{"id":8305,"date":"2023-05-18T00:00:00","date_gmt":"2023-05-17T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/porazeny-berie-vsetko-japonsky-film-noir-bledy-kvet-je-nezabudnutelnym-vyletom-do-podsvetia\/"},"modified":"2023-05-18T00:00:00","modified_gmt":"2023-05-17T23:00:00","slug":"porazeny-berie-vsetko-japonsky-film-noir-bledy-kvet-je-nezabudnutelnym-vyletom-do-podsvetia","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/porazeny-berie-vsetko-japonsky-film-noir-bledy-kvet-je-nezabudnutelnym-vyletom-do-podsvetia\/","title":{"rendered":"Porazen\u00fd berie v\u0161etko. Japonsk\u00fd film noir Bled\u00fd kvet je nezabudnute\u013en\u00fdm v\u00fdletom do podsvetia"},"content":{"rendered":"<p><strong>Film Bled\u00fd kvet z roku 1964 je klenotom Japonskej novej vlny, v ktorom sa \u010dlen jakuzy po prepusten\u00ed z v\u00e4zenia zapletie s n\u00e1dhernou a z\u00e1hadnou gamblerkou. To, \u010do sa najsk\u00f4r zd\u00e1 ako sp\u00e1sonosn\u00fd vz\u0165ah, ho op\u00e4\u0165 zavedie na kriv\u00e9 chodn\u00ed\u010dky. Ok\u00faz\u013euj\u00faco nato\u010den\u00e1 a postrihan\u00e1 \u010diernobiela gangstersk\u00e1 romanca bola prelomom pre idiosynkratick\u00e9ho re\u017eis\u00e9ra Masahira \u0160inodu.<\/strong><\/p>\n<p><iframe title=\"Pale Flower (1964) opening credits [HD]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/sIeeq1wGEOE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Bled\u00fd kvet (1964)<\/h3>\n<p>Na japonsk\u00fd film noir v\u0161eobecne mal neod\u0161kriepite\u013en\u00fd vplyv <strong>amerikanizmus po okup\u00e1cii po druhej svetovej vojne<\/strong>. Masahiro \u0160inoda ho vo svojej najlep\u0161ej sn\u00edmke \u010diasto\u010dne satirizuje, predov\u0161etk\u00fdm v sc\u00e9ne, kde si bosovia dvoch frakci\u00ed jakuzy komicky a trocha ne\u0161ikovne osvojuj\u00fa z\u00e1sady z\u00e1padn\u00e9ho stolovania. In\u0161pir\u00e1ciu v\u0161ak \u010derpal aj inde. <em><strong>\u201eFilm je v celej svojej d\u013a\u017eke v\u00fdrazne ovplyvnen\u00fd Baudelairovou b\u00e1snickou zbierkou Kvety zla,\u201d<\/strong><\/em> spom\u00ednal re\u017eis\u00e9r ove\u013ea nesk\u00f4r v jednom z rozhovorov.<\/p>\n<p>\u00c1no, v Bledom kvete c\u00edti\u0165 v\u00f4\u0148u zla. Zla a smrti. Starn\u00faci pr\u00edslu\u0161n\u00edk jakuzy <strong>Muraki (Rjo Ikebe)<\/strong> sa po n\u00e1vrate na slobodu osudovo stretne so <strong>Saeko (Mariko Kagaov\u00e1)<\/strong>, chichotaj\u00facou sa sir\u00e9nou, ktor\u00e1 ho privedie a\u017e do z\u00e1huby. <em><strong>\u201eKe\u010f som dokon\u010dil nakr\u00facanie, uvedomil som si, \u017ee moja mlados\u0165 sa skon\u010dila,\u201d<\/strong><\/em> dodal \u0160inoda.