name <strong>The Idiot<\/strong>. Na albume je aj skladba Tiny Girl, ktor\u00e1 sa za\u010d\u00edna ver\u0161om: <em><strong>\u201eWell the day begins, you don\u2019t want to live, cause you can\u2019t believe in the one you\u2019re with.\u201d<\/strong><\/em><\/p>\n<h3>Turn\u00e9 v USA<\/h3>\n<p>Pochm\u00farna atmosf\u00e9ra osudnej noci zach\u00e1dza e\u0161te \u010falej. Popri posledn\u00fdch pesni\u010dk\u00e1ch, ktor\u00e9 po\u010d\u00faval, pozeral aj rovnako <strong>stra\u0161idelne prorock\u00fd film<\/strong> &#8211; sn\u00edmku <strong>Stroszek<\/strong> pr\u00e1ve od <strong>Wernera Herzoga<\/strong>. Tragikom\u00e9dia opisuje pr\u00edbeh nemeck\u00e9ho <strong>pouli\u010dn\u00e9ho hudobn\u00edka<\/strong>, ktor\u00fd sa vyd\u00e1 za lep\u0161\u00edm \u017eivotom do Wisconsinu. Pres\u0165ahuje sa do USA, kde <strong>sp\u00e1cha samovra\u017edu<\/strong> po tom, ako ho <strong>zrad\u00ed priate\u013eka.<\/strong><\/p>\n<p>Na Curtisa <strong>\u010dakalo premi\u00e9rov\u00e9 americk\u00e9 turn\u00e9<\/strong> a pod\u013ea \u010fal\u0161ieho manchestersk\u00e9ho hudobn\u00edka Genesisa P-Orridga mal ve\u013ek\u00e9 obavy, <strong>doliehala na\u0148ho \u0165archa sveta.<\/strong> M\u00f4\u017eeme len \u0161pekulova\u0165, \u010di sledovanie depres\u00edvnych z\u00e1berov v Stroszekovi nebolo povestnou poslednou kvapkou.<\/p>\n<p>Tragick\u00e1 podobnos\u0165 medzi <strong>aleg\u00f3riou filmu<\/strong> and <strong>krutou realitou<\/strong> s\u00favis\u00ed aj s t\u00fdm, \u017ee Curtisovmu <strong>psychick\u00e9mu zdraviu<\/strong> neprospel ani \u00fadajne platonick\u00fd <strong>rom\u00e1nik s belgickou novin\u00e1rkou Annik Honor\u00e9ovou.<\/strong> Bez oh\u013eadu na to, \u010di ich vz\u0165ah prer\u00e1stol aj do fyzick\u00e9ho, alebo nie, mot\u00edv <strong>zrady v l\u00e1ske<\/strong> v\u00fdrazne naru\u0161il Curtisov \u017eivot. V Herzogovom filme tak\u00e1to udalos\u0165 <strong>predznamenala bud\u00facnos\u0165 s desivo realistickou presnos\u0165ou.<\/strong><\/p>\n<p style=\"text-align: center\"><em><strong>Stroszek. Zdroj: screenshot, YouTube<\/strong><\/em><\/p>\n<h3>List man\u017eelke<\/h3>\n<p>V miestnosti sa ved\u013ea Curtisovho tela na\u0161iel aj <strong>list adresovan\u00fd jeho man\u017eelke.<\/strong> Sused Kevin Wood prezradil, \u017ee Debbie Curtisovej v \u0148om p\u00edsal, \u017ee po n\u00e1vrate z USA sa chce <strong>vr\u00e1ti\u0165 do star\u00fdch ko\u013eaj\u00ed<\/strong> a \u017ee chce op\u00e4\u0165 by\u0165 <strong>s\u00fa\u010das\u0165ou norm\u00e1lnej rodiny.<\/strong> \u017dia\u013e, nech u\u017e boli d\u00f4vody ak\u00e9ko\u013evek, <strong>to sa nestalo.<\/strong><\/p>\n<p>Na smutnom pr\u00edklade Iana Curtisa vid\u00edme, \u017ee ment\u00e1lnemu zdraviu mus\u00edme venova\u0165 v\u00e4\u010d\u0161iu pozornos\u0165. Tvorba skupiny Joy Division hovor\u00ed o boji <strong>vynori\u0165 sa z temnoty a nahliada\u0165 na svet pozit\u00edvne.<\/strong> Aj ke\u010f sa Curtisov \u017eivot skon\u010dil tragicky, jeho <strong>umenie pomohlo<\/strong> mnoh\u00fdm \u010fal\u0161\u00edm \u013eu\u010fom <strong>prekona\u0165 naj\u0165a\u017e\u0161ie chv\u00edle.<\/strong> Vo svojich pesni\u010dk\u00e1ch <strong>pretavil boles\u0165<\/strong> na nie\u010do hymnicky kr\u00e1sne.