{"id":8358,"date":"2023-07-09T00:00:00","date_gmt":"2023-07-08T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/sucasny-tanec-sa-stava-este-popularnejsim-pre-svoju-volnost-a-slobodu-v-pohybe\/"},"modified":"2023-07-09T00:00:00","modified_gmt":"2023-07-08T23:00:00","slug":"sucasny-tanec-sa-stava-este-popularnejsim-pre-svoju-volnost-a-slobodu-v-pohybe","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/sucasny-tanec-sa-stava-este-popularnejsim-pre-svoju-volnost-a-slobodu-v-pohybe\/","title":{"rendered":"S\u00fa\u010dasn\u00fd tanec sa st\u00e1va e\u0161te popul\u00e1rnej\u0161\u00edm pre svoju vo\u013enos\u0165 a slobodu v pohybe"},"content":{"rendered":"<h3>Spojenie viacer\u00fdch \u017e\u00e1nrov<\/h3>\n<p><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">V angli\u010dtine ho pozn\u00e1me pod n\u00e1zvom \u201econtemporarty dance\u201c. Kedysi bol iba ak\u00fdmsi zvl\u00e1\u0161tnym uhlov\u00fdm pohybom. Abstraktn\u00fdm a nezvy\u010dajn\u00fdm.<\/span><\/span> <strong>Vznikol v 20. storo\u010d\u00ed ako odno\u017e modern\u00e9ho tanca a in\u00fdch tane\u010dn\u00fdch techn\u00edk minul\u00e9ho storo\u010dia.<\/strong> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Postupne sa stal f\u00faziou neoklasick\u00e9ho \u0161t\u00fdlu a prip\u00e1jali sa k nemu i prvky baletu.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Odvtedy pojem \u201es\u00fa\u010dasn\u00fd\u201c vyvol\u00e1va obrazy v\u0161etk\u00fdch r\u00f4znych \u0161t\u00fdlov a \u017e\u00e1nrov. V\u00e4\u010d\u0161ina z nich sa stala mimoriadne popul\u00e1rnou pre tane\u010dn\u00edkov aj div\u00e1kov.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">\u010casto sa zameriava na em\u00f3cie a rozpr\u00e1vanie, ktor\u00e9 \u010dlovek vyjadruje pohybmi a dychom. Jednozna\u010dne ho definova\u0165 m\u00f4\u017ee by\u0165 n\u00e1ro\u010dn\u00e9, ke\u010f\u017ee ide o ve\u013emi hmlist\u00fd \u0161t\u00fdl.\u00a0<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\"><strong>Rozpr\u00e1va pr\u00edbeh.<\/strong> Tane\u010dn\u00edci ho m\u00f4\u017eu pou\u017ei\u0165 na zobrazenie post\u00e1v, d\u00f4le\u017eit\u00fdch udalost\u00ed i sprostredkovanie osobn\u00fdch pr\u00edbehov. Siln\u00fdch a srdcerv\u00facich. M\u00f4\u017eu n\u00edm komunikova\u0165 abstraktn\u00e9 my\u0161lienky,<span class=\"HwtZe\" lang=\"sk\"> ako s\u00fa etick\u00e9 hodnoty, akceptovanie seba sam\u00e9ho a aktu\u00e1lne soci\u00e1lne probl\u00e9my. <strong>A choreografie? Tie s\u00fa typick\u00e9 hlavne pre interpret\u00e1ciu.<\/strong> <\/span><\/span><\/span><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Mo\u017eno ho vykon\u00e1va\u0165 naboso, so \u0161picat\u00fdmi top\u00e1nkami, nah\u00fd \u010di \u00faplne oble\u010den\u00fd. S hudbou alebo dokonca aj bez nej.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Nem\u00e1 presne stanoven\u00e9 hranice. <\/span><\/span><span class=\"HwtZe\" lang=\"sk\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Kost\u00fdmy zasa zvy\u010dajne odr\u00e1\u017eaj\u00fa t\u00e9mu alebo t\u00f3n sprievodnej hudby.