<\/p>\n<p>Mal vtedy 33 rokov a bol na za\u010diatku kari\u00e9ry. Vo filme Bled\u00fd kvet na\u0161iel svoju <strong>re\u017eis\u00e9rsku unik\u00e1tnos\u0165<\/strong>, no nedok\u00e1zal to s\u00e1m. Kameru mal na starosti Masao Kosugi, ktor\u00fd nato\u010dil viac ne\u017e tucet \u0160inodov\u00fdch filmov, na scen\u00e1ri sa podie\u013eal Ataru Baba, delik\u00e1tne vybalansovan\u00fdmi hereck\u00fdmi v\u00fdkonmi na pomedz\u00ed \u0161t\u00fdlov\u00e9ho a stroh\u00e9ho prispeli Ikebe a Kagaov\u00e1 (obaja na titulnej fotografii) a v neposlednom rade dotvoril atmosf\u00e9ru avantgardn\u00fd hudobn\u00fd skladate\u013e Toru Takemicu. <strong>\u0160inoda majstrovsky viedol t\u00fato skupinu talentovan\u00fdch umelcov.<\/strong><\/p>\n<h3>Hazard<\/h3>\n<p>V\u00fdsledkom je <strong>nezabudnute\u013en\u00fd v\u00fdlet do podsvetia<\/strong> pln\u00fd adrenal\u00ednu, nap\u00e4tia, hazardu, potetovan\u00fdch mafi\u00e1nov a r\u00fdchlych \u00e1ut (Saeko m\u00e1 Renault Floride Convertible z roku 1959). V\u0161etko v\u0161ak ne\u0161lo tak hladko, ako by sa pri sledovan\u00ed mohlo zda\u0165. Sn\u00edmka mala p\u00f4vodne vyjs\u0165 u\u017e v roku 1963, ale <strong>uvedenie sa oddialilo takmer o rok<\/strong>. Vysvetlenia na toto ome\u0161kanie sa r\u00f4znia, pod\u013ea jednej z verzi\u00ed sa Baba s\u0165a\u017eoval \u0161\u00e9fom \u0161t\u00fadia \u0160o\u010diku, \u017ee \u0160inoda <strong>pr\u00edli\u0161 uprednost\u0148uje vizu\u00e1lnu str\u00e1nku na \u00fakor jeho detailnej\u0161ieho scen\u00e1ra<\/strong>. \u010eal\u0161\u00edm d\u00f4vodom mohlo by\u0165, \u017ee japonsk\u00fdm \u00faradom sa nepozd\u00e1vali sc\u00e9ny, v ktor\u00fdch <strong>postavy uzatv\u00e1rali vysok\u00e9 st\u00e1vky v hazardnej hre<\/strong> s tradi\u010dn\u00fdmi japonsk\u00fdmi kvetinov\u00fdmi kartami Hanafuda. Tieto z\u00e1bery s\u00fa mimoriadne detailn\u00e9 (jedny z najlep\u0161\u00edch vo filme) a glorifikuj\u00fa ileg\u00e1lnu aktivitu.<\/p>\n<p style=\"text-align: center;\"><em><strong>Hazardn\u00e1 hra vo filme Bled\u00fd kvet<\/strong><\/em><\/p>\n<h3>Such\u00fd kvet<\/h3>\n<p>Doslovnej\u0161\u00ed preklad japonsk\u00e9ho n\u00e1zvu <strong>Kawaita hana<\/strong> je <strong>\u201esuch\u00fd\u201d<\/strong> alebo \u201e<strong>vysu\u0161en\u00fd\u201d kvet<\/strong>, \u010do jasne odkazuje na smr\u0165, nielen jednoducho na \u017eiariv\u00fa bledos\u0165 Saeko medzi horami mu\u017esk\u00fdch svalov a tie\u0148ov. Film sa za\u010d\u00edna <strong>obrazom slobody<\/strong> &#8211; poh\u013eadom na vrtk\u00fa mlad\u00fa \u017eenu s rukami rozprestret\u00fdmi smerom k nebu, na sochu <strong>Cubasa-no-zo (Socha kr\u00eddiel)<\/strong> na tokijskej \u017eelezni\u010dnej stanici Ueno. Kon\u010d\u00ed sa <strong>zabuchnut\u00edm<\/strong> obrovsk\u00fdch, ako keby <strong>hrobkov\u00fdch dver\u00ed na v\u00e4zenskom dvore<\/strong>.