{"id":8556,"date":"2023-11-21T00:00:00","date_gmt":"2023-11-20T23:00:00","guid":{"rendered":"https:\/\/instrid.sk\/uncategorized\/za-hranicou-kreativity-nahradi-umela-inteligencia-nasich-umelcov\/"},"modified":"2023-11-21T00:00:00","modified_gmt":"2023-11-20T23:00:00","slug":"za-hranicou-kreativity-nahradi-umela-inteligencia-nasich-umelcov","status":"publish","type":"post","link":"https:\/\/instrid.sk\/en\/archiv\/za-hranicou-kreativity-nahradi-umela-inteligencia-nasich-umelcov\/","title":{"rendered":"Za hranicou kreativity. Nahrad\u00ed umel\u00e1 inteligencia na\u0161ich umelcov?"},"content":{"rendered":"<p style=\"font-weight: 400;\">Umel\u00e1 inteligencia vynik\u00e1 v\u00a0r\u00f4znych oblastiach, ale <strong>v\u00a0umeleckej zaost\u00e1va.<\/strong> Prejavi\u0165 kreativitu je pre softv\u00e9r takmer nesplnite\u013en\u00e1 \u00faloha. Vedci sa zhoduj\u00fa, \u017ee existuj\u00fa techniky na podporu inovat\u00edvnych my\u0161lienok, no nedok\u00e1\u017eeme \u00faplne pochopi\u0165, ako kreativita vznik\u00e1.<\/p>\n<p style=\"font-weight: 400;\">Vzh\u013eadom na to, \u017ee nerozumieme vlastn\u00fdm biologick\u00fdm procesom, tak nie je mo\u017en\u00e9 ich implementova\u0165 do strojov. Napriek t\u00fdmto obmedzeniam nie sme \u010faleko od vytv\u00e1rania inovat\u00edvnych majstrovsk\u00fdch diel pomocou AI. Vznik umenia generovan\u00e9ho umelou inteligenciou tak vyvolal diskusiu o bud\u00facnosti umelcov a ich \u00falohe vo svete umenia.<\/p>\n<h3 id=\"6ff5\" class=\"mt mu fh be mv mw pt my mz na pu nc nd ne pv ng nh ni pw nk nl nm px no np nq bj\">\u010co je generovan\u00e9 umenie?<\/h3>\n<p style=\"font-weight: 400;\">Ide o\u00a0tvorbu umeleck\u00fdch diel, ktor\u00e9 vznikaj\u00fa prostredn\u00edctvom komplexn\u00fdch algoritmov a\u00a0met\u00f3d u\u010denia sa umelej inteligencie. Tento proces zah\u0155\u0148a tr\u00e9novanie umelej inteligencie pomocou r\u00f4znorod\u00e9ho vizu\u00e1lneho umenia, \u010do jej umo\u017e\u0148uje generova\u0165 origin\u00e1lne a autentick\u00e9 obrazy.<\/p>\n<h3>Nahrad\u00ed AI umelcov?<\/h3>\n<p style=\"font-weight: 400;\">Je zrejm\u00e9, \u017ee umel\u00e1 inteligencia nie je len pas\u00edvnym n\u00e1strojom, ale aj rast\u00facou silou v umeleckej tvorbe. <strong>Spochyb\u0148uje tradi\u010dn\u00e9 paradigmy<\/strong> a pos\u00fava hranice toho, \u010do sa v oblasti umenia pova\u017euje za dosiahnute\u013en\u00e9. Vzostup AI v umeleckej tvorbe prakticky prepisuje defin\u00edciu kreativity. To \u010di umel\u00e1 inteligencia nahrad\u00ed umelcov je ot\u00e1zne. Zatia\u013e je schopn\u00e1 roz\u0161\u00edri\u0165 mo\u017enosti umeleck\u00e9ho tvorenia. Av\u0161ak, <span style=\"text-decoration: underline;\">st\u00e1le si vy\u017eaduje pomocn\u00fa ruku \u010dloveka<\/span>. Teda niektor\u00e9 kreat\u00edvne procesy m\u00f4\u017eu by\u0165 v\u010faka nej \u00a0jednoduch\u0161ie a efekt\u00edvnej\u0161ie &#8211; <strong>u\u0161etria n\u00e1m \u010das a nervy.