<\/span><\/span><\/span><\/p>\n<p><iframe title=\"NO TIME TO DIE - Billie Eilish \/ Contemporary Choreography\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VAsAWqEoigk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Em\u00f3cie a sloboda<\/h3>\n<p><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Cestu pre nov\u00fa s\u00fa\u010dasn\u00fa techniku vydl\u00e1\u017edili najm\u00e4 priekopn\u00edci<\/span><\/span><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\"> modern\u00e9ho tanca ako Martha Graham a Merce Cunningham. <\/span><\/span><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Odvtedy sa te\u0161\u00ed ob\u013eube, \u010diasto\u010dne aj kv\u00f4li jeho dostupnosti. <\/span><\/span><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Vo\u013enos\u0165 pohybu umo\u017e\u0148uje st\u00e1le si tanec u\u017e\u00edva\u0165 bez potreby prehnan\u00e9ho perfekcionizmu. <strong>N<\/strong><span class=\"HwtZe\" lang=\"sk\"><strong>ie je obmedzen\u00fd pravidlami, ktor\u00fdmi sa riadia tradi\u010dn\u00e9 tane\u010dn\u00e9 formy. <\/strong>Namiesto toho sa spolieha na improviz\u00e1ciu a v\u0161estrannos\u0165. Vyzna\u010duje sa slobodou a plynulos\u0165ou, ktor\u00e1 umo\u017e\u0148uje tane\u010dn\u00edkom presk\u00fama\u0165 prepojenie mysle a tela. <\/span><\/span><\/span><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">To v\u0161ak neznamen\u00e1, \u017ee je hor\u0161\u00ed ako balet. Vidite\u013en\u00fd rozdiel je ale v tom, \u017ee sa zameriava sk\u00f4r na pr\u00e1cu na podlahe. <strong>Jeho fyzick\u00e1 n\u00e1ro\u010dnos\u0165 a vysok\u00e1 emocionalita<\/strong><\/span><\/span><strong><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\"> pos\u00fava hranice. N\u00fati div\u00e1kov prem\u00fd\u0161\u013ea\u0165 a riskova\u0165.<\/span><\/span>\u00a0<\/strong><\/p>\n<div class=\"ccvoYb EjH7wc\">\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"lRu31\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Tane\u010dn\u00edci m\u00f4\u017eu poch\u00e1dza\u0165 z ak\u00e9hoko\u013evek tr\u00e9ningov\u00e9ho prostredia, od klasick\u00e9ho baletu a\u017e po break-dance, a do svojho tanca integruj\u00fa techniky pr\u00e1ce s telom dokonca i j\u00f3gu \u010di pilates. Je s\u00fahrou <\/span><\/span><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">rovnov\u00e1hy, pr\u00e1ce na podlahe, p\u00e1dov, vzostupov a koniec koncov k\u013e\u00fa\u010dovej improviz\u00e1cie. <\/span><\/span><\/div>\n<div><\/div>\n<div class=\"lRu31\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">A ako prebiehaj\u00fa n\u00e1cviky? V triedach sa \u0161tudenti u\u010dia pou\u017e\u00edva\u0165 svoje telo r\u00f4znymi sp\u00f4sobmi. <strong>Zameriavaj\u00fa sa hlavne na d\u00fdchanie, dr\u017eanie tela a emocion\u00e1lny stav, aby vytvorili spojenie tela a mysle.<\/strong> U\u010dia sa bu\u010f cel\u00e9 choreografick\u00e9 diela alebo improvizuj\u00fa konkr\u00e9tne tane\u010dn\u00e9 k\u00fasky. Kurzy je mo\u017en\u00e9 absolvova\u0165 aj prostredn\u00edctvom vysok\u00fdch \u0161k\u00f4l a univerz\u00edt vo svete \u010di komunitn\u00fdch tane\u010dn\u00fdch \u0161k\u00f4l. <\/span><\/span><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Po\u010detn\u00e9 ve\u013ek\u00e9 mest\u00e1\u00a0 s\u00fa hrd\u00fdmi hostite\u013emi sk\u00fasen\u00fdch tane\u010dn\u00edkov, ktor\u00ed pon\u00fakaj\u00fa pravideln\u00e9 predstavenia pre verejnos\u0165. T\u00ed navy\u0161e spolupracuj\u00fa aj s umeleck\u00fdmi \u0161kolami, kde h\u013eadaj\u00fa mlad\u00e9 talenty.