{"id":8315,"date":"2023-05-31T00:00:00","date_gmt":"2023-05-30T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/david-lynch-o-spolupraci-s-angelom-badalamentim-aj-v-takzvanych-temnych-veciach-je-krasa\/"},"modified":"2023-05-31T00:00:00","modified_gmt":"2023-05-30T23:00:00","slug":"david-lynch-o-spolupraci-s-angelom-badalamentim-aj-v-takzvanych-temnych-veciach-je-krasa","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/david-lynch-o-spolupraci-s-angelom-badalamentim-aj-v-takzvanych-temnych-veciach-je-krasa\/","title":{"rendered":"David Lynch o spolupr\u00e1ci s Angelom Badalamentim: \u201eAj v takzvan\u00fdch temn\u00fdch veciach je kr\u00e1sa\u201d"},"content":{"rendered":"

Od Mulholland Drive po Twin Peaks, zvukov\u00e1 paleta Angela Badalamentiho neodmyslite\u013ene sprev\u00e1dza videnie filmov\u00e9ho re\u017eis\u00e9ra Davida Lyncha. Hudobn\u00fd skladate\u013e zomrel v decembri minul\u00e9ho roka a Lynch poskytol v m\u00e1ji 2023 ojedinel\u00fd rozhovor pre BBC, ktor\u00e9ho prepis v\u00e1m pon\u00fakame.<\/strong><\/p>\n

Spolupr\u00e1ca Davida Lyncha a Angela Badalamentiho<\/h3>\n

\u201eAngelo dok\u00e1\u017ee zlo\u017ei\u0165 ak\u00fako\u013evek hudbu. \u0160tudoval v\u0161etku klasiku, dlho skladal d\u017eingle, tak\u017ee je v\u0161estrann\u00fd. Tajomstvo \u00faspechu je, \u017ee ke\u010f viete, \u010do chcete, mus\u00edte to z neho dosta\u0165. Je to v \u0148om, len je potrebn\u00e9 dosta\u0165 to von. Text hovor\u00ed nie\u010do jeho mozgu a vznik\u00e1 z toho pocit. V\u010faka tomu, \u017ee vie skomponova\u0165 \u010doko\u013evek, rozpr\u00e1vam sa s n\u00edm a on za\u010dne hra\u0165. Ak sa mi to nep\u00e1\u010di, poviem nie\u010do in\u00e9 a zmen\u00ed sa to!\u201d<\/strong><\/em><\/p>\n

Lych a Badalamenti prv\u00fdkr\u00e1t spolupracovali na filme Modr\u00fd zamat: \u201eAngelo je svoj\u00edm sp\u00f4sobom star\u00e1 \u0161kola, m\u00e1 r\u00e1d, ke\u010f sa texty r\u00fdmuj\u00fa a ke\u010f sa dodr\u017eiava forma, ale ke\u010f ho prin\u00fatite, dok\u00e1\u017ee sa z toho vymani\u0165. Po\u010das p\u00edsania Modr\u00e9ho zamatu som neust\u00e1le po\u010d\u00faval \u0160ostakovi\u010da v A minor a povedal som mu, \u017ee tento film mus\u00ed ma\u0165 rusko-americk\u00fa atmosf\u00e9ru. S\u00fahlasil a i\u0161iel na to, odvtedy sme kooperovali vo ve\u013ekom.\u201d<\/strong><\/em> Spolo\u010dne s\u00fa podp\u00edsan\u00ed pod t\u00fdmito dielami: Modr\u00fd zamat (1986), Divokos\u0165 v srdci (1990), Twin Peaks: Fire Walk with Me (1992), Lost Highway (1997), Pr\u00edbeh Alvina Straighta (1999), Mulholland Drive (2001), Rabbits (2002) a Twin Peaks: N\u00e1vrat (2017).<\/p>\n

Angelo Badalamenti mal aj hereck\u00fd v\u00fdstup vo filme Mulholland Drive<\/strong><\/em><\/p>\n