<\/p>\n<h3>Stroszek<\/h3>\n<p>Werner Herzog nazval Stroszeka baladou. <em><strong>\u201eJe to dobr\u00fd v\u00fdraz, ako kategorizova\u0165 tento film, rovnako ako ka\u017ed\u00fd in\u00fd. Je neuverite\u013ene a spont\u00e1nne vtipn\u00fd, tak ako je to spont\u00e1nne pln\u00fd neo\u010dak\u00e1van\u00e9ho p\u00e1tosu,\u201d<\/strong><\/em> p\u00ed\u0161e sa v dobovej recenzii denn\u00edka New York Times z roku 1977. Traja kamar\u00e1ti, ktor\u00fdm sa nedar\u00ed a nijako sa k sebe nehodia, sa vyber\u00fa z Berl\u00edna za <strong>americk\u00fdm snom<\/strong> &#8211; na sever Wisconsinu, v zime, takmer bez pe\u0148az\u00ed a bez znalosti angli\u010dtiny. \u0164a\u017eko si predstavi\u0165 trojicu, ktor\u00e1 by bola na tak\u00fato cestu <strong>menej pripraven\u00e1.<\/strong><\/p>\n<p><em><strong>\u201eTo, \u017ee trio nen\u00e1jde \u0161\u0165astie, je dopredu jasn\u00e9, ale sp\u00f4sob, ak\u00fdm sa to stane, je nepredv\u00eddate\u013en\u00fd. Vizu\u00e1lna lyrickos\u0165 a mix pocitov dod\u00e1vaj\u00fa Herzogov\u00fdm filmom rozru\u0161uj\u00face vyznenie, ktor\u00e9 pretrv\u00e1va,\u201d<\/strong><\/em> uzatv\u00e1ra Vincent Canby, autor recenzie v New York Times. <strong>Toto hodnotenie neplat\u00ed len na Stroszeka.<\/strong> V\u0161estrann\u00fd nemeck\u00fd autor m\u00e1 na konte dvadsa\u0165 celove\u010dern\u00fdch hran\u00fdch filmov, sedem kr\u00e1tkych hran\u00fdch filmov, 31 celove\u010dern\u00fdch dokument\u00e1rnych filmov a osem kr\u00e1tkych dokument\u00e1rnych filmov. V\u00e4\u010d\u0161ina z nich sp\u013a\u0148a Canbyho krit\u00e9ri\u00e1.<\/p>\n<p style=\"text-align: center\"><em><strong>Werner Herzog. Zdroj: screenshot, YouTube<\/strong><\/em><\/p>\n<h3>Bruno S.<\/h3>\n<p>Venova\u0165 sa Herzogovej tvorbe podrobnej\u0161ie by vydalo na <strong>celoro\u010dn\u00fd seri\u00e1l \u010dl\u00e1nkov,<\/strong> zatia\u013e v\u00e1m v\u0161ak odpor\u00fa\u010dame aspo\u0148 <strong>\u201eZ\u00e1hadu Kaspara Hausera\u201d<\/strong> or <strong>\u201eKa\u017ed\u00fd za seba a Boh proti v\u0161etk\u00fdm\u201d<\/strong>, druh\u00fa sn\u00edmku okrem Stroszeka, kde hr\u00e1 hlavn\u00fa \u00falohu <strong>Bruno Schleinstein (Bruno S.).<\/strong> Herzog ho objavil <strong>\u201ena ulici\u201d<\/strong> a oba filmy obsahuj\u00fa biografick\u00e9 prvky z jeho \u017eivota. Na za\u010diatku m\u00f4\u017ee ma\u0165 div\u00e1k probl\u00e9m zaradi\u0165 si ho. Hr\u00e1? Po\u010d\u00fava Herzogove in\u0161trukcie ako cvi\u010den\u00fd pes? Improvizuje, ob\u010das s ohuruj\u00facim d\u00f4vtipom? Canby predpoklad\u00e1, \u017ee je to kombin\u00e1cia v\u0161etk\u00fdch troch mo\u017enost\u00ed, no bez oh\u013eadu na to, ako sa k tomu Bruno S. dopracoval, je <strong>presved\u010div\u00fdm stelesnen\u00edm podstaty oboch filmov.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>Zdroje: faroutmagazine.co.uk, nytimes.com<\/strong><\/em><\/p>\n<p><em><strong>Zdroj titulnej fotografie: screenshot, YouTube<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Ian Curtis (na titulnej fotografii) a Werner Herzog s\u00fa ako spriaznen\u00e9 du\u0161e. Oboch obklopuje temn\u00e1 aura mysti\u010dna, no pod povrchom s\u00fa obaja ok\u00faz\u013euj\u00faci a priate\u013esk\u00ed.<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8287","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=8287"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8287\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=8287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=8287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=8287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}