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"VO9ucd\">\n<div class=\"aJIq1d\" data-language-code=\"sk\" data-language-name=\"sloven\u010dina\" data-text=\"\u010co je s\u00fa\u010dasn\u00fd tanec? S\u00fa\u010dasn\u00fd tanec je \u0161t\u00fdl interpreta\u010dn\u00e9ho tanca, ktor\u00fd zah\u0155\u0148a inov\u00e1cie, mie\u0161anie techn\u00edk z r\u00f4znych \u017e\u00e1nrov vr\u00e1tane klasick\u00e9ho baletu, jazzu, modern\u00e9ho tanca a lyrick\u00e9ho tanca. Tento \u017e\u00e1ner tanca, ktor\u00fd sa viac zameriava na pr\u00e1cu na podlahe pred pr\u00e1cou n\u00f4h a pointe, nie je obmedzen\u00fd pravidlami, ktor\u00fdmi sa riadia tradi\u010dn\u00e9 tane\u010dn\u00e9 formy. Namiesto toho sa spolieha na improviz\u00e1ciu a v\u0161estrannos\u0165 a vyzna\u010duje sa slobodou pohybu a plynulos\u0165ou, ktor\u00e1 umo\u017e\u0148uje tane\u010dn\u00edkom presk\u00fama\u0165 prepojenie mysle a tela a ide\u00e1lne vyvol\u00e1va em\u00f3cie v publiku. S\u00fa\u010dasn\u00fd tanec sa niekedy pova\u017euje za formu rozpr\u00e1vania pr\u00edbehov a tane\u010dn\u00edci m\u00f4\u017eu toto m\u00e9dium pou\u017ei\u0165 na zobrazenie post\u00e1v, prehratie udalost\u00ed alebo na sprostredkovanie osobn\u00fdch pr\u00edbehov. Jeho rutiny m\u00f4\u017eu tie\u017e komunikova\u0165 abstraktn\u00e9 my\u0161lienky, ako s\u00fa etick\u00e9 hodnoty, akceptovanie seba sam\u00e9ho a aktu\u00e1lne soci\u00e1lne probl\u00e9my. Kost\u00fdmy zvy\u010dajne odr\u00e1\u017eaj\u00fa t\u00e9mu alebo t\u00f3n sprievodnej hudby a tane\u010dn\u00edci \u010dasto vystupuj\u00fa s bos\u00fdmi nohami. \u00da\u010dinkuj\u00faci m\u00f4\u017eu predvies\u0165 tento druh tanca na r\u00f4zne hudobn\u00e9 \u0161t\u00fdly, b\u00e1sne a piesne v hovorenom slove alebo ticho.\" data-crosslingual-hint=\"\" data-location=\"2\" data-enable-toggle-playback-speed=\"true\" data-results-count=\"1\" data-result-index=\"1\">\n<div class=\"m0Qfkd\">\n<div id=\"ucc-4\" class=\"EY8ABd-OWXEXe-TAWMXe\" role=\"tooltip\" aria-hidden=\"true\">\n<div class=\"ccvoYb EjH7wc\">\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n Em\u00f3cie s\u00fa to, \u010do dod\u00e1va s\u00fa\u010dasn\u00e9mu tancu t\u00fa spr\u00e1vnu iskru. Zdroj: Pexels.com\n<div class=\"VO9ucd\">\n<div class=\"aJIq1d\" data-language-code=\"sk\" data-language-name=\"sloven\u010dina\" data-text=\"\u010co je s\u00fa\u010dasn\u00fd tanec? S\u00fa\u010dasn\u00fd tanec je \u0161t\u00fdl interpreta\u010dn\u00e9ho tanca, ktor\u00fd zah\u0155\u0148a inov\u00e1cie, mie\u0161anie techn\u00edk z r\u00f4znych \u017e\u00e1nrov vr\u00e1tane klasick\u00e9ho baletu, jazzu, modern\u00e9ho tanca a lyrick\u00e9ho tanca. Tento \u017e\u00e1ner tanca, ktor\u00fd sa viac zameriava na pr\u00e1cu na podlahe pred pr\u00e1cou n\u00f4h a pointe, nie je obmedzen\u00fd pravidlami, ktor\u00fdmi sa riadia tradi\u010dn\u00e9 tane\u010dn\u00e9 