Skuto\u010dn\u00fd Angelo<\/h4>\n

V ich spolo\u010dnej hudbe sa \u010dasto vyskytuj\u00fa mot\u00edvy sm\u00fatku a hriechu. Badalamenti povedal, \u017ee Lynch v \u0148om podnietil temn\u00fa str\u00e1nku: \u201eAk som v jeho tvorbe nie\u010do podnietil, bol to skuto\u010dn\u00fd Angelo, ktor\u00fd vyjadruje l\u00e1sku. S\u00fa to srde\u010dn\u00e9 pocity, hlbok\u00e1 l\u00e1ska – hlbok\u00e1, hlbok\u00e1 l\u00e1ska. Aj v takzvan\u00fdch temn\u00fdch veciach je kr\u00e1sa. M\u00f4\u017ee v tom by\u0165 zl\u00e1 predtucha, ale je v tom aj nie\u010do ove\u013ea v\u00e4\u010d\u0161ie. Je to pravdiv\u00e9.\u201d<\/strong><\/em><\/p>\n

Angelo Badalamenti pred dr\u00e1hou hudobn\u00e9ho skladate\u013ea p\u00f4sobil ako u\u010dite\u013e. Ve\u013ea nau\u010dil aj Lyncha: \u201eZasv\u00e4til ma do sveta hudby, otvoril mi cel\u00fa nov\u00fa dimenziu. Na strednej \u0161kole som hral na tr\u00fabku, no musel som s t\u00fdm skon\u010di\u0165, lebo si to vy\u017eadovalo by\u0165 \u010dlenom pochodovej kapely. To by som musel vst\u00e1va\u0165 o \u0161iestej r\u00e1no a tr\u00e9nova\u0165 pochodovanie, aby som mohol \u00eds\u0165 na nejak\u00fd z\u00e1pas americk\u00e9ho futbalu! Bolo to stra\u0161n\u00e9, sekol som s t\u00fdm…<\/strong><\/em><\/p>\n

…Angelo mi uk\u00e1zal tento neuverite\u013en\u00fd svet a boli sme v pravidelnom kontakte, odkedy sme sa spoznali. Sme ako bratia, m\u00e1m ho nesmierne r\u00e1d. Ke\u010f umrel, ve\u013emi ma to zasiahlo. Zomreli u\u017e mnoh\u00ed \u013eudia, s ktor\u00fdmi som pracoval, a zaka\u017ed\u00fdm ma to zarm\u00fatilo, neviem pochopi\u0165, pre\u010do musia \u013eudia umiera\u0165. S Angelom to bolo o \u010dosi in\u00e9, u\u017e nikdy mu nebudem m\u00f4c\u0165 zavola\u0165, u\u017e nikdy nebudem po\u010du\u0165 jeho hlas, u\u017e s n\u00edm nikdy pracova\u0165. V\u0161etka t\u00e1 hudba, ktor\u00e1 v \u0148om je, sa u\u017e nikdy neobjav\u00ed. Je to hrozn\u00e9.\u201d<\/strong><\/em><\/p>\n

Kontinuum<\/h4>\n

Lynch odmieta o Badalamentim hovori\u0165 inak ako v pr\u00edtomnom \u010dase: \u201eMus\u00edme ho dr\u017ea\u0165 na\u017eive. Ver\u00edm, \u017ee \u017eivot je kontinuum, \u017ee nikto naozaj nezomrie, len odhod\u00ed svoje fyzick\u00e9 telo, \u017ee raz sa v\u0161etci op\u00e4\u0165 stretneme. Ak rozm\u00fd\u0161\u013eate takto, je to teraz smutn\u00e9, no nie je to zni\u010duj\u00face. Nedok\u00e1\u017eem si predstavi\u0165, \u017ee ke\u010f niekto umrie, nav\u017edy sa strat\u00ed a \u010dak\u00e1 n\u00e1s to v\u0161etk\u00fdch. Jednoducho to ned\u00e1va zmysel. Je to kontinuum a na konci a budeme v\u0161etci v poriadku.\u201d<\/strong><\/em><\/p>\n