<\/strong><\/p>\n<p style=\"font-weight: 400;\">Generat\u00edvne umenie predstavuje spojenie s\u00edl umelej inteligencie s \u013eudskou predstavivos\u0165ou. Spolo\u010dne tak vytv\u00e1raj\u00fa jedine\u010dn\u00fa symf\u00f3niu. Algoritmy postupne prekra\u010duj\u00fa o\u010dak\u00e1vania. Vytv\u00e1raj\u00fa diela, ktor\u00e9 s\u00fa nevyspytate\u013en\u00e9 a\u00a0p\u00fatav\u00e9. Av\u0161ak, niekedy aj chybn\u00e9.<\/p>\n<p style=\"font-weight: 400;\">Multimedi\u00e1lny umelec\u00a0Matt Saunders si je ist\u00fd, \u017ee mnoh\u00fdch umelcov AI zaujme a bud\u00fa h\u013eada\u0165 sp\u00f4soby, ako sa s \u0148ou popasova\u0165 alebo s \u0148ou spolupracova\u0165. Tvrd\u00ed, \u017ee ka\u017ed\u00e1 nov\u00e1 technol\u00f3gia prin\u00e1\u0161a nielen nov\u00e9 mo\u017enosti, ale aj nov\u00fd druh materi\u00e1lnej inteligencie.<\/p>\n<h3 style=\"font-weight: 400;\"><strong>Umel\u00e1 inteligencia a hudba<\/strong><\/h3>\n Zn\u00e1ma platforma predstavila najpokro\u010dilej\u0161\u00ed model umelej gener\u00e1cie hudby. Umel\u00e1 inteligencia vynik\u00e1 v\u00a0produkovan\u00ed kvalitnej hudby v\u00a0kombin\u00e1cii s\u00a0in\u0161trument\u00e1lnymi a\u00a0vok\u00e1lnymi prvkami. Okrem toho \u00faspe\u0161ne zvl\u00e1da \u00falohy transform\u00e1cie, umo\u017e\u0148uje u\u017e\u00edvate\u013eom kontrolu nad \u0161t\u00fdlom a v\u00fdkonom v\u00fdsledn\u00e9ho produktu. ILUSTRA\u010cN\u00c1 FOTOGRAFIA\n<p style=\"font-weight: 400;\"><strong>Hudba je ve\u013emi ob\u013e\u00faben\u00e1 forma kreat\u00edvneho vyjadrenia<\/strong> &#8211; od jazzu, heavy metalu, techna a\u017e po operu. V\u010faka zlo\u017eit\u00fdm a husto vrstven\u00fdm textom, mel\u00f3di\u00e1m, rytmom a vok\u00e1lom bol proces skladania hudby n\u00e1ro\u010dn\u00fd pre syst\u00e9my umelej inteligencie. Teda a\u017e doteraz.<\/p>\n<p style=\"font-weight: 400;\">Plne generat\u00edvne aplik\u00e1cie tr\u00e9nuj\u00fa modely AI na rozsiahlych datab\u00e1zach existuj\u00facej hudby. To im umo\u017e\u0148uje nau\u010di\u0165 sa hudobn\u00e9 \u0161trukt\u00fary, harm\u00f3nie, mel\u00f3die, rytmus, dynamiku, zafarbenie a formu. M\u00f4\u017eu tak vytv\u00e1ra\u0165 nov\u00fd obsah, ktor\u00fd sa \u0161tylisticky zhoduje s materi\u00e1lom v datab\u00e1ze. Existuje ve\u013ea pr\u00edkladov tak\u00fdchto aplik\u00e1ci\u00ed. Ale tie naj\u00faspe\u0161nej\u0161ie, ako napr\u00edklad Boomy, <strong>umo\u017e\u0148uj\u00fa nehudobn\u00edkom sklada\u0165 hudbu.<\/strong> N\u00e1sledne ju uverej\u0148uj\u00fa na in\u00fdch platform\u00e1ch s cie\u013eom zarobi\u0165.<\/p>\n<p style=\"font-weight: 400;\">K\u00a0situ\u00e1cii sa vyjadril pre port\u00e1l news.harvard saxofonista a skladate\u013e Yosvany Terry. \u201eHudba m\u00f4\u017ee pren\u00e1\u0161a\u0165 a reprezentova\u0165 em\u00f3cie a AI zatia\u013e nedok\u00e1\u017ee ani jednu z t\u00fdchto vec\u00ed. Je to nie\u010do, \u010do umel\u00e1 inteligencia nedok\u00e1\u017ee.