formy. Namiesto toho sa spolieha na improviz\u00e1ciu a v\u0161estrannos\u0165 a vyzna\u010duje sa slobodou pohybu a plynulos\u0165ou, ktor\u00e1 umo\u017e\u0148uje tane\u010dn\u00edkom presk\u00fama\u0165 prepojenie mysle a tela a ide\u00e1lne vyvol\u00e1va em\u00f3cie v publiku. S\u00fa\u010dasn\u00fd tanec sa niekedy pova\u017euje za formu rozpr\u00e1vania pr\u00edbehov a tane\u010dn\u00edci m\u00f4\u017eu toto m\u00e9dium pou\u017ei\u0165 na zobrazenie post\u00e1v, prehratie udalost\u00ed alebo na sprostredkovanie osobn\u00fdch pr\u00edbehov. Jeho rutiny m\u00f4\u017eu tie\u017e komunikova\u0165 abstraktn\u00e9 my\u0161lienky, ako s\u00fa etick\u00e9 hodnoty, akceptovanie seba sam\u00e9ho a aktu\u00e1lne soci\u00e1lne probl\u00e9my. Kost\u00fdmy zvy\u010dajne odr\u00e1\u017eaj\u00fa t\u00e9mu alebo t\u00f3n sprievodnej hudby a tane\u010dn\u00edci \u010dasto vystupuj\u00fa s bos\u00fdmi nohami. \u00da\u010dinkuj\u00faci m\u00f4\u017eu predvies\u0165 tento druh tanca na r\u00f4zne hudobn\u00e9 \u0161t\u00fdly, b\u00e1sne a piesne v hovorenom slove alebo ticho.\" data-crosslingual-hint=\"\" data-location=\"2\" data-enable-toggle-playback-speed=\"true\" data-results-count=\"1\" data-result-index=\"1\">\n<div class=\"m0Qfkd\">\n<div id=\"ucc-4\" class=\"EY8ABd-OWXEXe-TAWMXe\" role=\"tooltip\" aria-hidden=\"true\">\n<div class=\"ccvoYb EjH7wc\">\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"VO9ucd\">\n<div class=\"YJGJsb\">\n<div>\n<div data-show-delay-ms=\"250\" data-append-to-body=\"true\" data-propagate-tooltip-mouseover-events=\"true\" data-anchor-corner=\"bottom-left\" data-enable-skip-handler=\"false\" data-popup-corner=\"top-left\">\n<div>\n<h3 class=\"VfPpkd-Bz112c-Jh9lGc\">Priekopn\u00edci s\u00fa\u010dasn\u00e9ho tanca<\/h3>\n<div><\/div>\n<\/div>\n<div>\n<div class=\"lRu31\"><span class=\"HwtZe\" lang=\"sk\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Po\u010diatky tohto popul\u00e1rneho tane\u010dn\u00e9ho hnutia mo\u017eno h\u013eada\u0165 u nieko\u013ek\u00fdch vplyvn\u00fdch tane\u010dn\u00fdch majstrov ako Isadora Duncan,Martha Graham a Merce Cunningham.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">V\u0161etci chceli svetu uk\u00e1za\u0165, \u017ee s\u00fa\u010dasn\u00ed tane\u010dn\u00edci by mali prija\u0165 slobodu, ignorova\u0165 star\u00e9 tane\u010dn\u00e9 konvencie a sk\u00fama\u0165 hranice \u013eudsk\u00e9ho tela a vizu\u00e1lneho vyjadrenia pocitov.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Jedni z jeho predchodcov s\u00fa tis\u00edcro\u010diach star\u00e9 techniky zenov\u00e9ho budhizmu a indickej j\u00f3gy zah\u0155\u0148aj\u00facej r\u00f4zne tane\u010dn\u00e9 filozofie, ktor\u00e9 \u00fazko sleduj\u00fa princ\u00edpy s\u00fa\u010dasn\u00e9ho tanca.<\/span><\/span><\/span><\/div>\n<div><\/div>\n<div class=\"lRu31\"><span class=\"HwtZe\" lang=\"sk\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Tane\u010dnicou, ktor\u00e1 predstavila a v\u00fdrazne spopularizovala s\u00fa\u010dasn\u00fd tanec celosvetov\u00e9mu publiku, bola <strong>Martha Graham \u017eij\u00faca v rokoch 1894 &#8211; 1991.