David Lynch v de\u0148 \u00famrtia Angela Badalamentiho: \u201eDnes \u017eiadna hudba“<\/strong><\/em><\/p>\n

Aj v hudbe, ktor\u00fa Lynch skomponoval s\u00e1m, napr\u00edklad do svojho filmu Inland Empire (2006), je po\u010du\u0165 vplyv Badalamentiho: \u201eJe to mo\u017en\u00e9. S\u00fa \u010dasti, ktor\u00e9 sa mi p\u00e1\u010dia a ktor\u00e9 sa p\u00e1\u010dili Angelovi a hral ich. Niekto by povedal, \u017ee ich nap\u00edsal Angelo, no ur\u010dite je najlep\u0161\u00ed vo vyjadrovan\u00ed kr\u00e1sy a l\u00e1sky. M\u00f4\u017ee v\u00e1m vytrhn\u00fa\u0165 srdce, rozpla\u010de v\u00e1s ako die\u0165a, hra\u0165 sa s em\u00f3ciami, ako to dok\u00e1\u017ee len on. M\u00e1 n\u00e1dhern\u00fa du\u0161u a je neskonale talentovan\u00fd.\u201d<\/strong><\/em><\/p>\n

Ako by vyzeral spolo\u010dn\u00fd obed Davida Lyncha a Angela Badalamentiho? \u201eAngelo je Talian, tak\u017ee cestoviny, \u0161pagety a m\u00e4sov\u00e9 guli\u010dky. Sp\u00e1jam si ho s naozaj dobr\u00fdm talianskym jedlom,\u201d<\/strong><\/em> vrav\u00ed Lynch a dod\u00e1va, \u017ee v mysli sa so svoj\u00edm umeleck\u00fdm kolegom a dobr\u00fdm priate\u013eom zhov\u00e1ra st\u00e1le. O \u010dom? \u010co sa ho p\u00fdta? \u201eRozpr\u00e1vam sa s n\u00edm o v\u0161etkom. Bav\u00edme sa o po\u010das\u00ed alebo po\u010d\u00favame jeho star\u0161ie nahr\u00e1vky a hovor\u00edm mu, ako sa mi p\u00e1\u010dia. Pre m\u0148a je st\u00e1le na\u017eive.\u201d<\/strong><\/em><\/p>\n

 <\/p>\n

Filmy a seri\u00e1ly, na ktor\u00fdch spolupracovali David Lynch ako re\u017eis\u00e9r a Angelo Badalamenti ako hudobn\u00fd skladate\u013e:<\/h4>\n

Modr\u00fd zamat (1986)<\/p>\n

Divokos\u0165 v srdci (1990)<\/p>\n

Twin Peaks: Fire Walk with Me (1992)<\/p>\n

Lost Highway (1997)<\/p>\n

Pr\u00edbeh Alvina Straighta (1999)<\/p>\n

Mulholland Drive (2001)<\/p>\n

Rabbits (2002)<\/p>\n

Twin Peaks: N\u00e1vrat (2017)<\/p>\n

 <\/p>\n

Zdroj: vo\u013ene prelo\u017een\u00e9 z bbc.com<\/strong><\/em><\/p>\n

Zdroj titulnej fotografie a fotografi\u00ed v texte: screenshoty, YouTube<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"

Od Mulholland Drive po Twin Peaks, zvukov\u00e1 paleta Angela Badalamentiho neodmyslite\u013ene sprev\u00e1dza videnie filmov\u00e9ho re\u017eis\u00e9ra Davida Lyncha. Hudobn\u00fd skladate\u013e zomrel v decembri minul\u00e9ho roka a<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8315","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=8315"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8315\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=8315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=8315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=8315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}