<\/p>\n<p>Nevid\u00edme <strong>\u0165a\u017ek\u00fd priemysel<\/strong>, ale opakovane po\u010dujeme jeho pekeln\u00e9 dunenie, ktor\u00e9 k n\u00e1m dolieha z dia\u013eky. <strong>Pohrebn\u00e9 vozidl\u00e1<\/strong> neprestajne patroluj\u00fa na uliciach. <strong>Z\u00e1hadn\u00fd narkoman a zabijak<\/strong> sa vyn\u00e1ra z tmy a <strong>skalpelmi po\u013euje na Murakiho<\/strong>. <strong>Starn\u00faci gangster<\/strong> sa t\u00fala nocou a h\u013ead\u00e1 jedin\u00fd plame\u0148 v mestskom o\u010distci, kde u\u017e d\u00e1vno vid\u00ed len polom\u0155tvych obyvate\u013eov na ka\u017edodennom pochode zombie. <strong>Ich nov\u00e9 Japonsko je Zem vst\u00e1vaj\u00facich m\u0155tvol.<\/strong><\/p>\n<p><strong>Saeko mu na chv\u00ed\u013eu poskytne potrebn\u00fa iskru.<\/strong> Jemn\u00e1 a chvej\u00faca sa \u017eiara, ktor\u00e1 iba nakr\u00e1tko, pr\u00edli\u0161 kr\u00e1tko, osvieti chodn\u00edk, po ktorom sa obaja m\u00f4\u017eu vyda\u0165 na cestu k v\u00fdchodu slnka &#8211; <strong>k bled\u00e9mu a o\u010daruj\u00facemu ohniv\u00e9mu kvetu<\/strong>, k omamn\u00e9mu a ne\u00faprosn\u00e9mu z\u00e1blesku.<\/p>\n<p style=\"text-align: center;\"><em><strong>Kawaita hana (1964)<\/strong><\/em><\/p>\n<h3>\u010eal\u0161\u00ed tip<\/h3>\n<p>Rok 1964 bol siln\u00fd pre japonsk\u00fa kinematografiu. \u0160inodov s\u00faputn\u00edk <strong>Seid\u017eun Suzuki<\/strong> uviedol svoj film <strong>Gate of Flesh (Nikutai no mon)<\/strong>, v ktorom <strong>partia prostit\u00fatok bojuje o pre\u017eitie v povojnovom Tokiu<\/strong>. Na \u010diernom trhu a vo vybombardovan\u00fdch chatr\u010diach udr\u017eiavaj\u00fa \u017eeny <strong>krehk\u00e9 priate\u013estvo a il\u00faziu stability v pochybnom svete chaosu<\/strong>. Dar\u00ed sa im to do momentu, ke\u010f medzi ne vst\u00fapi <strong>reneg\u00e1tsky b\u00fdval\u00fd vojak<\/strong>. <strong>T\u00fa\u017eba a lojalita sa zrazia s tragick\u00fdmi n\u00e1sledkami.<\/strong> Suzukiho tajf\u00fan soci\u00e1lnej kritiky v iskriv\u00fdch farb\u00e1ch a so surov\u00fdmi em\u00f3ciami takisto odpor\u00fa\u010dame.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>Zdroje: criterion.com, reddit.com, imdb.com<\/strong><\/em><\/p>\n<p><em><strong>Zdroj titulnej fotografie a fotografi\u00ed v texte: screenshoty, YouTube<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Film Bled\u00fd kvet z roku 1964 je klenotom Japonskej novej vlny, v ktorom sa \u010dlen jakuzy po prepusten\u00ed z v\u00e4zenia zapletie s n\u00e1dhernou a z\u00e1hadnou<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8305","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=8305"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8305\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=8305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=8305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=8305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}