<\/strong><\/span><\/span> It is<span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">j modern\u00fd tanec a choreografie po\u010das cel\u00fdch siedmych desa\u0165ro\u010d\u00ed jej\u00a0 kari\u00e9ry z\u00edskali sl\u00e1vu, ktor\u00e1 sa dnes prirovn\u00e1va k \u017eivotn\u00fdm dielam legend\u00e1rnych umeleck\u00fdch g\u00e9niov ako Picasso, Stravinski a Frank Lloyd Wright.<\/span><\/span><\/span><\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<div>\n<p><iframe title=\"The Martha Graham Technique (c) 1975\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FuCbs25LGh0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<div data-show-delay-ms=\"250\" data-append-to-body=\"true\" data-propagate-tooltip-mouseover-events=\"true\" data-anchor-corner=\"bottom-left\" data-enable-skip-handler=\"false\" data-popup-corner=\"top-left\">\n<div>\n<div><\/div>\n<div class=\"lRu31\"><span class=\"HwtZe\" lang=\"sk\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\"><strong>Merce Cunningham<\/strong> zdokonalil pr\u00e1cu, ktor\u00fa vytvorila jeho kolegy\u0148a Martha Graham. Roz\u0161\u00edril ju o svoje vlastn\u00e9 vylep\u0161enia, choreografie a avantgardn\u00e9 tane\u010dn\u00e9 techniky.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\"><strong>Po\u010das svojej dlhej kari\u00e9ry ho \u013eudia pova\u017eovali za jednu z najv\u00e4\u010d\u0161\u00edch tvoriv\u00fdch s\u00edl americk\u00e9ho tanca.<\/strong> Vychoval desiatky svetozn\u00e1mych a tis\u00edce profesion\u00e1lnych tane\u010dn\u00edkov, ktor\u00ed si jeho \u0161t\u00fdl zachovali dodnes. <\/span><\/span><\/span><span class=\"HwtZe\" lang=\"sk\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\"><strong>Vplyvn\u00fdm vizion\u00e1rom s\u00fa\u010dasn\u00e9ho tanca bol Lester Horton.<\/strong> Za svoj \u017eivot vychoval mnoho zn\u00e1mych modern\u00fdch tane\u010dn\u00edkov. Do svojich techn\u00edk dok\u00e1zal zakomponova\u0165 \u0161t\u00fdly indi\u00e1nskeho tanca a modern\u00e9ho jazzu.<\/span><\/span><\/span><\/div>\n<div class=\"UdTY9 WdefRb\" aria-hidden=\"true\" data-location=\"2\"><\/div>\n<\/div>\n<div>\n<div class=\"VfPpkd-Bz112c-RLmnJb\">ZDROJ: masterclass.com, musicalexpert.org<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"VfPpkd-Bz112c-Jh9lGc\"><\/div>\n<div class=\"VfPpkd-Bz112c-RLmnJb\"><\/div>\n<div id=\"tt-c21\" class=\"EY8ABd-OWXEXe-TAWMXe\" role=\"tooltip\" aria-hidden=\"true\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"kGmWO\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Spojenie viacer\u00fdch \u017e\u00e1nrov V angli\u010dtine ho pozn\u00e1me pod n\u00e1zvom \u201econtemporarty dance\u201c. Kedysi bol iba ak\u00fdmsi zvl\u00e1\u0161tnym uhlov\u00fdm pohybom. Abstraktn\u00fdm a nezvy\u010dajn\u00fdm. Vznikol v 20. storo\u010d\u00ed<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8358","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=8358"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8358\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=8358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=8358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=8358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}