<\/p>\n<p style=\"font-weight: 400;\">Je d\u00f4le\u017eit\u00e9 priv\u00edta\u0165 AI s otvorenou n\u00e1ru\u010dou. Mus\u00edme zisti\u0165, ako n\u00e1m m\u00f4\u017ee pom\u00f4c\u0165. \u201e<strong>Ka\u017ed\u00e1 nov\u00e1 technol\u00f3gia je najsk\u00f4r vn\u00edman\u00e1 ako hrozba.<\/strong> V\u017edy existovali hnutia, ktor\u00e9 boli proti t\u00fdmto inov\u00e1ci\u00e1m.\u00a0Nemysl\u00edm si, \u017ee AI je in\u00e1, ale mus\u00edme si uvedomi\u0165, \u017ee v\u0161etky tieto inov\u00e1cie s\u00fa vytvoren\u00e9 \u010dlovekom a ako \u013eudia m\u00f4\u017eeme vytv\u00e1ra\u0165 a inovova\u0165.\u00a0Ako hudobn\u00edk si mysl\u00edm, \u017ee by sme si mali otvori\u0165 o\u010di, u\u0161i a ruky, aby sme mohli pracova\u0165 s nov\u00fdmi poznatkami a inov\u00e1ciami, ktor\u00e9 m\u00f4\u017ee AI prinies\u0165,\u201c uzavrel.<\/p>\n<h3><strong>Svet anim\u00e1cie<\/strong><\/h3>\n N\u00e1zory na AI sa l\u00ed\u0161ia. ILUSTRA\u010cN\u00c1 FOTOGRAFIA\n<p>Zatia\u013e \u010do niektor\u00ed sp\u00e1jaj\u00fa AI s kreativitou a n\u00e1paditos\u0165ou, in\u00ed ju vn\u00edmaj\u00fa sk\u00f4r ako kombin\u00e1ciu obr\u00e1zkov a\u00a0n\u00e1hody pripom\u00ednaj\u00facu ur\u010dit\u00e9 aspekty tvoriv\u00e9ho procesu. V\u0161eobecne plat\u00ed, \u017ee umel\u00e1 inteligencia predstavuje ur\u010dit\u00fa formu hrozby pre anima\u010dn\u00fd priemysel \u2013 napr\u00edklad strata pracovn\u00fdch miest. Anim\u00e1torka Ruth Stella Lingford nepredpoklad\u00e1, \u017ee by animovan\u00e9 filmy vyroben\u00e9 v\u00fdlu\u010dne pomocou AI boli \u00faspe\u0161n\u00e9 a\u00a0vyu\u017eili v\u0161etok potenci\u00e1l. Prip\u00fa\u0161\u0165a, \u017ee pod \u013eudsk\u00fdm veden\u00edm by mohla fungova\u0165 efekt\u00edvnej\u0161ie.<\/p>\n<p style=\"font-weight: 400;\">V s\u00fa\u010dasnosti je umel\u00e1 inteligencia na vzostupe v r\u00f4znych oblastiach, av\u0161ak v umeleckom sektore predstavuje v\u00fdzvu. Umelci sa o svoje miesto v spolo\u010dnosti neboja. Vn\u00edmaj\u00fa tieto n\u00e1stroje pozit\u00edvne, dokonca si vedia predstavi\u0165 spolupr\u00e1cu s umelou inteligenciou.<\/p>","protected":false},"excerpt":{"rendered":"<p>Umel\u00e1 inteligencia vynik\u00e1 v\u00a0r\u00f4znych oblastiach, ale v\u00a0umeleckej zaost\u00e1va. Prejavi\u0165 kreativitu je pre softv\u00e9r takmer nesplnite\u013en\u00e1 \u00faloha. Vedci sa zhoduj\u00fa, \u017ee existuj\u00fa techniky na podporu inovat\u00edvnych<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-8556","post","type-post","status-publish","format-standard","hentry","category-archiv","two-columns"],"_links":{"self":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/comments?post=8556"}],"version-history":[{"count":0,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/posts\/8556\/revisions"}],"wp:attachment":[{"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/media?parent=8556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/categories?post=8556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instrid.sk\/en\/wp-json\/wp\/v2\/tags?post=8556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}